MENU   

Researching Historical Screen Audiences

Sous la direction de , et

Type
Studies
Sujet
Mots Clés
sociology
Année d'édition
Editeur
Edinburgh University Press
1ere édition
2021
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback264 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-4744-7782-6
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
Showcasing current research and contemporary debate in the field of screen history and audience studies, Researching Historical Screen Audiences draws upon a wide variety of previously untapped sources – including photographs, maps, Mass Observation reports, diaries, fan letters, cinema records and original oral testimonies– to explore the challenges and pleasures of conducting research in this field. Containing twelve new essays from an international group of leading and emerging scholars, the book explores and assesses the current status and shape of the field of historical audience research, showcasing new research which foregrounds the transnational and multi-cultural dimensions of past cinemagoing, the roles played by management personnel and marketing campaigns, and the currently under-explored area of the past reception of home video.

À propos des auteurs :
Dr Kate Egan is Senior Lecturer in Film and Media at Northumbria UniversityMartin Smith is an independent researcherJamie Terrill is a Research Associate on the AHRC funded Cinema Memory and the Digital Archive: 1930s Britain and Beyond project

Revue de Presse:
Egan, Smith and Terrill have produced an ambitiously constructed, extensively researched and a truly exciting edited volume. The book offers a wealth of invaluable insights into screen audiences and film cultures more broadly, while showcasing a rich and diverse range of methodologies, periods, settings and contexts. An indispensable contribution to audience historiography.
-- Daniela Treveri Gennari, Oxford Brookes University

Voir le

> Des mêmes auteurs :

Alien Audiences:Remembering and Evaluating a Classic Movie

(2015)

Remembering and Evaluating a Classic Movie

de , , et

Sujet : One Film >

Trash or Treasure:Censorship and the Changing Meanings of the Video Nasties

(2012)

Censorship and the Changing Meanings of the Video Nasties

de

Sujet : Genre >

> Sur un thème proche :

Feminist Visions:Tracing Feminist Epistemologies in Contemporary Film and Television

(2026)

Tracing Feminist Epistemologies in Contemporary Film and Television

Dir. et

Sujet :

Unsuitable Film and Video Audiences:Underage Viewing Memories and Practices in 1980s United Kingdom

(2026)

Underage Viewing Memories and Practices in 1980s United Kingdom

de

Sujet :

Displacement of (M)others in Twenty-First-Century US Films:Impact on Maternal Identities of

(2026)

Impact on Maternal Identities of "Other" Subjectivities

de

Sujet :

The Dressing Room:Backstage Lives and American Film

(2025)

Backstage Lives and American Film

de

Sujet :

The Sex Slave in Cinema:An Inegalitarian Spectacle

(2025)

An Inegalitarian Spectacle

de

Sujet :

Girls' Hairstories:Resilience and Sparkle in Contemporary Screen Cultures

(2025)

Resilience and Sparkle in Contemporary Screen Cultures

de

Sujet :

Free with Every Kids' Meal:The Cultural Impact of Fast Food Toys

(2025)

The Cultural Impact of Fast Food Toys

de

Sujet :

Shifting Gender Identities in Popular Culture:Essays on Representation Since 2010

(2025)

Essays on Representation Since 2010

Dir. et

Sujet :

16168 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info