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From Harry Potter to the Wizarding World

The Transfiguration of a Franchise

de

Type
Studies
Sujet
One Film
Mots Clés
Harry Potter, franchise
Année d'édition
Editeur
Edinburgh University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback232 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-3995-4818-2
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Description de l'ouvrage:
The Harry Potter franchise is not confined to just the page or the screen, but has been and continues to be reimagined and reconfigured through a number of extratextual products, texts, and experiences which surround and rework the Harry Potter texts. This book centres around the 2010s, or the ‘post-Potter era’, a period of unprecedented growth and reinvention for the franchise. Many of the franchising developments produced during this time operated according to distinct strategies: to consolidate the legacy of the Harry Potter series, or to extend the fictional universe into new settings, media and cultural forms. This book explores six such developments - J.K. Rowling’s authorship, the website Pottermore, the ‘Wizarding World of Harry Potter’ theme parks, the Warner Bros. Studio Tour in Watford, the Fantastic Beasts films, and the stageplay Harry Potter and the Cursed Child – to shine a spotlight on a franchise in flux.

À propos de l'auteur :
Cassie Brummitt is Assistant Professor in Film and Television Studies at the University of Nottingham, UK. She is author of “Pottermore: Transmedia Storytelling and Authorship in Harry Potter” in the Midwest Quarterly (2016, vol 4) and ‘’Friends? Always.’: Queerbaiting, Erasure, and Ambiguity in Harry Potter and the Cursed Child’, in Queerbaiting and Fandom: Teasing Fans through Homoerotic Possibilities (edited by Joseph Brennan). Her research interests include screen marketing and promotion, contemporary media franchising, and the cinema industry.

Revue de Presse:
From Harry Potter to the Wizarding World is a salient, long overdue analysis of the wealth and breadth of the story world in the post-book era, covering everything from online platformPottermore, to its presence in Universal theme parks, the Studio Tour in Leavesden, the Cursed Child stage play, as well as the fledging Fantastic Beasts film series. Cassie Brummitt also convinces by reckoning with Rowling’s authorial control over the franchise, ever more important in light of her hateful and controversial presence in recent years. ― Sabrina Mittermeier, author of A Cultural History of Disneyland Theme Parks

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