MENU   

Unsuitable Film and Video Audiences

Underage Viewing Memories and Practices in 1980s United Kingdom

by

Type
Studies
Subject
Keywords
sociology, Great Britain, censorship, children
Publishing date
Publisher
Edinburgh University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback240 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-3995-3359-1
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Film classification and censorship in the UK has been extensively researched by scholars. What requires further analysis is audiences’ experiences of watching films that had been subject to BBFC interventions. The classification system attempted to ensure that only viewers of or above specific ages (15 or 18) would be able to watch certain films. However, significant numbers of child viewers saw films deemed inappropriate for their age group, whether at the cinema or more commonly by watching videos.

This book investigates how these audiences managed to see age-inappropriate films, exploring the memories of over 300 questionnaire and 30 interview respondents. The responses detail what the children of the 1980s remember watching, viewer memories of the how, when and where they were watched, how genre affected the experience and what the post-viewing experience was like for these viewers, including the effects of these viewings on social dynamics, identity formation and later cinephilia.

About the Author:
Peter Turner is a Senior Lecturer in Digital Media Production at Oxford Brookes University. He is the author of Found Footage Horror Films: A Cognitive Approach (2019) and Devil’s Advocates: The Blair Witch Project (2014).

Press Reviews:
In Unsuitable Film and Video Audiences, Peter Turner’s extensive audience research opens a doorway to rich and evocative memories of illicit childhood film viewing. Rigorously researched and contextualised, Turner’s examination of these memories explores, challenges and reframes our understanding of the pleasures and problems of childhood consumption of forbidden cinema. ― Stacey Abbott - Professor of Film at Northumbria University and author of Undead Apocalypse (2016)

See the

> From the same author:

> On a related topic:

Children, Cinema and Censorship:From Dracula to the Dead End Kids

(2005)

From Dracula to the Dead End Kids

by

Subject:

Rewind, Replay:Britain and the Video Boom, 1978-1992

(2022)

Britain and the Video Boom, 1978-1992

by

Subject:

Pleasing Everyone:Mass Entertainment in Renaissance London and Golden-Age Hollywood

(2019)

Mass Entertainment in Renaissance London and Golden-Age Hollywood

by

Subject:

The Appreciation of Film:The Postwar Film Society Movement and Film Culture in Britain

(2016)

The Postwar Film Society Movement and Film Culture in Britain

by

Subject:

Off to the Pictures:Cinemagoing, Women's Writing and Movie Culture in Interwar Britain

(2016)

Cinemagoing, Women's Writing and Movie Culture in Interwar Britain

by

Subject:

Lure of the Big Screen:Cinema in Rural Australia and the United Kingdom

(2015)

Cinema in Rural Australia and the United Kingdom

by

Subject:

Freedom to Offend:How New York Remade Movie Culture

(2007)

How New York Remade Movie Culture

by

Subject:

16001 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info