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Transnational Chinese Cinemas
Identity, Nationhood, Gender
Sous la direction de Sheldon Hsiao-peng Lu
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Description de l'ouvrage:
Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow.
Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history.
This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.
Voir le site internet de l'éditeur University of Hawaii Press
> Sur un thème proche :
Ethnic Minority Children in Post-Socialist Chinese Cinema (2021)
Allegory, Identity, and Geography
de Zhenhui Yan
DV-Made China (2015)
Digital Subjects and Social Transformations After Independent Film
de Zhang Zhen et Angela Zito
Sentimental Fabulations, Contemporary Chinese Films (2007)
Attachment in the Age of Global Visibility
de Rey Chow
Primitive Passions (1995)
Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema
de Rey Chow
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