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Women Filmmakers in Sinophone World Cinema

by

Type
Studies
Subject
Countries
Keywords
Asia, China, women, director
Publishing date
Publisher
Amsterdam University Press
Collection
Asian Visual Cultures
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • ? pages
6 ¼ x 9 ¼ inches (16 x 23.5 cm)
ISBN
978-90-485-5409-6
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Book Presentation:
Women Filmmakers in Sinophone World Cinema portrays a group of important contemporary women filmmakers working across the Sinophone world including Taiwan, Hong Kong, the mainland, and beyond. The book delineates and conceptualizes their cinematic and trans-media practices within an evolving, multifaceted feminist intimate-public commons. The films by these experienced and emerging filmmakers, including Huang Yu-shan, Yau Ching, Ai Xiaoming, Wen Hui, Huang Ji and others, represent some of the most innovative and socially engaged work in both fictional and non-fictional modes in Chinese-language cinema as well as global women's cinema. Their narrative, documentary, and experimental film practices from the 1980s to the present, along with their work in sister media such as dance, theater, literature, and contemporary art, their activities as scholars, educators, activists, and film festival organizers or jurors, have significantly reshaped the landscape of Sinophone film culture and expanded the borders of world cinema.

About the Author:
Zhen Zhang teaches and directs the Asian Film and Media Initiative at the Department of Cinema Studies, Tisch School of the Arts, New York University. Her previous publications include An Amorous History of the Silver Screen: Shanghai Cinema 1895-1937, The Urban Generation: Chinese Cinema and Society at the Turn of the 21st Century, DV-Made China: Digital Subjects and Social Transformations after Independent Film (co-editor). She is the lead editor of the forthcoming Routledge Companion to Asian Cinemas.

See the

> From the same author:

DV-Made China:Digital Subjects and Social Transformations After Independent Film

(2015)

Digital Subjects and Social Transformations After Independent Film

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The Urban Generation:Chinese Cinema and Society at the Turn of the Twenty-First Century

(2007)

Chinese Cinema and Society at the Turn of the Twenty-First Century

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An Amorous History of the Silver Screen:Shanghai Cinema, 1896-1937

(2006)

Shanghai Cinema, 1896-1937

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> On a related topic:

New Women of the Silent Screen:China, Japan, Hollywood Volume 20

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Being Present:Mobile Cinema in Kham Tibetan Areas

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Women's Transborder Cinema:Authorship, Stardom and Filmic Labor in South Asia

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Authorship, Stardom and Filmic Labor in South Asia

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Vulgar Beauty:Acting Chinese in the Global Sensorium

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Victims, Perpetrators and Professionals:The Representation of Women in Chinese Crime Films

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Sounding the Modern Woman:The Songstress in Chinese Cinema

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Warrior Women:Gender, Race, and the Transnational Chinese Action Star

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Gender, Race, and the Transnational Chinese Action Star

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Chinese Women's Cinema:Transnational Contexts

(2011)

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