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Ecology and Chinese-Language Cinema
Reimagining a Field
Edited by Sheldon H. Lu and Haomin Gong
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Book Presentation:
This edited collection explores new developments in the burgeoning field of Chinese ecocinema, examining a variety of works from local productions to global market films, spanning the Maoist era to the present.
The ten chapters examine films with ecological significance in mainland China, Hong Kong, and Taiwan, including documentaries, feature films, blockbusters and independent productions. Covering not only well-known works, such as Under the Dome, Wolf Totem, Tie Xi Qu: West of the Tracts, and Mermaid, this book also provides analysis of less well-known but critically important works, such as Anchorage Prohibited, Luzon, and Three Flower/Tri-Color. The unique perspectives this book provides, along with the comprehensive engagement with existing Chinese and English scholarship, not only extend the scope of the growing field of ecocinematic studies, but also seeks to reform the means through which Chinese-language eco-films are understood in the years to come.
Ecology and Chinese-Language Ecocinema will be of huge interest to students and scholars in the fields of Chinese cinema, environmental studies, media and communication studies.
About the authors:
Sheldon Lu is Professor of Comparative Literature at the University of California, Davis, USA. He is the author, editor and co-editor of a dozen books in English and Chinese, including Chinese Ecocinema in the Age of Environmental Challenge (2009, co-editor with Jiayan Mi).Haomin Gong is Associate Professor of Chinese at Lingnan University, Hong Kong. He is the author of Uneven Modernity: Literature, Film, and Intellectual Discourse in Postsocialist China (2012) and Reconfiguring Class, Gender, Ethnicity and Ethics in Chinese Internet Culture (2017).
See the publisher website: Routledge
> From the same authors:
Uneven Modernity (2011)
Literature, Film, and Intellectual Discourse in Postsocialist China
by Haomin Gong
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