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Playful Frames

Styles of Widescreen Cinema

by

Type
Studies
Subject
Technique
Keywords
cinematography, shots, Robert Altman, John Carpenter, Blake Edwards, Jean Negulesco, viewer, technology
Publishing date
Publisher
Rutgers University Press
Collection
Techniques of the Moving Image
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover198 pages
6 ½ x 9 ¾ inches (16.5 x 25 cm)
ISBN
978-1-9788159-5-7
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Book Presentation:
A widescreen frame in cinema beckons the eye to playfully, creatively roam. Such technology also gives inventive filmmakers room to disrupt and redirect audience expectations, surprising viewers through the use of a wider, more expansive screen. Playful Frames: Styles of Widescreen Cinema studies the poetics of the auteur-driven widescreen image, offering nimble, expansive analyses of the work of four distinctive filmmakers – Jean Negulesco, Blake Edwards, Robert Altman, and John Carpenter – who creatively inhabited the nooks and crannies of widescreen moviemaking during the final decades of the twentieth century. Exploring the relationship between aspect ratio and subject matter, Playful Frames shows how directors make puckish use of widescreen technology. All four of these distinctive filmmakers reimagined popular genres (such as melodrama, slapstick comedy, film noir, science fiction, and horror cinema) through their use of the wide frame, and each brings a range of intermedial interests (painting, performance, and music) to their use of the widescreen image. This study looks specifically at the technological underpinnings, aesthetic shapes, and interpretive implications of these four directors’ creative use of widescreen, offering a way to reconsider the way wide imagery still has the potential to amaze and move us today.

About the Author:
STEVEN RYBIN is an associate professor of film studies at Minnesota State University, Mankato. His books as author include Shots to the Heart: For the Love of Film Performance, Geraldine Chaplin: The Gift of Film Performance, and Gestures of Love: Romancing Performance in Classical Hollywood Cinema.

Press Reviews:
"Until I began reading Steve Rybin’s surprising and steadily adventurous book, I had never thought of linking widescreen frames and their accompanying camera movements with playfulness. His bravura inquiry enlarges and richly complicates the ludic possibilities, in addition to offering fresh, provocative readings of four very different American directors’ works. Rybin writes with such infectious gusto and has a splendid ability to make the visual details whose mystery he probes come alive on the page."

— George Toles

"With detailed and lively formal analyses, Rybin shows the often surprising ways in which four very different directors used the possibilities of the wider aspect ratio to orchestrate viewer attention for comedy, terror, drama, characterization, and spectacle. Playful Frames is an invaluable addition to our understanding of widescreen aesthetics, expanding beyond viewer immersion to questions of reflexivity, genre, and intermediality."

— Lisa Bode

See the

> From the same author:

Shots to the Heart:For the Love of Film Performance

(2022)

For the Love of Film Performance

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Stellar Transformations:Movie Stars of the 2010s

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Movie Stars of the 2010s

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Geraldine Chaplin:The Gift of Film Performance

(2020)

The Gift of Film Performance

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Gestures of Love:Romancing Performance in Classical Hollywood Cinema

(2018)

Romancing Performance in Classical Hollywood Cinema

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Hamlet Lives in Hollywood:John Barrymore and the Acting Tradition Onscreen

(2017)

John Barrymore and the Acting Tradition Onscreen

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The Cinema of Hal Hartley:Flirting with Formalism

(2016)

Flirting with Formalism

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Subject: Director >

Lonely Places, Dangerous Ground:Nicholas Ray in American Cinema

(2015)

Nicholas Ray in American Cinema

Dir. and

Subject: Director >

> On a related topic:

The Filmmaker's Eye:Learning (and Breaking) the Rules of Cinematic Composition

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Learning (and Breaking) the Rules of Cinematic Composition

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Left or Right?:Directing Lateral Movement in Film

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The Zoom:Drama at the Touch of a Lever

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Drama at the Touch of a Lever

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Silver Screen to Digital:A Brief History of Film Technology

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Bigger Than Life:The Close-Up and Scale in the Cinema

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