MENU   

The Global Film Market Transformation in the Post-Pandemic Era

Edited by , and

Type
Studies
Subject
Countries
Keywords
China, economics, global
Publishing date
Publisher
Routledge
Collection
China Perspectives
1st publishing
2023
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback180 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-032-47816-6
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
This book reviews the development and performance of the global film industry during the COVID-19 pandemic and examines new trends in film production, distribution and consumption through a global lens.

The COVID-19 pandemic has had a substantial impact on the global film industry since the beginning of 2020. There has been significant transformation in terms of film production, distribution and consumption. Hollywood, like many national cinemas across the globe, has suffered the most significant impact at all levels: the interruption of new film productions, shutdowns of movie theatres in many countries and delays in the release of new films, among them. Many movies made for cinemas were forced to move from release in theatres to various streaming platforms, and nontraditional production companies continued to grow their market share. This book places the global film industry in a post-Pandemic context. It provides detailed analyses of specific systems of film production, distribution and consumption in national cinemas, as well as in Hollywood, while also engaging with the key theoretical and methodological questions from the film studies literature.

This volume is a critical reference for students and scholars of film studies and general readers who are interested in the new trends and transformation of the global film industry in a post-pandemic era.

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

About the authors:
Qiao Li teaches film at Edinburgh Napier University, UK. He is Visiting Professor to University of Paris 1 Panthéon-Sorbonne, and the co-editor for Development of Global Film Industry (Routledge, 2020).David Wilson is Professor at University of Bradford, focal point of Bradford City of Film in the UK. He is also a guest professor at Qingdao Film Academy, China.Yanqiu Guan is Associate Professor at Qingdao Film Academy, China. She has published more than 20 research articles and papers on film producing and entertainment law, including Research on Film Industry Promotion Law (Blue Book of Film, 2018).

See the

> From the same authors:

Development of the Global Film Industry:Industrial Competition and Cooperation in the Context of Globalization

(2022)

Industrial Competition and Cooperation in the Context of Globalization

Dir. , and

Subject:

Cahiers du Cinema:Volume IV: 1973-1978: History, Ideology, Cultural Struggle

(2000)

Volume IV: 1973-1978: History, Ideology, Cultural Struggle

Dir.

Subject: On Films >

> On a related topic:

Chinese Cinema:Identity, Power, and Globalization

(2023)

Identity, Power, and Globalization

Dir. , and

Subject: Countries >

Hollywood in China:Behind the Scenes of the World's Largest Movie Market

(2022)

Behind the Scenes of the World's Largest Movie Market

by

Subject: Countries >

China's Encounter with Global Hollywood:Cultural Policy and the Film Industry, 1994-2013

(2016)

Cultural Policy and the Film Industry, 1994-2013

by

Subject: Countries >

Party Hegemony and Entrepreneurial Power in China:Institutional Change in the Film and Music Industries

(2015)

Institutional Change in the Film and Music Industries

by

Subject: Countries >

Playing to the World's Biggest Audience:The Globalization of Chinese Film and TV

(2007)

The Globalization of Chinese Film and TV

by

Subject: Countries >

Remaking Chinese Cinema:Through the Prism of Shanghai, Hong Kong, and Hollywood

(2014)

Through the Prism of Shanghai, Hong Kong, and Hollywood

by

Subject: Countries >

16917 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info