Blood in the Streets

Histories of Violence in Italian Crime Cinema

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by Austin Fisher

Type

Studies

Subject

Countries > Italy

Keywords

Italy, giallo, violence, 1970s

Publishing date

2019

Publisher

Edinburgh University Press

Language

English

Relative size

Physical desc.

Hardcover • 240 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)

ISBN

978-1-4744-1172-1

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Book Presentation:
A historical contextualisation of 1970s Italian genre films that depicted violent crime in contemporary Italy
• Winner of the BAFTSS Best Monograph Award 2020!

Blood in the Streets investigates the various ways in which 1970s Italian crime films were embedded in their immediate cultural and political contexts. The book analyses the emergence, proliferation and distribution of a range of popular film cycles (or filoni) – from conspiracy thrillers and vigilante films, to mafia and serial killer narratives – and examines what these reveal about their time and place.

With industrial conditions geared around rapid production schedules and concentrated release patterns, the engagement in these films with both the contemporary political turmoil of 1970s Italy and the traumas of the nation’s recent past offers a range of fascinating insights into the wider anxieties of this decade concerning the Second World War and its ongoing political aftermath.

About the Author:
Austin Fisher is Associate Professor of Popular Culture at Bournemouth University. He is the author of Radical Frontiers in the Spaghetti Western, editor of Spaghetti Westerns at the Crossroads and Grindhouse: Cultural Exchange on 42nd Street, and Beyond, and founding co-editor of the ‘Global Exploitation Cinemas’ book series. His main area of expertise concerns popular Italian cinema’s relationship with political movements of the 1960s and 1970s.

Press Reviews:
The filone is the subject; film convention, cycles and series the method; and government corruption, crime syndicates, policing, murder mysteries, street riots and political violence is the topic of enquiry. Adroitly pulling these strands together, Austin Fisher has produced one of the finest histories of post-war Italian popular cinema.– Peter Stanfield, author of Hoodlum Movies: seriality and the outlaw biker film cycle, 1966-1972

See the publisher website: Edinburgh University Press