Digital Cinema
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Digital Cinema considers how new technologies have revolutionized the medium, while investigating the continuities that might remain from filmmaking’s analog era. In the process, it raises provocative questions about the status of realism in a pixel-generated digital medium whose scenes often defy the laws of physics. It also considers what these changes might bode for the future of cinema. How will digital works be preserved and shared? And will the emergence of virtual reality finally consign cinema to obsolescence?
Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges some fundamental assumptions about film. It is essential reading for anyone interested in understanding how movies are shot, produced, distributed, and consumed in the twenty-first century.
About the Author:
STEPHEN PRINCE is a professor of cinema at Virginia Tech in Blacksburg. He has written or edited numerous books, including Digital Visual Effects in Cinema: The Seduction of Reality and A Dream of Resistance: The Cinema of Kobayashi Masaki (both Rutgers University Press).
Press Reviews:
"Stephen Prince's Digital Cinema is essential reading for anyone interested in the implications of the digital revolution for storytelling in the moving image media. This book—at once sophisticated and accessible—is by far the best introduction to the topic."
— Carl Plantinga
"This illuminating, lucid, and deeply informative book should be essential reading for anyone who has ever wondered about the present, past, and future of cinema in the digital age."
— Lisa Bode
"Recommended."
— Choice
"The book’s greatest strength is its ability to distil a significant amount of existing scholarship on digital cinema to jargon free and accessible language. Prince illuminates his points through numerous examples, ranging from film sequences, filmmaking software, techniques and technology, to media in general."
— Historical Journal of Film, Radio and Television
See the publisher website: Rutgers University Press
> From the same author:
American Cinema of the 1980s (2007)
Themes and Variations
Dir. Stephen Prince
Subject: On Films > Per period
Classical Film Violence (2003)
Designing and Regulating Brutality in Hollywood Cinema, 1930-1968
Subject: Countries > United States
Savage Cinema (1998)
Sam Peckinpah and the Rise of Ultraviolent Movies
Subject: Director > Sam Peckinpah
> On a related topic:
Distribution Revolution (2014)
Conversations about the Digital Future of Film and Television
by Michael Curtin, Jennifer Holt and Kevin Sanson
Subject: Technique > All techniques
The Future of Memory (2025)
A History of Lossless Format Standards in the Moving Image Archive
by Jimi Jones and Marek Jancovic
Subject: Economics
Multimedia Histories (2007)
From Magic Lanterns to Internet
Dir. James Lyons and John Plunkett
Subject: History of Cinema