Science Fiction Film
Predicting the Impossible in the Age of Neoliberalism
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
By presenting a new political framework, the book looks at the sci-fi film genre’s important critical role in a post-political world, deepening and elucidating our understanding of the post-political present and hence reopening the political imagination to possible future trajectories beyond the horizon of the present.
Opening a debate about the political dimension of science fiction films, this book uses Carl Schmitt’s thought to provide a new theoretical approach to American cinematic sci-fi since the late 1970s. Drawing on Schmitt’s notion of the state of exception and its basis in the unpredictability of tomorrow, it looks at the political ramifications when the moment of the future finally arrives.
With analysis of films such as Alien, Blade Runner and Minority Report, Eli Park Sorensen explores how power reconfigures itself to ensure the survival of the state, what ‘society’ means, who ‘we, the people’ are, and whether it will still be possible to retain a sphere of liberal, individual rights after the transformative event of the future.
About the Author:
Dr Eli Park Sorensen is an Assistant Professor in the English Department at Chinese University of Hong Kong.
See the publisher website: Edinburgh University Press
> Books with the same or similar title:
> On a related topic:
The Science Fiction Film in Contemporary Hollywood (2025)
A Social Semiotics of Bodies and Worlds
Subject: Genre > Science Fiction
Amazing Worlds of Science Fiction and Science Fact (2025)
by Keith Cooper
Subject: Genre > Science Fiction
Feminist Posthumanism in Contemporary Science Fiction Film and Media (2025)
From Annihilation to High Life and Beyond
Dir. Julia A. Empey
Subject: Genre > Science Fiction
Societies in Space (2025)
Essays on the Civilized Frontier in Film and Television
Dir. Gary Westfahl
Subject: Genre > Science Fiction
Robots That Love (2025)
Artificial Amours in Myth, Folklore, Literature, Popular Culture and the Real World
Subject: Genre > Science Fiction
The Future Was Now (2025)
Madmen, Mavericks, and the Epic Sci-Fi Summer of 1982
Subject: Genre > Science Fiction
Fantastic Planets, Forbidden Zones, and Lost Continents (2024)
The 100 Greatest Science-fiction Films
Subject: Genre > Science Fiction
Using Declarative Mapping Sentences in Psychological Research (2024)
Applying Facet Theory in Multi-Componential Critical Analyses of Female Representation in Science Fiction Film and TV
by Paul M.W. Hackett and Chenwei Li
Subject: Genre > Science Fiction
The New Routledge Companion to Science Fiction (2024)
Dir. Mark Bould, Andrew Butler and Sherryl Vint
Subject: Genre > Science Fiction
World Gone Wild, Restocked and Reloaded 2nd Edition (2024)
A Survivor's Guide to Post-Apocalyptic Movies
Subject: Genre > Science Fiction