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Arab Animation

Images of Identity

by Omar Sayfo

Type
Studies
Subject
CountriesMiddle East
Keywords
Middle East, animation, ideology
Publishing date
2023
Publisher
Edinburgh University Press
1st publishing
2021
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 288 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-4744-7949-3
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Book Presentation:
Omar Sayfo textually analyses around 40 animation productions in Algeria, Egypt, Iraq, Jordan, Kuwait, the Palestinian Territories, Qatar, Saudi Arabia, Syria, Tunisia and the United Arab Emirates, from the 1930s until recently. He shows how rival notions of national, pan-Arab and Islamic identities have been advocated, challenged and fused by Arab animated cartoons.

About the Author:
Omar Sayfo is Affiliated Researcher in the Institute for Cultural Inquiry (ICON) at Utrecht University and a researcher at the Avicenna Institute of Middle Eastern Studies. He has published articles among others in Animation, Media Industries Journal and The Journal of Popular Culture, as well as chapters in a number of edited collections.

Press Reviews:
This work is encyclopaedic in ambition and scope. Its coverage includes details of the production background and texts of scores of animations, organised coherently according to the author’s framework of national, pan-Arab, Islamic, ‘revolutionary’ and global identities and researched through painstaking and resourceful seeking out and sifting of a wide range of archives and sources, including interviews. -- Naomi Sakr, Professor of Media Policy, University of Westminster

Dr. Sayfo has worked with the best scholars in the field, and has done such a large amount of groundwork through interviews and fieldwork, that I am convinced this book will serve as one of the benchmarks for research on Arab animation in years to come. This excellent book combines critical analysis of existing scholarship with original research that has not been accessed or unlocked previously. -- Professor Stefanie Van de Peer, Lecturer in Film and Media, Queen Margaret University

See the publisher website: Edinburgh University Press

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