Melancholy Drift
Marking Time in Chinese Cinema
by Jean Ma
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Book Presentation:
Ma offers an innovative study of three provocative Chinese directors Wong Kar-wai, Hou Hsiao-hsien, and Tsai Ming-liang. Focusing on the highly stylized and nonlinear configurations of time in each director’s films, she argues that these directors have brought new global respect for Chinese cinema in amplifying motifs of loss, nostalgia, haunting, absence and ephemeral poetics. Hou, Tsai, and Wong all insist on the significance of being out of time, not merely out of place, as a condition of global modernity. Ma argues that their films collectively foreground the central place of contemporary Chinese films in a transnational culture of memory, characterized by a distinctive melancholy that highlights the difficulty of binding together past and present into a meaningful narrative.
> From the same author:
At the Edges of Sleep (2022)
Moving Images and Somnolent Spectators
by Jean Ma
Subject: Genre > Experimental
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