American Independent Cinema
An Introduction
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Book Presentation:
From the prestige films of Cagney Productions to recent, ultra-low budget cult hits, such as Clerks and The Blair Witch Project, American independent cinema has produced some of the most distinctive films ever made. This comprehensive introduction draws on key films, filmmakers, and film companies from the early twentieth century to the present to examine the factors that shaped this vital and evolving mode of filmmaking.
Specifically, it explores the complex and dynamic relations between independent and mainstream Hollywood cinema, showing how institutional, industrial, and economic changes in the latter have shaped and informed the former. Ordered chronologically, the book begins with Independent Filmmaking in the Studio Era (examining both top-rank and low-end film production), moves to the 1950s and 1960s (discussing both the adoption of independent filmmaking as the main method of production as well as exploitation filmmaking), and finishes with contemporary American independent cinema (exploring areas such as the New Hollywood, the rise of mini-major and major independent companies and the institutionalization of independent cinema in the 1990s). Each chapter includes case studies which focus on specific films, filmmakers, and production and distribution companies.
About the Author:
YANNIS TZIOUMAKIS is a senior lecturer in screen studies at Liverpool John Moores University.
Press Reviews:
A substantial and insightful examination of the infrastructure of independent American cinema. This is a true advance on previous studies and deepens the reader's understanding of how independent films get made and distributed. For this reason the book will be an invaluable addition to the literature on Independent American Cinema. — Professor Warren Buckland
See the publisher website: Rutgers University Press
> Books with the same or similar title:
American Independent Cinema (2015)
Rites of Passage and the Crisis Image
Subject: Genre > Independent cinema
American Independent Cinema (2012)
indie, indiewood and beyond
Dir. Geoff King, Claire Molloy and Yannis Tzioumakis
Subject: Genre > Independent cinema
> From the same author:
Rock around the Clock (2025)
Exploitation, Rock 'n' roll and the Origins of Youth Culture
by Yannis Tzioumakis and Siân Lincoln
Subject: One Film > Rock around the Clock
United Artists (2020)
by Peter Kramer, Gary Needham, Yannis Tzioumakis and Tino Balio
Subject: Studio > United Artists
The Routledge Companion to Cinema and Politics (2018)
Dir. Yannis Tzioumakis and Claire Molloy
Subject: Sociology
The Time of Our Lives (2013)
Dirty Dancing and Popular Culture
Dir. Siân Lincoln and Yannis Tzioumakis
Subject: One Film > Dirty Dancing
American Independent Cinema (2012)
indie, indiewood and beyond
Dir. Geoff King, Claire Molloy and Yannis Tzioumakis
Subject: Genre > Independent cinema
Hollywood's Indies (2012)
Classics Divisions, Specialty Labels and American Independent Cinema
Subject: Genre > Independent cinema
> On a related topic:
Directory of World Cinema / American Independent 3 (2016)
Dir. John Berra
Subject: Genre > Independent cinema
Directory of World Cinema / American Independent 2 (2013)
Dir. John Berra
Subject: Genre > Independent cinema
Directory of World Cinema / American Independent (2010)
Dir. John Berra
Subject: Genre > Independent cinema
The Independent Film Experience (2002)
Interviews with Directors and Producers
Subject: Genre > Independent cinema
The Talent Management of Indie Authorship (2024)
From American independent cinema and short “films” to pay-TV and streaming
Subject: Genre > Independent cinema
The Stillness of Solitude (2019)
Romanticism and Contemporary American Independent Film
Subject: Genre > Independent cinema
Rewriting Indie Cinema (2019)
Improvisation, Psychodrama, and the Screenplay
by J. J. Murphy
Subject: Genre > Independent cinema
Engaging Dialogue (2018)
Cinematic Verbalism in American Independent Cinema
Subject: Genre > Independent cinema