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Stories: China (2 books)

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Hollywood in China:Behind the Scenes of the World's Largest Movie Market

(2022)

Behind the Scenes of the World's Largest Movie Market

by

Publisher:

Subject: Countries >

Made in Censorship:The Tiananmen Movement in Chinese Literature and Film

(2022)

The Tiananmen Movement in Chinese Literature and Film

by

Publisher:

Subject: Countries >

> Other books on the subject of China:

Ecological And Environmental Turns:(Re)mapping China's Sociocultural Landscape through Ecocinema

(2025)

(Re)mapping China's Sociocultural Landscape through Ecocinema

by

Subject: Countries >

Romanian and Chinese Cinemas:Socialist Affect and Cultural Politics from Maoism to the New Waves

(2025)

Socialist Affect and Cultural Politics from Maoism to the New Waves

by

Subject: Countries >

On the Margins of Realism

(2025)

by

Subject: Countries >

Cinematically Rendering Confucius:Chinese Film Philosophy and the Efficacious Screen-Play

(2025)

Chinese Film Philosophy and the Efficacious Screen-Play

by

Subject: Countries >

Ethnic Minority Cinema in China's Nation-state Building

(2025)

by

Subject: Countries >

Chinese Film in the Twenty-First Century:Movements, Genres, Intermedia

(2025)

Movements, Genres, Intermedia

Dir. and

Subject: Countries >

Contemporary Art Cinema Culture in China

(2024)

by

Subject: Countries >

China through the Camera Lens:A Multimedia Reader for Advanced Chinese

(2024)

A Multimedia Reader for Advanced Chinese

by , , and

Subject: Countries >

Historical Dictionary of Chinese Cinema

(2024)

by , and

Subject: Countries >

The Global Film Market Transformation in the Post-Pandemic Era

(2024)

Dir. , and

Subject: Countries >

Being Present:Mobile Cinema in Kham Tibetan Areas

(2024)

Mobile Cinema in Kham Tibetan Areas

by and

Subject: Countries >

Documentaries and China's National Image

(2024)

by and

Subject: Countries >

Teaching Film from the People's Republic of China

(2024)

Dir. , and

Subject: Countries >

Chinese Films Abroad

(2024)

Dir. and

Subject: Countries >

Revolutionary Becomings:Documentary Media in Twentieth-Century China

(2024)

Documentary Media in Twentieth-Century China

by

Subject: Countries >

Main Melody Films:Hong Kong Directors in Mainland China

(2024)

Hong Kong Directors in Mainland China

by

Subject: Countries >

Imagined China:Research on Chinese Films in the 1980s

(2024)

Research on Chinese Films in the 1980s

by

Subject: Countries >

Cinematic Guerrillas:Propaganda, Projectionists, and Audiences in Socialist China

(2023)

Propaganda, Projectionists, and Audiences in Socialist China

by

Subject: Countries >

Women Filmmakers and the Visual Politics of Transnational China in the #Metoo Era

(2023)

by

Subject: Countries >

Chinese Cinemas in Translation and Dissemination

(2023)

Dir.

Subject: Countries >

General History of Chinese Film

(2023)

by

Subject: Countries >

General History of Chinese Film I:1896–1949

(2023)

1896–1949

by

Subject: Countries >

General History of Chinese Film II:1949–1976

(2023)

1949–1976

by

Subject: Countries >

General History of Chinese Film III:1976–2016

(2023)

1976–2016

by

Subject: Countries >

Working the System:Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949–1966

(2023)

Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949–1966

by

Subject: Countries >

Contemporary Chinese Cinema and Visual Culture:Envisioning the Nation

(2023)

Envisioning the Nation

by

Subject: Countries >

Western China on Screen:An Urban Exploration

(2023)

An Urban Exploration

by

Subject: Countries >

Chinese Film:Realism and Convention from the Silent Era to the Digital Age

(2023)

Realism and Convention from the Silent Era to the Digital Age

by

Subject: Countries >

Colonial Tactics and Everyday Life:Workers of the Manchuria Film Association

(2023)

Workers of the Manchuria Film Association

by

Subject: Countries >

Chinese Cinema:Identity, Power, and Globalization

(2023)

Identity, Power, and Globalization

Dir. , and

Subject: Countries >

Advanced Modern Chinese 高级汉语读本:Learning through Contemporary Film 当代中国电影赏析

(2022)

Learning through Contemporary Film 当代中国电影赏析

by and

Subject: Countries >

Transformation of Contemporary Film Genre:The Aesthetics of Chinese Mainland Mainstream Cinema

(2022)

The Aesthetics of Chinese Mainland Mainstream Cinema

by

Subject: Countries >

Transcendence and Spirituality in Chinese Cinema:A Theological Exploration

(2022)

A Theological Exploration

by

Subject: Countries >

Vulgar Beauty:Acting Chinese in the Global Sensorium

(2022)

Acting Chinese in the Global Sensorium

by

Subject: Countries >

Developing Mission:Photography, Filmmaking, and American Missionaries in Modern China

(2022)

Photography, Filmmaking, and American Missionaries in Modern China

by

Subject: Countries >

The New Generation in Chinese Animation

(2021)

by

Subject: Countries >

Cinema Off Screen:Moviegoing in Socialist China

(2021)

Moviegoing in Socialist China

by

Subject: Countries >

Film and the Chinese Medical Humanities

(2021)

Dir. , and

Subject: Countries >

Ecology and Chinese-Language Cinema:Reimagining a Field

(2021)

Reimagining a Field

Dir. and

Subject: Countries >

Ethnic Minority Children in Post-Socialist Chinese Cinema:Allegory, Identity, and Geography

(2021)

Allegory, Identity, and Geography

by

Subject: Countries >

Victims, Perpetrators and Professionals:The Representation of Women in Chinese Crime Films

(2021)

The Representation of Women in Chinese Crime Films

by

Subject: Countries >

Chinese Film Classics, 1922-1949

(2021)

by

Subject: Countries >

Craziness and Carnival in Neo-Noir Chinese Cinema

(2021)

by

Subject: Countries >

Reorienting Chinese Stars in Global Polyphonic Networks:Voice, Ethnicity, Power

(2021)

Voice, Ethnicity, Power

by

Subject: Countries >

The Authorship of Place:A Cultural Geography of the New Chinese Cinemas

(2021)

A Cultural Geography of the New Chinese Cinemas

by

Subject: Countries >

Fragmented Memories and Screening Nostalgia for the Cultural Revolution

(2020)

by

Subject: Countries >

Close-Ups and Long Shots in Modern Chinese Cinemas

(2020)

by

Subject: Countries >

The Early Transnational Chinese Cinema Industry

(2020)

by

Subject: Countries >

Queer Representations in Chinese-Language Film and the Cultural Landscape

(2020)

by

Subject: Countries >

Cinema in China prior to WWI

(2020)

by

Subject: Countries >

The Chinese Cinema Book

(2020)

Dir. and

Subject: Countries >

Urban Horror:Neoliberal Post-Socialism and the Limits of Visibility

(2020)

Neoliberal Post-Socialism and the Limits of Visibility

by

Subject: Countries >

Chinese Animation, Creative Industries, and Digital Culture

(2019)

by

Subject: Countries >

Screening China's Soft Power

(2019)

Dir. and

Subject: Countries >

Literati Lenses:Wenren Landscape in Chinese Cinema of the Mao Era

(2019)

Wenren Landscape in Chinese Cinema of the Mao Era

by

Subject: Countries >

Chinese Cinema Culture

(2019)

by

Subject: Countries >

The Oxford Handbook of Chinese Cinemas

(2019)

Dir. and

Subject: Countries >

Animated Encounters:Transnational Movements of Chinese Animation, 1940s-1970s

(2019)

Transnational Movements of Chinese Animation, 1940s-1970s

by

Subject: Countries >

China in the Mix:Cinema, Sound, and Popular Culture in the Age of Globalization

(2019)

Cinema, Sound, and Popular Culture in the Age of Globalization

by

Subject: Countries >

The Politics of Memory in Sinophone Cinemas and Image Culture:Altering Archives

(2019)

Altering Archives

Dir. and

Subject: Countries >

'My' Self on Camera:First Person Documentary Practice in an Individualising China

(2018)

First Person Documentary Practice in an Individualising China

by

Subject: Countries >

Chinese Stardom in Participatory Cyberculture

(2018)

by

Subject: Countries >

The Formation of Chinese Art Cinema:1990–2003

(2018)

1990–2003

by

Subject: Countries >

Postsocialist Conditions

(2018)

by

Subject: Countries >

Chinese Movie Magazines:From Charlie Chaplin to Chairman Mao, 1921-1951

(2018)

From Charlie Chaplin to Chairman Mao, 1921-1951

by

Subject: Countries >

China's Cinema of Class:Audiences and Narratives

(2018)

Audiences and Narratives

by

Subject: Countries >

Ideology and Utopia in China's New Wave Cinema:Globalization and Its Chinese Discontents

(2018)

Globalization and Its Chinese Discontents

by

Subject: Countries >

Film and Television Culture in China

(2018)

by

Subject: Countries >

Remaking Gender and the Family

(2018)

by

Subject: Countries >

Contemporary Sino-French Cinemas:Absent Fathers, Banned Books, and Red Balloons

(2017)

Absent Fathers, Banned Books, and Red Balloons

by

Subject: Countries >

New Chinese-Language Documentaries:Ethics, Subject and Place

(2017)

Ethics, Subject and Place

by and

Subject: Countries >

Beijing Film Academy Yearbook 2016

(2017)

Collective

Subject: Countries >

Economy, Emotion, and Ethics in Chinese Cinema:Globalization on Speed

(2017)

Globalization on Speed

by

Subject: Countries >

A Film History of Chinese Minorities

(2017)

by

Subject: Countries >

Contemporary Chinese Films and Celebrity Directors

(2017)

by

Subject: Countries >

Hollywood Made in China

(2017)

by

Subject: Countries >

Filming the Everyday:Independent Documentaries in Twenty-First-Century China

(2016)

Independent Documentaries in Twenty-First-Century China

Dir. and

Subject: Countries >

Staging Chinese Revolution:Theater, Film, and the Afterlives of Propaganda

(2016)

Theater, Film, and the Afterlives of Propaganda

by

Subject: Countries >

The Poetics of Chinese Cinema

(2016)

Dir. and

Subject: Countries >

New Queer Sinophone Cinema:Local Histories, Transnational Connections

(2016)

Local Histories, Transnational Connections

by

Subject: Countries >

Chinese Cinemas:International Perspectives

(2016)

International Perspectives

Dir. and

Subject: Countries >

China's Encounter with Global Hollywood:Cultural Policy and the Film Industry, 1994-2013

(2016)

Cultural Policy and the Film Industry, 1994-2013

by

Subject: Countries >

Beijing Film Academy Yearbook:2015

(2016)

2015

Dir.

Subject: Countries >

Party Hegemony and Entrepreneurial Power in China:Institutional Change in the Film and Music Industries

(2015)

Institutional Change in the Film and Music Industries

by

Subject: Countries >

Directory of World Cinema / China 2

(2015)

Dir.

Subject: Countries >

Warrior Women:Gender, Race, and the Transnational Chinese Action Star

(2015)

Gender, Race, and the Transnational Chinese Action Star

by

Subject: Countries >

Sounding the Modern Woman:The Songstress in Chinese Cinema

(2015)

The Songstress in Chinese Cinema

by

Subject: Countries >

DV-Made China:Digital Subjects and Social Transformations After Independent Film

(2015)

Digital Subjects and Social Transformations After Independent Film

by and

Subject: Countries >

Independent Chinese Documentary:Alternative Visions, Alternative Publics

(2015)

Alternative Visions, Alternative Publics

by

Subject: Countries >

Encyclopedia of Chinese Film

(2015)

Dir. and

Subject: Countries >

Fiery Cinema:The Emergence of an Affective Medium in China, 1915-1945

(2015)

The Emergence of an Affective Medium in China, 1915-1945

by

Subject: Countries >

Memory, Subjectivity and Independent Chinese Cinema

(2014)

by

Subject: Countries >

Remaking Chinese Cinema:Through the Prism of Shanghai, Hong Kong, and Hollywood

(2014)

Through the Prism of Shanghai, Hong Kong, and Hollywood

by

Subject: Countries >

Sinophone Cinemas

(2014)

Dir. and

Subject: Countries >

Rethinking Transnational Chinese Cinemas:The Amoy-Dialect Film Industry in Cold War Asia

(2013)

The Amoy-Dialect Film Industry in Cold War Asia

by

Subject: Countries >

Chinese Media

(2013)

Dir. and

Subject: Countries >

Chinese Cinema

(2012)

Dir.

Subject: Countries >

Historical Dictionary of Chinese Cinema

(2012)

by and

Subject: Countries >

A Companion to Chinese Cinema

(2012)

by

Subject: Countries >

Directory of World Cinema / China

(2012)

Dir.

Subject: Countries >

Uneven Modernity:Literature, Film, and Intellectual Discourse in Postsocialist China

(2011)

Literature, Film, and Intellectual Discourse in Postsocialist China

by

Subject: Countries >

Chinese Women's Cinema:Transnational Contexts

(2011)

Transnational Contexts

Dir.

Subject: Countries >

Chinese Film Stars

(2011)

Dir. and

Subject: Countries >

The Chinese Cinema Book

(2011)

Dir. and

Subject: Countries >

Metro Movies:Cinematic Urbanism in Post-Mao China

(2010)

Cinematic Urbanism in Post-Mao China

by

Subject: Countries >

Melancholy Drift:Marking Time in Chinese Cinema

(2010)

Marking Time in Chinese Cinema

by

Subject: Countries >

Adapted For The Screen:The Cultural Politics Of Modern Chinese Fiction And Film

(2010)

The Cultural Politics Of Modern Chinese Fiction And Film

by

Subject: Countries >

Painting the City Red:Chinese Cinema and the Urban Contract

(2010)

Chinese Cinema and the Urban Contract

by

Subject: Countries >

Art, Politics, and Commerce in Chinese Cinema

(2010)

Dir. and

Subject: Countries >

Cinema, Space, and Polylocality in a Globalizing China

(2009)

by

Subject: Countries >

Futures of Chinese Cinema:Technologies and Temporalities in Chinese Screen Cultures

(2009)

Technologies and Temporalities in Chinese Screen Cultures

Dir. and

Subject: Countries >

Remade in Hollywood:The Global Chinese Presence in Transnational Cinemas

(2009)

The Global Chinese Presence in Transnational Cinemas

by

Subject: Countries >

Chinese Documentaries:From Dogma to Polyphony

(2009)

From Dogma to Polyphony

by

Subject: Countries >

Chinese Connections:Critical Perspectives on Film, Identity, and Diaspora

(2009)

Critical Perspectives on Film, Identity, and Diaspora

Dir. , and

Subject: Countries >

A History of Pain:Trauma in Modern Chinese Literature and Film

(2008)

Trauma in Modern Chinese Literature and Film

by

Subject: Countries >

The Chinese Filmography:The 2444 Feature Films Produced by Studios in the People's Republic of China from 1949 through 1995

(2008)

The 2444 Feature Films Produced by Studios in the People's Republic of China from 1949 through 1995

by

Subject: Countries >

China Forever:The Shaw Brothers and Diasporic Cinema

(2008)

The Shaw Brothers and Diasporic Cinema

Dir.

Subject: Countries >

Women Through the Lens:Gender and Nation in a Century of Chinese Cinema

(2008)

Gender and Nation in a Century of Chinese Cinema

by

Subject: Countries >

Postsocialist Modernity:Chinese Cinema, Literature, and Criticism in the Market Age

(2008)

Chinese Cinema, Literature, and Criticism in the Market Age

by

Subject: Countries >

Playing to the World's Biggest Audience:The Globalization of Chinese Film and TV

(2007)

The Globalization of Chinese Film and TV

by

Subject: Countries >

The Urban Generation:Chinese Cinema and Society at the Turn of the Twenty-First Century

(2007)

Chinese Cinema and Society at the Turn of the Twenty-First Century

Dir.

Subject: Countries >

Sentimental Fabulations, Contemporary Chinese Films:Attachment in the Age of Global Visibility

(2007)

Attachment in the Age of Global Visibility

by

Subject: Countries >

Celluloid Comrades:Representations of Male Homosexuality in Contemporary Chinese Cinemas

(2006)

Representations of Male Homosexuality in Contemporary Chinese Cinemas

by

Subject: Countries >

Celluloid Comrades:Representations of Male Homosexuality in Contemporary Chinese Cinemas

(2006)

Representations of Male Homosexuality in Contemporary Chinese Cinemas

by

Subject: Countries >

China on Screen:Cinema and Nation

(2006)

Cinema and Nation

by and

Subject: Countries >

An Amorous History of the Silver Screen:Shanghai Cinema, 1896-1937

(2006)

Shanghai Cinema, 1896-1937

by

Subject: Countries >

From Tian'anmen to Times Square:Transnational China and the Chinese Diaspora on Global Screens, 1989-1997

(2006)

Transnational China and the Chinese Diaspora on Global Screens, 1989-1997

by

Subject: Countries >

Speaking in Images:Interviews with Contemporary Chinese Filmmakers

(2005)

Interviews with Contemporary Chinese Filmmakers

by

Subject: Countries >

Reinventing China:A Generation and Its Films

(2005)

A Generation and Its Films

by

Subject: Countries >

Chinese-language Film:Historiography, Poetics, Politics

(2005)

Historiography, Poetics, Politics

Dir. and

Subject: Countries >

Chinese National Cinema

(2004)

by

Subject: Countries >

Between Shanghai and Hong Kong:The Politics of Chinese Cinemas

(2003)

The Politics of Chinese Cinemas

by

Subject: Countries >

Witness Against History:Literature, Film, and Public Discourse in Twentieth-Century China

(2003)

Literature, Film, and Public Discourse in Twentieth-Century China

by

Subject: Countries >

Memoirs from the Beijing Film Academy:The Genesis of China's Fifth Generation

(2003)

The Genesis of China's Fifth Generation

by

Subject: Countries >

Celluloid China:Cinematic Encounters with Culture and Society

(2002)

Cinematic Encounters with Culture and Society

by

Subject: Countries >

New Chinese Cinema:Challenging Representations

(2002)

Challenging Representations

by and

Subject: Countries >

Screening China:Critical Interventions, Cinematic Reconfigurations, and the Transnational Imaginary in Contemporary Chinese Cinema

(2001)

Critical Interventions, Cinematic Reconfigurations, and the Transnational Imaginary in Contemporary Chinese Cinema

by

Subject: Countries >

China into Film:Frames of Reference in Contemporary Chinese Cinema

(2000)

Frames of Reference in Contemporary Chinese Cinema

by

Subject: Countries >

Cinema and Urban Culture in Shanghai, 1922-1943

(1999)

Dir.

Subject: Countries >

Transnational Chinese Cinemas:Identity, Nationhood, Gender

(1997)

Identity, Nationhood, Gender

Dir.

Subject: Countries >

Chinese Modernism in the Era of Reforms:Cultural Fever, Avant-Garde Fiction, and the New Chinese Cinema

(1996)

Cultural Fever, Avant-Garde Fiction, and the New Chinese Cinema

by

Subject: Countries >

Primitive Passions:Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema

(1995)

Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema

by

Subject: Countries >

From May Fourth to June Fourth:Fiction and Film in Twentieth-Century China

(1993)

Fiction and Film in Twentieth-Century China

Dir. and

Subject: Countries >

Chinese cinema:culture and politics since 1949

(1987)

culture and politics since 1949

by

Subject: Countries >

> Other books related to China:

Film History and Screen Culture in and beyond Greater China

(2025)

Dir.

Subject: Countries >

Chinese Animation:Multiplicities in Motion

(2025)

Multiplicities in Motion

Dir. , and

Subject: Genre >

To Be an Actress:Labor and Performance in Anna May Wong's Cross-Media World

(2024)

Labor and Performance in Anna May Wong's Cross-Media World

by

Subject: Actress >

Hollywood and China in the Post-postclassical Era

(2024)

by

Subject:

The Cinema of Wang Bing:Chinese Documentary between History and Labor

(2023)

Chinese Documentary between History and Labor

by

Subject: Director >

Of Haunted Spaces The films of Ella Raidel:Cinema, Heterotopias, and China's Hyperurbanization

(2023)

Cinema, Heterotopias, and China's Hyperurbanization

by

Subject: Director >

Women Filmmakers in Sinophone World Cinema

(2023)

by

Subject: Countries >

Hong Kong Cinema and Sinophone Transnationalisms

(2023)

by

Subject: Countries >

From Stage to Screen:The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks

(2023)

The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks

by

Subject: Genre >

Hong Kong Media and Asia's Cold War

(2023)

by

Subject: Countries >

Orienting Italy:China through the Lens of Italian Filmmakers

(2023)

China through the Lens of Italian Filmmakers

by

Subject: Countries >

Sino-Enchantment:The Fantastic in Contemporary Chinese Cinemas

(2023)

The Fantastic in Contemporary Chinese Cinemas

Dir. and

Subject: Genre >

Beijing Film Academy Yearbook 2019

(2022)

Collective

Subject:

Beijing Film Academy Yearbook 2020

(2022)

Collective

Subject:

Chinese Martial Arts Film and the Philosophy of Action

(2022)

by

Subject: Genre >

Jia Zhangke on Jia Zhangke

(2022)

by

Subject: Director >

The Making of The Wandering Earth:A Film Production Handbook

(2022)

A Film Production Handbook

Dir. and

Subject: One Film >

The Cinema of Jia Zhangke:Realism and Memory in Chinese Film

(2022)

Realism and Memory in Chinese Film

by

Subject: Director >

Red Carpet:Hollywood, China, and the Global Battle for Cultural Supremacy

(2022)

Hollywood, China, and the Global Battle for Cultural Supremacy

by

Subject:

Wang Bing's Filmmaking of the China Dream:Narratives, Witnesses and Marginal Spaces

(2021)

Narratives, Witnesses and Marginal Spaces

by

Subject: Director >

China in the Age of Global Capitalism:Jia Zhangke's Filmic World

(2021)

Jia Zhangke's Filmic World

by

Subject: Director >

Beijing Film Academy Yearbook 2018

(2021)

Collective

Subject:

Film Studies in China, Volume 2:Selected Writings from Contemporary Cinema

(2020)

Selected Writings from Contemporary Cinema

Collective

Subject: On Films >

Chinese Independent Animation:Renegotiating Identity in Modern China

(2020)

Renegotiating Identity in Modern China

by

Subject: Genre >

Citing China:Politics, Postmodernism, and World Cinema

(2020)

Politics, Postmodernism, and World Cinema

by

Subject:

Lessons from the East

(2018)

by

Subject: Countries >

Worldly desires:cosmopolitanism and cinema in Hong Kong and Taiwan

(2018)

cosmopolitanism and cinema in Hong Kong and Taiwan

by

Subject: Countries >

Moving Figures:Class and Feeling in the Films of Jia Zhangke

(2018)

Class and Feeling in the Films of Jia Zhangke

by

Subject: Director >

Early Film Culture in Hong Kong, Taiwan, and Republican China:Kaleidoscopic Histories

(2018)

Kaleidoscopic Histories

Dir.

Subject: Countries >

Film Studies in China:Selected Writings from Contemporary Cinema

(2018)

Selected Writings from Contemporary Cinema

Collective

Subject: On Films >

Youth Culture in Chinese Language Film

(2017)

by

Subject: Countries >

Chinese and Japanese Films on the Second World War

(2017)

Dir. , and

Subject: Genre >

Early Cinema in Asia

(2017)

Dir.

Subject:

Globalization and Contemporary Chinese Cinema:Zhang Yimou's Genre Films

(2017)

Zhang Yimou's Genre Films

by

Subject: Director >

Animation in China:History, Aesthetics, Media

(2017)

History, Aesthetics, Media

by

Subject: Genre >

From Eileen Chang to Ang Lee:Lust/Caution

(2017)

Lust/Caution

Dir. and

Subject: One Film >

Chinese Film Festivals:Sites of Translation

(2017)

Sites of Translation

Dir. and

Subject:

Chinese Martial Arts Cinema:The Wuxia Tradition

(2015)

The Wuxia Tradition

by

Subject: Genre >

Translingual Narration:Colonial and Postcolonial Taiwanese Fiction and Film

(2015)

Colonial and Postcolonial Taiwanese Fiction and Film

by

Subject: Countries >

Cinema Approaching Reality:Locating Chinese Film Theory

(2015)

Locating Chinese Film Theory

by

Subject:

Chinese Animation:A History and Filmography, 1922–2012

(2015)

A History and Filmography, 1922–2012

by

Subject: Genre >

World Film Locations / Shanghai

(2014)

Dir. and

Subject: On Films >

From Fu Manchu to Kung Fu

(2014)

by

Subject:

Coproducing Asia:Locating Japanese-Chinese Regional Film and Media

(2014)

Locating Japanese-Chinese Regional Film and Media

by

Subject: Countries >

World Film Locations / Hong Kong

(2013)

Dir. and

Subject: On Films >

Beyond Bruce Lee:Chasing the Dragon Through Film, Philosophy, and Popular Culture

(2013)

Chasing the Dragon Through Film, Philosophy, and Popular Culture

by

Subject: Actor >

World Film Locations / Beijing

(2012)

Dir. and

Subject: On Films >

The Chinese Diaspora on American Screens:Race, Sex, and Cinema

(2012)

Race, Sex, and Cinema

by

Subject:

Jet Li:Chinese Masculinity and Transnational Film Stardom

(2012)

Chinese Masculinity and Transnational Film Stardom

by

Subject: Actor >

John Woo:The Films

(2011)

The Films

by

Subject: Director >

Global Chinese Cinema:The Culture and Politics of 'Hero'

(2011)

The Culture and Politics of 'Hero'

Dir. and

Subject: One Film >

Early One Spring:An Intermediate Chinese Reader to Accompany the Film Video February

(2010)

An Intermediate Chinese Reader to Accompany the Film Video February

by and

Subject: One Film >

The Cinema of Tsui Hark

(2009)

by

Subject: Director >

Yuen Woo Ping's Wing Chun

(2009)

by

Subject: One Film >

New Women of the Silent Screen:China, Japan, Hollywood Volume 20

(2006)

China, Japan, Hollywood Volume 20

Dir.

Subject: Countries >

John Woo: Interviews

(2005)

Interviews

by

Subject: Director >

Hitchcock with a Chinese Face:Cinematic Doubles, Oedipal Triangles, and China's Moral Voice

(2004)

Cinematic Doubles, Oedipal Triangles, and China's Moral Voice

by

Subject: Genre >

Cinematic Landscapes:Observations on the Visual Arts and Cinema of China and Japan

(2000)

Observations on the Visual Arts and Cinema of China and Japan

Dir. and

Subject: Countries >

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