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Documentaries and China's National Image

by and

Type
Studies
Subject
Countries
Keywords
China, representation, documentary
Publishing date
Publisher
Routledge
Collection
China Perspectives
1st publishing
2022
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback254 pages
6 x 9 ½ inches (15.5 x 24 cm)
ISBN
978-1-032-31506-5
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Book Presentation:
Emphasizing the role of documentary in shaping a nation-state’s image, demonstrating social development and promoting cultural exchanges, this book examines the changes in China’s national image in documentaries at home and abroad since 1949.

Based on theoretical frameworks of media sociology, political economy of communication and cultural studies, the book traces the development of Chinese documentary and discusses social transformation and cultural representation embodied in documentaries related to China. It is revealed how these works witness, reflect and interact with social transitions in all aspects of a modernizing China, as well as how documentary production struggles among and mediates between technology, market, ideology, social forces and professionalism. In terms of future prospects of documentary in an era when media convergence is burgeoning, the author explores feasible paths to further promotion of cross-cultural communication and China’s national image, by analyzing documentary aesthetics and representative cases of documentary practice.

The title will appeal to scholars and students interested in culture and communication, documentary, film, media and Chinese society.

About the authors:
Chen Yi is a professor at Soochow University, China. His research interests are documentary, critical visual communication and media convergence.

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