Books in French are on www.livres-cinema.info
MENU   

Art, Politics, and Commerce in Chinese Cinema

Edited by Ying Zhu and Stanley Rosen

Type
Studies
Subject
CountriesChina
Keywords
China, sociology, ideology
Publishing date
2010
Publisher
Hong Kong University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 308 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-9622091757
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
Art, politics, and commerce are intertwined everywhere, but in China the interplay is explicit, intimate, and elemental, and nowhere more so than in the film industry. Understanding this interplay in the era of market reform and globalization is essential to understanding mainland Chinese cinema. This interdisciplinary book provides a comprehensive reappraisal of Chinese cinema, surveying the evolution of film production and consumption in mainland China as a product of shifting relations between art, politics, and commerce. Within these arenas, each of the twelve chapters treats a particular history, development, genre, filmmaker or generation of filmmakers, adding up to a distinctively comprehensive rendering of Chinese cinema. The book illuminates China’s changing state-society relations, the trajectory of marketization and globalization, the effects of China’s stark historical shifts, Hollywood’s role, the role of nationalism, and related themes of interest to scholars of Asian studies, cinema and media studies, political science, sociology, comparative literature and Chinese language. Contributors include Ying Zhu, Stanley Rosen, Seio Nakajima, Zhiwei Xiao, Shujen Wang, Paul Clark, Stephen Teo, John Lent, Ying Xu, Yingjin Zhang, Bruce Robinson, Liyan Qin, and Shuqin Cui.

See the publisher website: Hong Kong University Press

> From the same authors:

Hollywood in China:Behind the Scenes of the World's Largest Movie Market

Hollywood in China (2022)

Behind the Scenes of the World's Largest Movie Market

by Ying Zhu

Subject: Countries > China

> On a related topic:

Cinematic Guerrillas:Propaganda, Projectionists, and Audiences in Socialist China

Cinematic Guerrillas (2023)

Propaganda, Projectionists, and Audiences in Socialist China

by Jie Li

Subject: Countries > China

Cinema Off Screen:Moviegoing in Socialist China

Cinema Off Screen (2021)

Moviegoing in Socialist China

by Chenshu Zhou

Subject: Countries > China

China's Cinema of Class:Audiences and Narratives

China's Cinema of Class (2018)

Audiences and Narratives

by Nicole Talmacs

Subject: Countries > China

DV-Made China:Digital Subjects and Social Transformations After Independent Film

DV-Made China (2015)

Digital Subjects and Social Transformations After Independent Film

by Zhang Zhen and Angela Zito

Subject: Countries > China

Sentimental Fabulations, Contemporary Chinese Films:Attachment in the Age of Global Visibility

Sentimental Fabulations, Contemporary Chinese Films (2007)

Attachment in the Age of Global Visibility

by Rey Chow

Subject: Countries > China

Transnational Chinese Cinemas:Identity, Nationhood, Gender

Transnational Chinese Cinemas (1997)

Identity, Nationhood, Gender

Dir. Sheldon Hsiao-peng Lu

Subject: Countries > China

Primitive Passions:Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema

Primitive Passions (1995)

Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema

by Rey Chow

Subject: Countries > China

Romanian and Chinese Cinemas:Socialist Affect and Cultural Politics from Maoism to the New Waves

Romanian and Chinese Cinemas (2025)

Socialist Affect and Cultural Politics from Maoism to the New Waves

by Lucian Țion

Subject: Countries > China

12690 books listed   •   (c)2024-2025 cinemabooks.info   •