MENU   

Single Lives

Modern Women in Literature, Culture, and Film

Edited by and

Type
Studies
Subject
Keywords
women, sociology
Publishing date
Publisher
Rutgers University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback250 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-9788285-1-3
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Single Lives is a collection of singleness studies essays from the interdisciplinary humanities that explores the last two hundred years of literature and popular media by, about, and for single women in the US and the UK. Independent women have always been a center around which social anxieties and excitement coalesced. Moving between the family home and domestic independence, between household and public labor, and between celibacy and a range of sexual relations, the single woman remains a literary and cultural focus, as she has been from the 19th to the 21st centuries. This collection offers readers the opportunity to uncover the social, political, economic, and cultural connections between the "singly blessed" women and "bachelor girls" of the 19th and early 20th century and "all the single ladies" of the 21st century. Essays read singleness across genre and field, offering new approaches to studying modern and contemporary single women in literature, film, and history. Authors engage scholarship from wide ranging fields of social history, women's studies, queer theory, and Black feminism. The collection reads familiar texts against the grain, rethinking archival resources, revisiting familiar figures, and exploring new sources: cookbooks, ephemera, personal documents, recovered film histories, and forms of domestic space and labor.This is a book for scholars of gender and sexuality, social history, feminist film and media scholars, and literary historians, and reflects the urgent contemporary interest in single women as a political, economic, and cultural force.

About the authors:
KATHERINE FAMA is an assistant professor of American literature in the School of English, Drama and Film at University College Dublin in Ireland.

JORIE LAGERWEY is an associate professor in television studies at University College Dublin in Ireland. She is the author, with Taylor Nygaard, of Horrible White People: Gender, Genre, and Television’s Precarious Whiteness and Postfeminist Celebrity and Motherhood: Brand Mom.

Press Reviews:
"Single Lives, focusing on a wide range of British and American texts from the nineteenth to the present century, makes a timely feminist intervention into ongoing critical conversations about the representation of women’s singleness. This engaging interdisciplinary collection, which foregrounds diverse embodiments of singleness, revisits familiar figures, and promotes expanded methods and sources to better understand single women’s lived experiences, promises to greatly enrich the field of singleness studies."
— Anthea Taylor

"Drawing from wide-ranging disciplines and spanning a century of British and American history, Single Lives offers an original and engrossing analysis of how the figure of the single woman stands as an implicit challenge to the norm of the patriarchal nuclear family."

— Kathleen Rowe Karlyn

"Single Lives, focusing on a wide range of British and American texts from the nineteenth to the present century, makes a timely feminist intervention into ongoing critical conversations about the representation of women’s singleness. This engaging interdisciplinary collection, which foregrounds diverse embodiments of singleness, revisits familiar figures, and promotes expanded methods and sources to better understand single women’s lived experiences, promises to greatly enrich the field of singleness studies."
— Anthea Taylor


"Drawing from wide-ranging disciplines and spanning a century of British and American history, Single Lives offers an original and engrossing analysis of how the figure of the single woman stands as an implicit challenge to the norm of the patriarchal nuclear family."
— Kathleen Rowe Karlyn

See the

> On a related topic:

Feminist Visions:Tracing Feminist Epistemologies in Contemporary Film and Television

(2026)

Tracing Feminist Epistemologies in Contemporary Film and Television

Dir. and

Subject:

Girls' Hairstories:Resilience and Sparkle in Contemporary Screen Cultures

(2025)

Resilience and Sparkle in Contemporary Screen Cultures

by

Subject:

Women and Home in Cinema:Form, Feeling, Practice

(2024)

Form, Feeling, Practice

by

Subject:

Sustainable Resilience in Women's Film and Video Organizations:A Counter-Lineage in Moving Image History

(2024)

A Counter-Lineage in Moving Image History

by

Subject:

The Value Gap:Female-Driven Films from Pitch to Premiere

(2023)

Female-Driven Films from Pitch to Premiere

by

Subject:

Women's Work in Post-war Italy:An Oral and Filmic History

(2023)

An Oral and Filmic History

by

Subject:

Mothers on American Television:From Here to Maternity

(2023)

From Here to Maternity

by

Subject:

Women, Ageing and the Screen Industries:Falling off a Cliff?

(2023)

Falling off a Cliff?

Dir.

Subject:

The New Female Antihero:The Disruptive Women of Twenty-First-Century US Television

(2022)

The Disruptive Women of Twenty-First-Century US Television

by and

Subject:

16099 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info