MENU   

The Sex Slave in Cinema

An Inegalitarian Spectacle

by

Type
Studies
Subject
Keywords
sociology, sex
Publishing date
Publisher
Edinburgh University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover208 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-3995-0824-7
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Examines cinema as a cultural venue that constructs and disseminates the sex slave figure on a visual plane

• A critical study that explores the cinematic sex slave’s origins in pre-cinematic European culture, this book traces the continuities, reconfigurations, and consolidation of this colonial gaze in the contemporary Western neoliberal imaginary while also searching for narratives that challenge or elude this order
• Identifies and elaborates a widespread iconography of ‘sex slavery’ that promotes a simplified vision of the sex trade by instrumentalizing an object to be ‘rescued’ and thus eliminated from the highly idealized self-projection of the neoliberal state and its particular relation to global capitalism
• Surveys the existing cinematic visual landscape and interrogates the ways race, gender, class, and sexuality are embedded in the images under analysis, working together to construct the ‘sex slave’ as a rhetorical tool to naturalize certain formulations of gendered subjecthood and reaffirm the uneven distribution of political agency, while simultaneously obscuring the complex ethics and economics of migrant women’s labor in the sex industry
• Considers a wide range of cinematic artifacts: silent films, including pornographic ‘stag’ films; European art cinema; Hollywood thrillers; blaxploitation film; Netflix-distributed Nigerian cinema; and the recent crowd-funded anti-trafficking narrative, Sound of Freedom. Reviews these works in light of cinema’s longstanding history of films that both represent and partake in erotic commodification, objectification, and exploitation of the female and feminized figure

This book examines the visual politics of the cinematic figure of the ‘sex slave’ from its origins in silent film to its iterations in blaxploitation cinema, European art cinema, Nollywood, and, in its most concentrated form, the Hollywood blockbuster thriller.

Through close analysis of several film texts that is informed by feminist theory, visual studies, critical race studies, and the political economy of sex work, this book argues that the sex slave has long functioned as a disciplinary spectacle that simultaneously commodifies and punishes female flesh. The sex slave is used to ‘sell’ a libidinal fantasy of rescue, not of the trafficked woman or child, but of the very economic and social order that exploits them.

About the Author:
Aga Skrodzka is Associate Professor of Film and Media Studies at Clemson University. Her research interests include world cinema, feminism, post-socialist cinemas, sexploitation cinema and visual narratives of sex work. Dr. Skrodzka is the author of Magic Realist Cinema in East Central Europe and the lead editor of The Oxford Handbook of Communist Visual Cultures. She is a member of the peer-review college for the UK-based journals Studies in European Cinema and Studies in Eastern European Cinemas. Her work has been published in Film Quarterly, Poetry Magazine, Studies in World Cinema and MAI: Feminism & Visual Culture.

Press Reviews:
Why are audiences seduced by the sex slavery narrative? Digging into the cinematic archeology of the figure of the sex slave, The Sex Slave in Cinema: An Inegalitarian Spectacle offers provocative answers, as it untangles the intersection between foreignness-migration and the phenomenon of sex slavery as hetero-gender violence. Aga Skrodzka looks back at early cinema and its silent spectacle of the Oriental slave, and moves through later examples of racialization, sex trafficking panics, and iconography to give us a feminist analysis that is riveting in its scope and dazzling in its intellectual energy.– Katarzyna Marciniak, Occidental College

See the

> From the same author:

> On a related topic:

Screening #MeToo:Rape Culture in Hollywood

(2022)

Rape Culture in Hollywood

Dir. and

Subject:

The Body Onscreen in the Digital Age:Essays on Voyeurism, Violence and Power

(2021)

Essays on Voyeurism, Violence and Power

Dir.

Subject:

Sex, Society, and the Making of Pornography:The Pornographic Object of Knowledge

(2021)

The Pornographic Object of Knowledge

by

Subject: Genre >

Feminist Visions:Tracing Feminist Epistemologies in Contemporary Film and Television

(2026)

Tracing Feminist Epistemologies in Contemporary Film and Television

Dir. and

Subject:

Unsuitable Film and Video Audiences:Underage Viewing Memories and Practices in 1980s United Kingdom

(2026)

Underage Viewing Memories and Practices in 1980s United Kingdom

by

Subject:

Displacement of (M)others in Twenty-First-Century US Films:Impact on Maternal Identities of

(2026)

Impact on Maternal Identities of "Other" Subjectivities

by

Subject:

The Dressing Room:Backstage Lives and American Film

(2025)

Backstage Lives and American Film

by

Subject:

Doing Sociology Through Film and Literature:Imaginings of the Social World

(2025)

Imaginings of the Social World

by and

Subject:

Girls' Hairstories:Resilience and Sparkle in Contemporary Screen Cultures

(2025)

Resilience and Sparkle in Contemporary Screen Cultures

by

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info