Books in French are on www.livres-cinema.info
Movie Migrations
Transnational Genre Flows and South Korean Cinema
by Hye Seung Chung and David Scott Diffrient
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
As the two billion YouTube views for “Gangnam Style” would indicate, South Korean popular culture has begun to enjoy new prominence on the global stage. Yet, as this timely new study reveals, the nation’s film industry has long been a hub for transnational exchange, producing movies that put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood. Movie Migrations is not only an introduction to one of the world’s most vibrant national cinemas, but also a provocative call to reimagine the very concepts of “national cinemas” and “film genre.” Challenging traditional critical assumptions that place Hollywood at the center of genre production, Hye Seung Chung and David Scott Diffrient bring South Korean cinema to the forefront of recent and ongoing debates about globalization and transnationalism. In each chapter they track a different way that South Korean filmmakers have adapted material from foreign sources, resulting in everything from the Manchurian Western to The Host’s reinvention of the Godzilla mythos. Spanning a wide range of genres, the book introduces readers to classics from the 1950s and 1960s Golden Age of South Korean cinema, while offering fresh perspectives on recent favorites like Oldboy and Thirst. Perfect not only for fans of Korean film, but for anyone curious about media in an era of globalization, Movie Migrations will give readers a new appreciation for the creative act of cross-cultural adaptation.
About the authors:
HYE SEUNG CHUNG is an associate professor of film and media studies in the department of communication studies at Colorado State University. She is the author of Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance and Kim Ki-duk. DAVID SCOTT DIFFRIENT is the William E. Morgan Endowed Chair of Liberal Arts and associate professor of film and media studies in the department of communication studies at Colorado State University. He is the author of Omnibus Films: Theorizing Transauthorial Cinema.
Press Reviews:
"Deftly weaves together eclectic, interdisciplinary references, from transnational literary studies to political economy, translation and adaptation studies, film genre studies, and inter-Asian Pacific Rim cultural studies."
— The Journal of Asian Studies
"Brimming with insight and detail, this is the go-to book for South Korean genre cinema, a remarkable achievement of scholarship, richly detailed with frame grabs and production stills … Highly recommended."
— CHOICE
"Movie Migrations offers insightful readings of the deep connections between Korean and foreign films. A model of transnational scholarship, it will revitalize genre studies."
— Christina Klein
"A magnificent service to the scholarly analysis of South Korean cinema. This book is insightful, eloquent, and fully engaged. It has been researched and written with tremendous rigour and commitment."
— Julian Stringer
See the publisher website: Rutgers University Press
> From the same authors:
Cinema under National Reconstruction (2024)
State Censorship and South Korea's Cold War Film Culture
Movie Minorities (2021)
Transnational Rights Advocacy and South Korean Cinema
Hollywood Diplomacy (2020)
Film Regulation, Foreign Relations, and East Asian Representations
Subject: Sociology
Hollywood Asian (2006)
Philip Ahn and the Politics of Cross-Ethnic Performance
Subject: Actor > Philip Ahn
> On a related topic:
The Late and Post-Dictatorship (2025)
Cinephilia Boom and Art Houses in South Korea
The Korean War and Postmemory Generation (2023)
Contemporary Korean Arts and Films
Two Lenses on the Korean Ethos (2015)
Key Cultural Concepts and Their Appearance in Cinema
by Keumsil Kim Yoon and Bruce Williams
Contemporary K-Cinema and K-Dramas (2023)
A Glimpse into Korean Society through Netflix Content
Transnational Korean Cinema (2019)
Cultural Politics, Film Genres, and Digital Technologies
by Dal Yong Jin
Bollywood and Globalization (2015)
The Global Power of Popular Hindi Cinema
Dir. David J. Schaefer and Kavita Karan
Bollywood and Globalization (2011)
Indian Popular Cinema, Nation, and Diaspora
Dir. Rini Bhattacharya Mehta and Rajeshwari V. Pandharipande
Back
