Film and Nationalism

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Edited by Alan Williams

Type

Studies

Subject

Sociology

Keywords

national cultures, propaganda, cinema influence

Publishing date

2001

Publisher

Rutgers University Press

Collection

Rutgers Depth of Field Series

Language

English

Relative size

Physical desc.

Paperback • 272 pages
6 ¼ x 9 ½ inches (16 x 24 cm)

ISBN-10
ISBN-13

0-8135-3040-7
978-0-8135-3040-6

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Book Presentation:
Today there is much debate over an increasingly "global economy." But commercial cinema has been, from the very beginnings of its existence, "globalized." From the mediums inception, films have defined and reinforced the core values and social structures of countries. They have also helped definesocially and culturallywhat is to be considered "outside" the nation and what it is to be shunned.Film and Nationalism examines the ways in which cinema has been considered an arena of conflict and interaction between nations and nationhood. Each section of this volume explores a crucial aspect of the discussion. Is film an effective form of national propaganda? Are films losing the very notion of nationhood, in favor of a generalized, "global" cinematographic culture? What is films influence over "national character"? In addition, the volume explores the cultural and economic interactions between developed and underdeveloped countries. How have third world nations defined themselves in relation to hegemonic first world cultures, and how have their relations been changed through the dissemination of Western films? Throughout, Alan Williams chooses essays that enhance our understanding of how films help shape our sense of nationhood and self.

About the Author:
Alan Williams is a professor in the department of French at Rutgers University. He is the author of Max Ophuls and the Cinema of Desire and Republic of Images: A History of French Filmmaking.

See the publisher website: Rutgers University Press