Mapping Taiwanese Cinema, 2008-20
Environments, Poetics, Practice
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Description de l'ouvrage:
What is the relationship between filmmaking and mapping? Accounting for the unique characteristics of Taiwan’s cinema from 2008 to 2020, this book examines how filmmakers have depicted and imagined the island’s diverse environments. Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, the book offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan’s film history
À propos de l'auteur :
Christopher Brown is Senior Lecturer in Filmmaking at the University of Sussex. A practitioner as well as a researcher, Chris has published work on contemporary Taiwanese film, practice-as-research, and American cinema.
Revue de Presse:
Mapping Taiwanese Cinema is an exciting breakthrough – the first book on Taiwanese cinema since 2008, with an original approach to cinema as not just including maps but itself a mapping technology, and combining analysis of poetics with the practices of filmmaking. A must-read.
-- Chris Berry, King’s College London
Christopher Brown analyzes Taiwanese cinema, 2008-2020, by way of well-curated mise en scène, soundtrack, and cartographic imaginary. Maps are defined as "instruments of power" and are meticulously traced through multiple scenes like Wordsworthian "spots of time," or Brown’s spots in space.
-- Sheng-mei Ma, Michigan State University
Voir le site internet de l'éditeur Edinburgh University Press
> Sur un thème proche :
Taiwan Cinema as Soft Power (2022)
Authorship, Transnationality, Historiography
Taiwan Cinema (2019)
International Reception and Social Change
Dir. Kuei-fen Chiu, Ming-yeh Rawnsley et Gary Rawnsley
Film Production and Consumption in Contemporary Taiwan (2016)
Cinema as a Sensory Circuit
de Ya-Feng Mon
Translingual Narration (2015)
Colonial and Postcolonial Taiwanese Fiction and Film
New Taiwanese Cinema in Focus (2014)
Moving Within and Beyond the Frame
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