Les livres en français sont sur www.livres-cinema.info
Triumph over Containment
American Film in the 1950s
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences.
Triumph Over Containment offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from The Thing from Another World (1951) to Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture.
This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.
À propos de l'auteur :
ROBERT P. KOLKER is a professor emeritus at the University of Maryland in College Park. He is author of numerous books, including The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema (Rutgers University Press), A Cinema of Loneliness, Film, Form, and Culture, and, with Nathan Abrams, Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. He is currently at work on a biography of Stanley Kubrick with Nathan Abrams.
Revue de Presse:
"Unabashedly autobiographical and unapologetically auteurist, Robert Kolker’s trip into the fever heat of 1950s American cinema is an eloquent and erudite delight."
— Peter Stanfield
"Robert Kolker ingeniously uses George Kennan’s Cold War strategy of 'containment' as a metaphor to illuminate the complex interplay between movies and politics in this personal, yet incisive exploration of America’s pop culture in the 1950’s."
— Peter Biskind
"New Books Network: New Books in Film interview with Robert P. Kolker"
— New Books Network: New Books in Film
Voir le site internet de l'éditeur Rutgers University Press
> Du même auteur :
The Extraordinary Image (2016)
Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema
Sujet : Director > Orson Welles, Alfred Hitchcock, Stanley Kubrick
The films of Wim Wenders (1993)
cinema as vision and desire
de Robert Phillip Kolker et Peter Beicken
Sujet : Director > Wim Wenders
> Sur un thème proche :
Projections of Passing (2021)
Postwar Anxieties and Hollywood Films, 1947-1960
Sujet : On Films > Per period
Ghouls, Gimmicks, and Gold (2004)
Horror Films and the American Movie Business, 1953-1968
The Fifties, Transforming the Screen 1950–1959 (2003)
History of Amarican cinema vol.7
de Peter Lev
Sujet : History of Cinema
Demographic Angst (2017)
Cultural Narratives and American Films of the 1950s
de Alan Nadel
Sujet : Sociology
Invasion USA (2017)
Essays on Anti-Communist Movies of the 1950s and 1960s
Dir. David J. Hogan
Sujet : Sociology
Fractured Fifties (2023)
The Cinematic Periodization and Evolution of a Decade
Sujet : On Films > Per period
It Came from 1957 (2013)
A Critical Guide to the Year's Science Fiction, Fantasy and Horror Films
de Rob Craig
Sujet : On Films > Per period
Retour
