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Publisher: Edinburgh University Press - series: Non-Series (333 books)

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•  Biographies (4)    •  Dictionaries (1)    •  Essays (34)    •  Film Reviews (1)    •  Studies (289)    •  Interviews (1)    •  Stories (2)    •  Didactic (1)

•  Biographies (0)    •  Dictionaries (0)    •  Essays (0)    •  Film Reviews (0)    •  Studies (0)    •  Interviews (0)    •  Stories (0)    •  Didactic (0)

•  Biographies (4 books)(0 book)

•  Dictionaries (1 book)(0 book)

•  Essays (34 books)(0 book)

Martial Arts Ecology:Aesthetics, Philosophy and Cinematic Mediation

(2026)

Aesthetics, Philosophy and Cinematic Mediation

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Subject: Genre >

Romanian Capitalism on Film:Microhistories of Hope, Anxiety and Adaptation

(2025)

Microhistories of Hope, Anxiety and Adaptation

by and

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Subject: Countries >

Cinecepts, Deleuze, and Godard-Miéville:Developing Philosophy through Audiovisual Media

(2025)

Developing Philosophy through Audiovisual Media

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Doing Documentary, Becoming Subjects:Performance and Performativity in Contemporary Nonfiction

(2025)

Performance and Performativity in Contemporary Nonfiction

by

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Subject: Genre >

Abject Pleasures in the Cinematic:The Beautiful, Sexual Arousal, and Laughter

(2024)

The Beautiful, Sexual Arousal, and Laughter

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Film Phenomenologies:Temporality, Embodiment, Transformation

(2024)

Temporality, Embodiment, Transformation

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Cinema and Machine Vision:Artificial Intelligence, Aesthetics and Spectatorship

(2024)

Artificial Intelligence, Aesthetics and Spectatorship

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Truth in Visual Media:Aesthetics, Ethics and Politics

(2023)

Aesthetics, Ethics and Politics

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Animal Worlds:Film, Philosophy and Time

(2019)

Film, Philosophy and Time

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Time, Existential Presence and the Cinematic Image:Ethics and Emergence to Being in Film

(2018)

Ethics and Emergence to Being in Film

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Cracking Gilles Deleuze's Crystal:Narrative Space-time in the Films of Jean Renoir

(2018)

Narrative Space-time in the Films of Jean Renoir

by

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Subject: Director >

Cultivating Extreme Art Cinema:Text, Paratext and Home Video Culture

(2018)

Text, Paratext and Home Video Culture

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Towards a Feminist Cinematic Ethics:Claire Denis, Emmanuel Levinas and Jean-Luc Nancy

(2015)

Claire Denis, Emmanuel Levinas and Jean-Luc Nancy

by

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Omnibus Films:Theorizing Transauthorial Cinema

(2014)

Theorizing Transauthorial Cinema

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Cinema and Sensation:French Film and the Art of Transgression

(2007)

French Film and the Art of Transgression

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Film Music:Critical Approaches

(2001)

Critical Approaches

by and

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Subject: Technique >

•  Film Reviews (1 book)(0 book)

Arab World Cinemas:A Reader and Guide

(2024)

A Reader and Guide

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Subject: Countries >

•  Studies (289 books)(0 book)

Unsuitable Film and Video Audiences:Underage Viewing Memories and Practices in 1980s United Kingdom

(2026)

Underage Viewing Memories and Practices in 1980s United Kingdom

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French Westerns:On the Frontier of Film Genre and French Cinema

(2025)

On the Frontier of Film Genre and French Cinema

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Subject: Genre >

Mapping Taiwanese Cinema, 2008-20:Environments, Poetics, Practice

(2025)

Environments, Poetics, Practice

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Subject: Countries >

Outsider Cinema:Independent and Amateur Filmmaking in Northern Ireland, 1929-1989

(2025)

Independent and Amateur Filmmaking in Northern Ireland, 1929-1989

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Women in East Asian Cinema:Gender Representations, Creative Labour and Global Histories

(2025)

Gender Representations, Creative Labour and Global Histories

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Subject: Countries >

The Late and Post-Dictatorship:Cinephilia Boom and Art Houses in South Korea

(2025)

Cinephilia Boom and Art Houses in South Korea

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Subject: Countries >

Transgressive Art Films:Extremity, Ethics, and Controversial Images of Sex and Violence

(2025)

Extremity, Ethics, and Controversial Images of Sex and Violence

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Iconoclasm in European Cinema:The Ethics and Aesthetics of Image Destruction

(2025)

The Ethics and Aesthetics of Image Destruction

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Film Style in Indonesian Cinema, 1998-2018:Lighting, Production Design and Camera Movement

(2025)

Lighting, Production Design and Camera Movement

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Subject: Countries >

Women's New Cinema in Contemporary Turkey:As If We Were Free, As If a Beautiful Life Were Possible

(2025)

As If We Were Free, As If a Beautiful Life Were Possible

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Subject: Countries >

Romanian and Chinese Cinemas:Socialist Affect and Cultural Politics from Maoism to the New Waves

(2025)

Socialist Affect and Cultural Politics from Maoism to the New Waves

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Subject: Countries >

Financing the British Film Industry:Capital, Cash and Quota, 1896-1945

(2025)

Capital, Cash and Quota, 1896-1945

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The Sex Slave in Cinema:An Inegalitarian Spectacle

(2025)

An Inegalitarian Spectacle

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Girls' Hairstories:Resilience and Sparkle in Contemporary Screen Cultures

(2025)

Resilience and Sparkle in Contemporary Screen Cultures

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Failed Masculinities:The Men in Satyajit Ray's Films

(2025)

The Men in Satyajit Ray's Films

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Subject: Director >

Contemporary Screen Ethics:Absences, Identities, Belonging, Looking Anew

(2025)

Absences, Identities, Belonging, Looking Anew

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The Eye of the Cinematograph:Lévinas and Realisms of the Body

(2024)

Lévinas and Realisms of the Body

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Provocation in Women's Filmmaking:Authorship and Art Cinema

(2024)

Authorship and Art Cinema

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Networked David Lynch:Critical Perspectives on Cinematic Transmediality

(2024)

Critical Perspectives on Cinematic Transmediality

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Subject: Director >

Exotic Cinema:Encounters with Cultural Difference in Contemporary Transnational Film

(2024)

Encounters with Cultural Difference in Contemporary Transnational Film

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The Talent Management of Indie Authorship:From American independent cinema and short “films” to pay-TV and streaming

(2024)

From American independent cinema and short “films” to pay-TV and streaming

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Subject: Genre >

Contemporary Disney Animation:Genre, Gender and Hollywood

(2024)

Genre, Gender and Hollywood

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Subject: Studio >

Blood on the Lens:Trauma and Anxiety in American Found Footage Horror Cinema

(2024)

Trauma and Anxiety in American Found Footage Horror Cinema

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Armchair Cinema:A History of Feature Films on British Television, 1929-1981

(2024)

A History of Feature Films on British Television, 1929-1981

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Subject: Countries >

Transnational Kaiju:Exploitation, Globalisation and Cult Monster Movies

(2024)

Exploitation, Globalisation and Cult Monster Movies

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Filming Death:End-of-Life Documentary Cinema

(2024)

End-of-Life Documentary Cinema

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Beyond Realism:Naturalist Film in Theory and Practice

(2024)

Naturalist Film in Theory and Practice

by

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Ambiguous Cinema:From Simone de Beauvoir to Feminist Film-Phenomenology

(2024)

From Simone de Beauvoir to Feminist Film-Phenomenology

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Faces on Screen:New Approaches

(2024)

New Approaches

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The Money Behind the Screen:A History of British Film Finance, 1945-1985

(2024)

A History of British Film Finance, 1945-1985

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Demons of the Mind:Psychiatry and Cinema in the Long 1960s

(2024)

Psychiatry and Cinema in the Long 1960s

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Women, Feminism and Italian Cinema:Archives from a Film Culture

(2023)

Archives from a Film Culture

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Subject: Countries >

Hong Kong Crime Films:Criminal Realism, Censorship and Society, 1947-1986

(2023)

Criminal Realism, Censorship and Society, 1947-1986

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Subject: Countries >

Diseased Cinema:Plagues, Pandemics and Zombies in American Movies

(2023)

Plagues, Pandemics and Zombies in American Movies

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Vital Resonances:Encountering Film with Varda, Haneke and Nancy

(2023)

Encountering Film with Varda, Haneke and Nancy

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Subject: Director > ,

Spinsters, Widows and Chars:The Ageing Woman in British Film

(2023)

The Ageing Woman in British Film

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Chaoid Cinema:Deleuze & Guattari and the Topological Vector of Silence

(2023)

Deleuze & Guattari and the Topological Vector of Silence

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Japanese High School Films:Iconography, Nostalgia and Discipline

(2023)

Iconography, Nostalgia and Discipline

by

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Subject: Countries >

Science Fiction Film:Predicting the Impossible in the Age of Neoliberalism

(2023)

Predicting the Impossible in the Age of Neoliberalism

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Subject: Genre >

Greek Weird Wave:A Cinema of Biopolitics

(2023)

A Cinema of Biopolitics

by

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Subject: Countries >

Western China on Screen:An Urban Exploration

(2023)

An Urban Exploration

by

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Subject: Countries >

Arab Animation:Images of Identity

(2023)

Images of Identity

by

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Subject: Countries >

Visceral Screens:Mediation and Matter in Horror Cinema

(2023)

Mediation and Matter in Horror Cinema

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Subject: Genre >

Post-Horror:Art, Genre and Cultural Elevation

(2023)

Art, Genre and Cultural Elevation

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Subject: Genre >

Tim Burton's Bodies:Gothic, Animated, Creaturely and Corporeal

(2022)

Gothic, Animated, Creaturely and Corporeal

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Subject: Director >

Asian Cinema:A Regional View

(2022)

A Regional View

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Acting Across Borders:Mobility and Identity in Italian Cinema

(2022)

Mobility and Identity in Italian Cinema

by

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Subject: Countries >

Rewind, Replay:Britain and the Video Boom, 1978-1992

(2022)

Britain and the Video Boom, 1978-1992

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James Joyce and Cinematicity:Before and After Film

(2022)

Before and After Film

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Israel/Palestine:Border Representations in Literature and Film

(2021)

Border Representations in Literature and Film

by

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Affective Intensities and Evolving Horror Forms:From Found Footage to Virtual Reality

(2021)

From Found Footage to Virtual Reality

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Cinema and Soft Power:Configuring the National and Transnational in Geo-politics

(2021)

Configuring the National and Transnational in Geo-politics

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Cinematic Realism:Lukács, Kracauer and Theories of the Filmic Real

(2020)

Lukács, Kracauer and Theories of the Filmic Real

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The Pulse in Cinema:The Aesthetics of Horror

(2020)

The Aesthetics of Horror

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Legacies of the Past:Memory and Trauma in Mexican Visual and Screen Cultures

(2020)

Memory and Trauma in Mexican Visual and Screen Cultures

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Mediating War and Identity:Figures of Transgression in 20th- and 21st-century War Representation

(2020)

Figures of Transgression in 20th- and 21st-century War Representation

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Subject: Genre >

New Blood in Contemporary Cinema:Women Directors and the Poetics of Horror

(2020)

Women Directors and the Poetics of Horror

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Phases of the Moon:A Cultural History of the Werewolf Film

(2020)

A Cultural History of the Werewolf Film

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Moroccan Cinema Uncut:Decentred Voices, Transnational Perspectives

(2020)

Decentred Voices, Transnational Perspectives

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Subject: Countries >

Cinema of Crisis:Film and Contemporary Europe

(2020)

Film and Contemporary Europe

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Subject: Countries >

Nasty Business:The Marketing and Distribution of the Video Nasties

(2020)

The Marketing and Distribution of the Video Nasties

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Experimental and Independent Italian Cinema:Legacies and Transformations into the Twenty-First Century

(2020)

Legacies and Transformations into the Twenty-First Century

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The Invisibilities of Political Torture:The Presence of Absence in US and Chilean Cinema and Television

(2020)

The Presence of Absence in US and Chilean Cinema and Television

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Persistent Images:Encountering Film History in Contemporary Cinema

(2020)

Encountering Film History in Contemporary Cinema

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Intercultural Screen Adaptation:British and Global Case Studies

(2020)

British and Global Case Studies

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Subject: Technique >

Film and Domestic Space:Architectures, Representations, Dispositif

(2020)

Architectures, Representations, Dispositif

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Subject: On Films >

The Squid Cinema From Hell:Kinoteuthis Infernalis and the Emergence of Chthulumedia

(2020)

Kinoteuthis Infernalis and the Emergence of Chthulumedia

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The Peripatetic Frame:Images of Walking in Film

(2019)

Images of Walking in Film

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Performing Ethics Through Film Style:Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader

(2019)

Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader

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The Filmmaker's Philosopher:Merab Mamardashvili and Russian Cinema

(2019)

Merab Mamardashvili and Russian Cinema

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Subject: Countries >

Narrative Humanism:Kindness and Complexity in Fiction and Film

(2019)

Kindness and Complexity in Fiction and Film

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Artmaking in the Age of Global Capitalism:Visual Practices, Philosophy, Politics

(2019)

Visual Practices, Philosophy, Politics

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Extraterritoriality:Locating Hong Kong Cinema and Media

(2019)

Locating Hong Kong Cinema and Media

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World Cinema and the Essay Film:Transnational Perspectives on a Global Practice

(2019)

Transnational Perspectives on a Global Practice

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The Contemporary Western:An American Genre Post-9/11

(2019)

An American Genre Post-9/11

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Screening Youth:Contemporary French and Francophone Cinema

(2019)

Contemporary French and Francophone Cinema

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Subject: Countries >

Blood in the Streets:Histories of Violence in Italian Crime Cinema

(2019)

Histories of Violence in Italian Crime Cinema

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Cinema, If You Please:The Memory of Taste, the Taste of Memory

(2018)

The Memory of Taste, the Taste of Memory

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Journeys on Screen:Theory, Ethics, Aesthetics

(2018)

Theory, Ethics, Aesthetics

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Subject: On Films >

Framing Empire:Postcolonial Adaptations of Victorian Literature in Hollywood

(2018)

Postcolonial Adaptations of Victorian Literature in Hollywood

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Subject: Technique >

The Two cines con niño:Genre and the Child Protagonist in Over Fifty Years of Spanish Film (1955-2010)

(2018)

Genre and the Child Protagonist in Over Fifty Years of Spanish Film (1955-2010)

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Subject: Countries >

Postfeminist Whiteness:Problematising Melancholic Burden in Contemporary Hollywood

(2018)

Problematising Melancholic Burden in Contemporary Hollywood

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Cinema Between Media:An Intermediality Approach

(2018)

An Intermediality Approach

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The Computer-Animated Film:Industry, Style and Genre

(2018)

Industry, Style and Genre

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Subject: Genre >

Raymond Bellour:Cinema and the Moving Image

(2018)

Cinema and the Moving Image

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Beyond Eastern Noir:Reimagining Russia and Eastern Europe in Nordic Cinemas

(2018)

Reimagining Russia and Eastern Europe in Nordic Cinemas

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Cinéma-monde:Decentred Perspectives on Global Filmmaking in French

(2018)

Decentred Perspectives on Global Filmmaking in French

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Subject: Countries >

From Film Practice to Data Process:Production Aesthetics and Representational Practices of a Film Industry in Transition

(2018)

Production Aesthetics and Representational Practices of a Film Industry in Transition

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The Audience Effect:On the Collective Cinema Experience

(2017)

On the Collective Cinema Experience

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Cinematic Nihilism:Encounters, Confrontations, Overcomings

(2017)

Encounters, Confrontations, Overcomings

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Acinemas:Lyotard's Philosophy of Film

(2017)

Lyotard's Philosophy of Film

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Hamlet Lives in Hollywood:John Barrymore and the Acting Tradition Onscreen

(2017)

John Barrymore and the Acting Tradition Onscreen

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Subject: Actor >

Improving Passions:Sentimental Aesthetics and American Film

(2017)

Sentimental Aesthetics and American Film

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Speaking in Subtitles:Revaluing Screen Translation

(2017)

Revaluing Screen Translation

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Troubled Everyday:The Aesthetics of Violence and the Everyday in European Art Cinema

(2017)

The Aesthetics of Violence and the Everyday in European Art Cinema

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Subject: Countries >

Revisiting Star Studies:Cultures, Themes and Methods

(2017)

Cultures, Themes and Methods

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Subject: Technique >

Sounding Modernism:Rhythm and Sonic Mediation in Modern Literature and Film

(2017)

Rhythm and Sonic Mediation in Modern Literature and Film

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Subject: Technique >

Negotiating Dissidence:The Pioneering Women of Arab Documentary

(2017)

The Pioneering Women of Arab Documentary

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Disappearing War:Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World

(2017)

Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World

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Impossible Puzzle Films:A Cognitive Approach to Contemporary Complex Cinema

(2016)

A Cognitive Approach to Contemporary Complex Cinema

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Subject: Technique >

The Hollywood Meme:Transnational Adaptations in World Cinema

(2016)

Transnational Adaptations in World Cinema

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Hollywood and the Great Depression:American Film, Politics and Society in the 1930s

(2016)

American Film, Politics and Society in the 1930s

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Undead Apocalypse:Vampires and Zombies in the 21st Century

(2016)

Vampires and Zombies in the 21st Century

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Subject: Genre >

Deleuze's Cinema Books:Three Introductions to the Taxonomy of Images

(2016)

Three Introductions to the Taxonomy of Images

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Off to the Pictures:Cinemagoing, Women's Writing and Movie Culture in Interwar Britain

(2016)

Cinemagoing, Women's Writing and Movie Culture in Interwar Britain

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Espionage and Exile:Fascism and Anti-Fascism in British Spy Fiction and Film

(2016)

Fascism and Anti-Fascism in British Spy Fiction and Film

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Subject: Countries >

French and Spanish Queer Film:Audiences, Communities and Cultural Exchange

(2016)

Audiences, Communities and Cultural Exchange

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Extreme Cinema:Affective Strategies in Transnational Media

(2016)

Affective Strategies in Transnational Media

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Subject: Genre >

The Major Realist Film Theorists:A Critical Anthology

(2016)

A Critical Anthology

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Border Crossing:Russian Literature into Film

(2016)

Russian Literature into Film

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Subject: Technique >

Slums on Screen:World Cinema and the Planet of Slums

(2016)

World Cinema and the Planet of Slums

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Spaghetti Westerns at the Crossroads:Studies in Relocation, Transition and Appropriation

(2016)

Studies in Relocation, Transition and Appropriation

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Subject: Genre >

Talkies, Road Movies and Chick Flicks:Gender, Genre and Film Sound in American Cinema

(2016)

Gender, Genre and Film Sound in American Cinema

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Subject: Technique >

Contaminations:Beyond Dialectics in Modern Literature, Science and Film

(2016)

Beyond Dialectics in Modern Literature, Science and Film

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Straight Girls and Queer Guys:The Hetero Media Gaze in Film and Television

(2016)

The Hetero Media Gaze in Film and Television

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Contemporary British Horror Cinema:Industry, Genre and Society

(2015)

Industry, Genre and Society

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Subject: Genre >

Bollywood and Postmodernism:Popular Indian Cinema in the 21st Century

(2015)

Popular Indian Cinema in the 21st Century

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Post-1990 Documentary:Reconfiguring Independence

(2015)

Reconfiguring Independence

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Extreme Asia:The Rise of Cult Cinema from the Far East

(2015)

The Rise of Cult Cinema from the Far East

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Imagining Surveillance:Eutopian and Dystopian Literature and Film

(2015)

Eutopian and Dystopian Literature and Film

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From Empire to the World:Migrant London and Paris in the Cinema

(2015)

Migrant London and Paris in the Cinema

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Grindhouse Nostalgia:Memory, Home Video and Exploitation Film Fandom

(2015)

Memory, Home Video and Exploitation Film Fandom

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Subject: Countries >

East, West and Centre:Reframing Post-1989 European Cinema

(2014)

Reframing Post-1989 European Cinema

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Subject: Countries >

Cinema of the Dark Side:Atrocity and the Ethics of Film Spectatorship

(2014)

Atrocity and the Ethics of Film Spectatorship

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Far-Flung Families in Film:The Diasporic Family in Contemporary European Cinema

(2014)

The Diasporic Family in Contemporary European Cinema

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Special Affects:Cinema, Animation and the Translation of Consumer Culture

(2014)

Cinema, Animation and the Translation of Consumer Culture

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Masculinity and Italian Cinema:Sexual Politics, Social Conflict and Male Crisis in the 1970s

(2014)

Sexual Politics, Social Conflict and Male Crisis in the 1970s

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Subject: Countries >

Selling the Splat Pack:The DVD Revolution and the American Horror Film

(2014)

The DVD Revolution and the American Horror Film

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Subject: Genre >

Scenes from the Suburbs:The Suburb in Contemporary US Film and Television

(2014)

The Suburb in Contemporary US Film and Television

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Myth of the Western:New Perspectives on Hollywood's Frontier Narrative

(2014)

New Perspectives on Hollywood's Frontier Narrative

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The Return of the Epic Film:Genre, Aesthetics and History in the 21st Century

(2014)

Genre, Aesthetics and History in the 21st Century

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Subject: Genre >

Death and the Moving Image:Ideology, Iconography and I

(2014)

Ideology, Iconography and I

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The Besieged Ego:Doppelgangers and Split Identity Onscreen

(2013)

Doppelgangers and Split Identity Onscreen

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Men's Cinema:Masculinity and Mise-en-Scene in Hollywood

(2013)

Masculinity and Mise-en-Scene in Hollywood

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Happy Endings in Hollywood Cinema:Cliché, Convention and the Final Couple

(2013)

Cliché, Convention and the Final Couple

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Subject: Countries >

Small-Gauge Storytelling:Discovering the Amateur Fiction Film

(2013)

Discovering the Amateur Fiction Film

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Subject: Genre >

Mel Brooks in the Cultural Industries:Survival and Prolonged Adaptation

(2012)

Survival and Prolonged Adaptation

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Subject: Director >

Breaking the Fourth Wall:Direct Address in the Cinema

(2012)

Direct Address in the Cinema

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Jet Li:Chinese Masculinity and Transnational Film Stardom

(2012)

Chinese Masculinity and Transnational Film Stardom

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Subject: Actor >

Hollywood's Indies:Classics Divisions, Specialty Labels and American Independent Cinema

(2012)

Classics Divisions, Specialty Labels and American Independent Cinema

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Subject: Genre >

Heritage Film Audiences:Period Films and Contemporary Audiences in the UK

(2011)

Period Films and Contemporary Audiences in the UK

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Subject: Genre >

Bollywood in the Age of New Media:The Geo-televisual Aesthetic

(2010)

The Geo-televisual Aesthetic

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Subject: Countries >

Post-Classical Hollywood:Film Industry, Style and Ideology since 1945

(2010)

Film Industry, Style and Ideology since 1945

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Subject: Countries >

Memory and the Moving Image:French Film in the Digital Era

(2010)

French Film in the Digital Era

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Journalists in Film:Heroes and Villains

(2009)

Heroes and Villains

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Subject: On Films >

Scotland:Global Cinema:Genres, Modes and Identities

(2009)

Global Cinema:Genres, Modes and Identities

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Publisher:

Subject: Countries >

Hollywood's Blacklists:A Political and Cultural History

(2009)

A Political and Cultural History

by

Publisher:

Subject:

Film Sequels:Theory and Practice from Hollywood to Bollywood

(2009)

Theory and Practice from Hollywood to Bollywood

by

Publisher:

Subject:

Science Fiction Cinema:Between Fantasy and Reality

(2007)

Between Fantasy and Reality

by

Publisher:

Subject: Genre >

Film Histories:An Introduction and Reader

(2007)

An Introduction and Reader

Dir. , and

Publisher:
(previous edition)

Subject:

Sapphism on Screen:Lesbian Desire in French and Francophone Cinema

(2006)

Lesbian Desire in French and Francophone Cinema

by

Publisher:

Subject: Countries >

Deleuze, Cinema and National Identity:Narrative Time in National Contexts

(2006)

Narrative Time in National Contexts

by

Publisher:

Subject:

John Mills and British Cinema:Masculinity, Identity and Nation

(2006)

Masculinity, Identity and Nation

by

Publisher:

Subject: Actor >

A Cinema of Contradiction:Spanish Film in the 1960s

(2006)

Spanish Film in the 1960s

by

Publisher:

Subject: Countries >

Contemporary World Cinema:Europe, the Middle East, East Asia and South Asia

(2005)

Europe, the Middle East, East Asia and South Asia

by

Publisher:

Subject: Countries >

Film Genre:Hollywood and Beyond

(2005)

Hollywood and Beyond

by

Publisher:

Subject: Genre >

Contemporary Scottish Fictions:Film, Television and the Novel

(2004)

Film, Television and the Novel

by

Publisher:

Subject: Countries >

European Film Theory and Cinema:A Critical Introduction

(2001)

A Critical Introduction

by

Publisher:
(previous edition)

Subject: Countries >

Terms of Endearment:Hollywood Romantic Comedy of the 1980s and 1990s

(1998)

Hollywood Romantic Comedy of the 1980s and 1990s

Dir. and

Publisher:

Subject: Genre >

•  Interviews (1 book)(0 book)

•  Stories (2 books)(0 book)

Hammer Goes to Hell:The House of Horror's Unmade Films

(2024)

The House of Horror's Unmade Films

by

Publisher:

Subject: Studio >

Working Title Films:A Creative and Commercial History

(2023)

A Creative and Commercial History

by

Publisher:

Subject: Countries >

•  Didactic (1 book)(0 book)

Screen Acting:A Cognitive Approach

(2024)

A Cognitive Approach

by

Publisher:

Subject: Technique >

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