Chinese Documentaries
From Dogma to Polyphony
by Yingchi Chu
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Book Presentation:
In China, unlike in Western cinema, documentary film, rather than fiction film, has been the dominant mode since 1949. In recent years, documentary TV programmes have experienced a meteoric rise. Arguing that there is a gradual process of 'democratization' in the media, in which documentaries play a significant role, this book discusses various types of Chinese documentaries, under both the planned and the market economy. It especially explores the relationship between documentaries and society, showing how, under the market economy, although the government continues to use the genre as propaganda to promote its ideologies and policies, documentaries are being used as a medium where public concerns and alternative voices can be heard.
About the Author:
Yingchi Chu is a Senior Lecturer in Media Studies at Murdoch University, Western Australia. She has published journals and book chapters on Chinese media, and is the author of Hong Kong Cinema: Coloniser, Motherland and Self (2003).
See the publisher website: Routledge
> From the same author:
> On a related topic:
'My' Self on Camera (2018)
First Person Documentary Practice in an Individualising China
New Chinese-Language Documentaries (2017)
Ethics, Subject and Place
by Kuei-fen Chiu and Yingjin Zhang
Filming the Everyday (2016)
Independent Documentaries in Twenty-First-Century China
Dir. Paul G. Pickowicz and Yingjin Zhang
DV-Made China (2015)
Digital Subjects and Social Transformations After Independent Film
by Zhang Zhen and Angela Zito
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