MENU   

Cinematic Landscapes

Observations on the Visual Arts and Cinema of China and Japan

Sous la direction de et

Type
Essays
Sujet
Countries
Mots Clés
Japan, China, aesthetics, national cultures, movie sets
Année d'édition
Editeur
University of Texas Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback365 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN-10
ISBN-13
0-292-72087-4
978-0-292-72087-9
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
China and Japan both have traditional art forms that have been highly developed and long studied. In these original essays, noted film and art scholars explore how the spatial consciousness, compositional techniques, and construction of images in these traditional and modern art forms also inform filmmaking in the two countries, so that film and art share the same culturally defined "methods of seeing."

This first major study of the relationship between Chinese and Japanese art and film brings together writers from the United States, Europe, Australia, China, and Japan, including Japan's well-known film critic Sato Tadao and Beijing Film Academy's Ni Zhen, screenwriter of the Oscar-nominated film Raise the Red Lantern. The essays discuss the influence of the traditional arts, including scroll painting and printmaking, on Chinese and Japanese cinema and demonstrate that national cinemas cannot be completely understood without considering their indigenous traditions.

Voir le

> Des mêmes auteurs :

Killers, Clients and Kindred Spirits:The Taboo Cinema of Shohei Imamura

(2019)

The Taboo Cinema of Shohei Imamura

Dir. et

Sujet : Director >

Tough Ain't Enough:New Perspectives on the Films of Clint Eastwood

(2018)

New Perspectives on the Films of Clint Eastwood

Dir. et

Sujet : Director >

Cinematic Reveries:Gestures, Stillness, Water

(2013)

Gestures, Stillness, Water

de

Sujet :

The Cinema of Hong Kong:History, Arts, Identity

(2002)

History, Arts, Identity

Dir. et

Sujet : Countries >

Reframing Japanese Cinema:Authorship, Genre, History

(1992)

Authorship, Genre, History

Dir. et

Sujet : Countries >

Eros Plus Massacre:An Introduction to the Japanese New Wave Cinema

(1988)

An Introduction to the Japanese New Wave Cinema

de

Sujet : Countries >

> Sur un thème proche :

Coproducing Asia:Locating Japanese-Chinese Regional Film and Media

(2014)

Locating Japanese-Chinese Regional Film and Media

de

Sujet : Countries >

New Women of the Silent Screen:China, Japan, Hollywood Volume 20

(2006)

China, Japan, Hollywood Volume 20

Dir.

Sujet : Countries >

Colonial Tactics and Everyday Life:Workers of the Manchuria Film Association

(2023)

Workers of the Manchuria Film Association

de

Sujet : Countries >

Transpacific Convergences:Race, Migration, and Japanese American Film Culture before World War II

(2022)

Race, Migration, and Japanese American Film Culture before World War II

de

Sujet : Countries >

Japanese Cinema and Otherness:Nationalism, Multiculturalism and the Problem of Japaneseness

(2011)

Nationalism, Multiculturalism and the Problem of Japaneseness

de

Sujet : Countries >

17082 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info