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Vampires in Silent Cinema

de Gary D. Rhodes

Type
Studies
Sujet
Silent Cinema
Mots Clés
vampire, silent cinema, fantasy
Année d'édition
2025 (May 30, 2025) (à paraître)
Editeur
Edinburgh University Press
1ere édition
2024 (January 12, 2024)
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 224 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-3995-2575-6
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Description de l'ouvrage:
Despite the enormous cultural impact of Nosferatu (1922) on modern entertainment, the history of vampires in silent film is largely unknown.

Vampires in Silent Cinema covers the subject from 1896-1931, reclaiming a large array of forgotten films from countries ranging from the United States and France to Hungary and Russia. Drawing on thousands of primary sources, Rhodes explores vampirism in all of its manifestations, from the supernatural undead to the natural vamp.

À propos de l'auteur :
Gary D. Rhodes is Professor of Media, Oklahoma Baptist University. He is the author of Emerald Illusions: The Irish in Early American Cinema (2012), The Perils of Moviegoing in America (2012), and The Birth of the American Horror Film (2018). He is a founding editor of Horror Studies: An Interdisciplinary Journal. Rhodes is also the writer-director of the documentary films Lugosi: Hollywood's Dracula (1997) and Banned in Oklahoma (2004).

Revue de Presse:
Rhodes' book is full of original information, presented affably. It entertains as well as informs. It moves through the 18th through 21st centuries, providing a history of vampire culture, and how it was presented through press, books, the stage and screen. -- Doug Gibson ― Plan 9 Crunch

Vampires in Silent Cinema is an invaluable resource for aficionados and scholars of early cinema. Rhodes' extensive research leaves no stone unturned and has shed light on many mysteries and misconceptions around the birth of the vampire genre. It is among the most illuminating and original books on vampires in recent memory.
-- Robert Eggers, Director of The Witch and Nosferatu

At last, an account of the vampire in silent cinema that is fully researched! From Theda Bara’s sexy "vamp"; Musidora’ s criminal Irma Vep; a lost Hungarian film; through to Murnau’s Nosferatu and the lead-up to Lugosi’s "talkie," Rhodes combines the enthusiasm of a fan with the care of a scholar.
-- Tom Gunning, University of Chicago

Voir le site internet de l'éditeur Edinburgh University Press

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