The Sex Slave in Cinema
An Inegalitarian Spectacle
by Aga Skrodzka
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Examines cinema as a cultural venue that constructs and disseminates the sex slave figure on a visual plane
• A critical study that explores the cinematic sex slave’s origins in pre-cinematic European culture, this book traces the continuities, reconfigurations, and consolidation of this colonial gaze in the contemporary Western neoliberal imaginary while also searching for narratives that challenge or elude this order
• Identifies and elaborates a widespread iconography of ‘sex slavery’ that promotes a simplified vision of the sex trade by instrumentalizing an object to be ‘rescued’ and thus eliminated from the highly idealized self-projection of the neoliberal state and its particular relation to global capitalism
• Surveys the existing cinematic visual landscape and interrogates the ways race, gender, class, and sexuality are embedded in the images under analysis, working together to construct the ‘sex slave’ as a rhetorical tool to naturalize certain formulations of gendered subjecthood and reaffirm the uneven distribution of political agency, while simultaneously obscuring the complex ethics and economics of migrant women’s labor in the sex industry
• Considers a wide range of cinematic artifacts: silent films, including pornographic ‘stag’ films; European art cinema; Hollywood thrillers; blaxploitation film; Netflix-distributed Nigerian cinema; and the recent crowd-funded anti-trafficking narrative, Sound of Freedom. Reviews these works in light of cinema’s longstanding history of films that both represent and partake in erotic commodification, objectification, and exploitation of the female and feminized figure
This book examines the visual politics of the cinematic figure of the ‘sex slave’ from its origins in silent film to its iterations in blaxploitation cinema, European art cinema, Nollywood, and, in its most concentrated form, the Hollywood blockbuster thriller.
Through close analysis of several film texts that is informed by feminist theory, visual studies, critical race studies, and the political economy of sex work, this book argues that the sex slave has long functioned as a disciplinary spectacle that simultaneously commodifies and punishes female flesh. The sex slave is used to ‘sell’ a libidinal fantasy of rescue, not of the trafficked woman or child, but of the very economic and social order that exploits them.
About the Author:
Aga Skrodzka is Associate Professor of Film and Media Studies at Clemson University. Her research interests include world cinema, feminism, post-socialist cinemas, sexploitation cinema and visual narratives of sex work. Dr. Skrodzka is the author of Magic Realist Cinema in East Central Europe and the lead editor of The Oxford Handbook of Communist Visual Cultures. She is a member of the peer-review college for the UK-based journals Studies in European Cinema and Studies in Eastern European Cinemas. Her work has been published in Film Quarterly, Poetry Magazine, Studies in World Cinema and MAI: Feminism & Visual Culture.
Press Reviews:
Why are audiences seduced by the sex slavery narrative? Digging into the cinematic archeology of the figure of the sex slave, The Sex Slave in Cinema: An Inegalitarian Spectacle offers provocative answers, as it untangles the intersection between foreignness-migration and the phenomenon of sex slavery as hetero-gender violence. Aga Skrodzka looks back at early cinema and its silent spectacle of the Oriental slave, and moves through later examples of racialization, sex trafficking panics, and iconography to give us a feminist analysis that is riveting in its scope and dazzling in its intellectual energy.– Katarzyna Marciniak, Occidental College
See the publisher website: Edinburgh University Press
> From the same author:
> On a related topic:
Screening #MeToo (2022)
Rape Culture in Hollywood
Dir. Lisa Funnell and Ralph Beliveau
Subject: Sociology
The Body Onscreen in the Digital Age (2021)
Essays on Voyeurism, Violence and Power
Dir. Susan Flynn
Subject: Sociology
Sex, Society, and the Making of Pornography (2021)
The Pornographic Object of Knowledge
Subject: Genre > Porn films
Doing Sociology Through Film and Literature (2025)
Imaginings of the Social World
by John Goodwin and Laurie Parsons
Subject: Sociology
Radical Reality (2025)
Documentary Storytelling and the Global Fight for Social Justice
by Caty Borum and David Conrad-Pérez
Subject: Sociology
The Routledge Handbook of Motherhood on Screen (2025)
Dir. Susan Liddy and Deirdre Flynn
Subject: Sociology
Shifting Gender Identities in Popular Culture (2025)
Essays on Representation Since 2010
Dir. Laura J. Getty and Josef Vice
Subject: Sociology