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Craziness and Carnival in Neo-Noir Chinese Cinema

de Harry H. Kuoshu

Type
Essays
Sujet
CountriesChina
Mots Clés
China, film noir, neo-noir
Année d'édition
2021
Editeur
Palgrave MacMillan
Collection
Chinese Literature and Culture in the World
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover • 169 pages
6 x 8 ½ inches (15 x 21.5 cm)
ISBN
978-3-030-73080-2
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Description de l'ouvrage:
Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the “stone phenomenon” in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, Crazy Stone. Surveying the nuanced implications of the film noir genre, Harry Kuoshu argues that global neo noir maintains a mediascape of references, borrowings, and re-workings and explores various social and cultural issues that constitute this Chinese episode of neo noir. Combining literary explorations of carnival, postmodernism, and post-socialism, Kuoshu advocates for neo noir as a cultural phenomenon that connects filmmakers, film critics, and film audiences rather than an industrial genre.

À propos de l'auteur :
Harry H. Kuoshu is Herring Endowed Chair in Asian Studies and Film Studies at Furman University, USA, where he teaches courses on Chinese film, literature, culture and language. In addition to scholarly articles, he is the author of Lightness of Being in China (1999), Celluloid China (2002), and Metro Movies: Cinematic Urbanism in Post-Mao China (2011).

Voir le site internet de l'éditeur Palgrave MacMillan

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