Books in French are on www.livres-cinema.info
MENU   

Revolutionary Becomings

Documentary Media in Twentieth-Century China

by Ying Qian

Type
Studies
Subject
CountriesChina
Keywords
China, documentary
Publishing date
2024 (March 12, 2024)
Publisher
Columbia University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 328 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-231-20446-0
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
From the toppling of the Qing Empire in 1911 to the political campaigns and mass protests in the Mao and post-Mao eras, revolutionary upheavals characterized China’s twentieth century. In Revolutionary Becomings¸ Ying Qian studies documentary film as an “eventful medium” deeply embedded in these upheavals and as a prism to investigate the entwined histories of media and China’s revolutionary movements.

With meticulous historical excavation and attention to intermedial practices and transnational linkages, Qian discusses how early media practitioners at the turn of the twentieth century intermingled with rival politicians and warlords as well as civic and business organizations. She reveals the foundational role documentary media played in the Chinese Communist Revolution as a bridge between Marxist theories and Chinese historical conditions. In considering the years after the Communist Party came to power, Qian traces the dialectical relationships between media practice, political relationality, and revolutionary epistemology from production campaigns during the Great Leap Forward to the “class struggles” during the Cultural Revolution and the reorganization of society in the post-Mao decade. Exploring a wide range of previously uninvestigated works and intervening in key debates in documentary studies and film and media history, Revolutionary Becomings provides a groundbreaking assessment of the significance of media to the historical unfolding and actualization of revolutionary movements.

About the Author:
Ying Qian is an associate professor in the Department of East Asian Languages and Cultures at Columbia University.

Press Reviews:
Revolutionary Becomings opens our eyes to the extremely diverse practices of documentary in modern China over nearly a century. Taking a dialectical approach to revolution and media, Ying Qian urges us to consider documentary as a shaping force of social upheavals and revolutionary events. Rigorous, meticulous, and imaginative, this book makes us rethink documentary as a social medium. Weihong Bao, author of Fiery Cinema: The Emergence of an Affective Medium in China, 1915-1945

In the age of generative AI and fake news, Qian offers a truly pathbreaking study of documentaries in a country famous for its political propaganda. The book soberly reminds us that what matters is not distinguishing between what is real and fictional, but rather how we can maintain reflexivity in a heavily mediated world, both then and now. Laikwan Pang, author of The Appearing Demos: Hong Kong During and After the Umbrella Movement

Revolutionary Becomings opens an exciting new window onto the unfairly neglected history of Chinese documentary by eschewing ideas of capturing reality and instead analyzing films as "eventful media" participating in the multiple reinventions of the country from the toppling of the Qing dynasty to the fall of the Gang of Four. Chris Berry, King’s College London

Interrogating common assumptions on what documentary is, Qian’s fascinating book excavates documentary as media artifact and production process and explicates its evolving theories and practices as integral to the upheavals of China’s tumultuous twentieth century. Revolutionary Becomings is invaluable for both scholars and practitioners of documentary media. Carma Hinton, filmmaker, director of Gate of Heavenly Peace and Morning Sun

Combining theoretical sophistication and interpretive skill with astonishing research and historical acuity, Ying Qian’s Revolutionary Becomings offers a remarkable history of twentieth century Chinese documentary focusing on its many entanglements with the constantly changing revolutionary politics of that era. This book sets a new standard for documentary studies. Charles Musser, Yale University

Sets the standard for writing in English on Chinese documentary film history...Essential reading for anyone interested in the relationship between non-fiction and political change, inside and outside China. China Quarterly

[This] book makes a substantial contribution to our understanding of institutionalization in the Chinese Communist revolution. Chinese Studies International

Expansive in scope, richly detailed, and expertly researched. Journal of Chinese History

See the publisher website: Columbia University Press

> On a related topic:

'My' Self on Camera:First Person Documentary Practice in an Individualising China

'My' Self on Camera (2018)

First Person Documentary Practice in an Individualising China

by Kiki Tianqi Yu

Subject: Countries > China

New Chinese-Language Documentaries:Ethics, Subject and Place

New Chinese-Language Documentaries (2017)

Ethics, Subject and Place

by Kuei-fen Chiu and Yingjin Zhang

Subject: Countries > China

DV-Made China:Digital Subjects and Social Transformations After Independent Film

DV-Made China (2015)

Digital Subjects and Social Transformations After Independent Film

by Zhang Zhen and Angela Zito

Subject: Countries > China

Independent Chinese Documentary:Alternative Visions, Alternative Publics

Independent Chinese Documentary (2015)

Alternative Visions, Alternative Publics

by Dan Edwards

Subject: Countries > China

Chinese Documentaries:From Dogma to Polyphony

Chinese Documentaries (2009)

From Dogma to Polyphony

by Yingchi Chu

Subject: Countries > China

Cinematically Rendering Confucius:Chinese Film Philosophy and the Efficacious Screen-Play

Cinematically Rendering Confucius (2025)

Chinese Film Philosophy and the Efficacious Screen-Play

by David H. Fleming

Subject: Countries > China

Romanian and Chinese Cinemas:Socialist Affect and Cultural Politics from Maoism to the New Waves

Romanian and Chinese Cinemas (2025)

Socialist Affect and Cultural Politics from Maoism to the New Waves

by Lucian Țion

Subject: Countries > China

14271 books listed   •   (c)2024-2025 cinemabooks.info   •