Books in French are on www.livres-cinema.info
Transnational Chinese Cinemas
Identity, Nationhood, Gender
Edited by Sheldon Hsiao-peng Lu
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow.
Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history.
This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.
See the publisher website: University of Hawaii Press
> On a related topic:
Ethnic Minority Children in Post-Socialist Chinese Cinema (2021)
Allegory, Identity, and Geography
by Zhenhui Yan
Urban Horror (2020)
Neoliberal Post-Socialism and the Limits of Visibility
DV-Made China (2015)
Digital Subjects and Social Transformations After Independent Film
by Zhang Zhen and Angela Zito
Back
