Books in French are on www.livres-cinema.info
China into Film
Frames of Reference in Contemporary Chinese Cinema
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Since 1984, Chinese cinema has been the most dramatic entry onto the international film scene. China into Film is the first book to look at contemporary Chinese cinema as a visual art and to illustrate the ways in which it has been shaped by centuries of Chinese tradition. Jerome Silbergeld looks at the significance of gender roles, the strategies of film-makers in coping with state censorship, the translation of novels into films, the continuing attachment of film-makers to melodrama, and cinematic critiques of Maoism and post-Maoist culture.
Abundantly illustrated with Chinese paintings as well as scenes from such internationally acclaimed films as Yellow Earth, Red Sorghum, Raise the Red Lantern and Farewell My Concubine, China into Film reveals a cinematic form at once excitingly new and deeply imbedded in traditional Chinese visual culture.
Press Reviews:
"As a study of the relationship between contemporary Chinese film and the visual legacy of Chinese arts and culture, this book is superb."
Journal of Asian Studies
See the publisher website: Reaktion Books
> From the same author:
Hitchcock with a Chinese Face (2004)
Cinematic Doubles, Oedipal Triangles, and China's Moral Voice
> On a related topic:
Chinese Cinema (2023)
Identity, Power, and Globalization
Dir. Jeff Kyong-McClain, Russell Meeuf and Jing Jing Chang
Cinematic Landscapes (2000)
Observations on the Visual Arts and Cinema of China and Japan
Dir. Linda C. Ehrlich and David Desser
Chinese Film in the Twenty-First Century (2025)
Movements, Genres, Intermedia
Dir. Corey Schultz and Cecília Mello
Romanian and Chinese Cinemas (2025)
Socialist Affect and Cultural Politics from Maoism to the New Waves
by Lucian Țion
Back
