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Digital Cinema

by Stephen Prince

Type
Essays
Subject
Theory
Keywords
digital, 21st century, technology, future of cinema
Publishing date
2019
Publisher
Rutgers University Press
Collection
Quick Takes: Movies and Popular Culture
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 196 pages
4 ¾ x 7 ½ inches (12 x 19 cm)
ISBN
978-0-8135-9626-6
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Book Presentation:
Digital Cinema considers how new technologies have revolutionized the medium, while investigating the continuities that might remain from filmmaking’s analog era. In the process, it raises provocative questions about the status of realism in a pixel-generated digital medium whose scenes often defy the laws of physics. It also considers what these changes might bode for the future of cinema. How will digital works be preserved and shared? And will the emergence of virtual reality finally consign cinema to obsolescence?

Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges some fundamental assumptions about film. It is essential reading for anyone interested in understanding how movies are shot, produced, distributed, and consumed in the twenty-first century.

About the Author:
STEPHEN PRINCE is a professor of cinema at Virginia Tech in Blacksburg. He has written or edited numerous books, including Digital Visual Effects in Cinema: The Seduction of Reality and A Dream of Resistance: The Cinema of Kobayashi Masaki (both Rutgers University Press).

Press Reviews:
"Stephen Prince's Digital Cinema is essential reading for anyone interested in the implications of the digital revolution for storytelling in the moving image media. This book—at once sophisticated and accessible—is by far the best introduction to the topic."
— Carl Plantinga

"This illuminating, lucid, and deeply informative book should be essential reading for anyone who has ever wondered about the present, past, and future of cinema in the digital age."
— Lisa Bode

"Recommended."
— Choice

"The book’s greatest strength is its ability to distil a significant amount of existing scholarship on digital cinema to jargon free and accessible language. Prince illuminates his points through numerous examples, ranging from film sequences, filmmaking software, techniques and technology, to media in general."
— Historical Journal of Film, Radio and Television

See the publisher website: Rutgers University Press

> From the same author:

A Dream of Resistance:The Cinema of Kobayashi Masaki

A Dream of Resistance (2017)

The Cinema of Kobayashi Masaki

by Stephen Prince

Subject: Director > Masaki Kobayashi

Firestorm:American Film in the Age of Terrorism

Firestorm (2009)

American Film in the Age of Terrorism

by Stephen Prince

Subject: Genre > Disaster films

American Cinema of the 1980s:Themes and Variations

American Cinema of the 1980s (2007)

Themes and Variations

Dir. Stephen Prince

Subject: On Films > Per period

Classical Film Violence:Designing and Regulating Brutality in Hollywood Cinema, 1930-1968

Classical Film Violence (2003)

Designing and Regulating Brutality in Hollywood Cinema, 1930-1968

by Stephen Prince

Subject: Countries > United States

A New Pot of Gold, 1980-1989:History of American Cinema vol.10

A New Pot of Gold, 1980-1989 (2002)

History of American Cinema vol.10

by Stephen Prince

Subject: History of Cinema

The Warrior's Camera : The Cinema of Akira Kurosawa

The Warrior's Camera (1999)

The Cinema of Akira Kurosawa

by Stephen Prince

Subject: Director > Akira Kurosawa

Savage Cinema:Sam Peckinpah and the Rise of Ultraviolent Movies

Savage Cinema (1998)

Sam Peckinpah and the Rise of Ultraviolent Movies

by Stephen Prince

Subject: Director > Sam Peckinpah

> On a related topic:

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The Digital Image and Reality:Affect, Metaphysics and Post-Cinema

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The Future of Memory:A History of Lossless Format Standards in the Moving Image Archive

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by Jimi Jones and Marek Jancovic

Subject: Economics

Digital Film and Television Culture:From Hollywood to Social Media

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by Helle Kannik Haastrup

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Supercinema:Film-Philosophy for the Digital Age

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Subject: General

Multimedia Histories:From Magic Lanterns to Internet

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Dir. James Lyons and John Plunkett

Subject: History of Cinema

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