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21st-Century Hollywood
Movies in the Era of Transformation
by Wheeler Winston Dixon and Gwendolyn Audrey Foster
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Book Presentation:
They are shot on high-definition digital cameras—with computer-generated effects added in postproduction—and transmitted to theaters, websites, and video-on-demand networks worldwide. They are viewed on laptop, iPod, and cell phone screens. They are movies in the 21st century—the product of digital technologies that have revolutionized media production, content distribution, and the experience of moviegoing itself.
21st-Century Hollywood introduces readers to these global transformations and describes the decisive roles that Hollywood is playing in determining the digital future for world cinema. It offers clear, concise explanations of a major paradigm shift that continues to reshape our relationship to the moving image. Filled with numerous detailed examples, the book will both educate and entertain film students and movie fans alike.
About the authors:
WHEELER WINSTON DIXON is the James Ryan Endowed Professor of Film Studies at the University of Nebraska, Lincoln. His many books include the recently published A History of Horror (Rutgers University Press).
GWENDOLYN AUDREY FOSTER is a professor in Film Studies at the University of Nebraska, Lincoln, and editor in chief of the Quarterly Review of Film and Video.
Press Reviews:
"A significant and impressive work on the cutting edge of current critical discussion on the digitization of film...the sheer scope of Dixon and Foster's knowledge is dazzling."
— Steven Shaviro
"The paradigm shift from analog to digital media has completely changed the way Hollywood produces and distributes its business. 21st-Century Hollywood presents a perfect snapshot of the new digital present."
— Jan-Christopher Horak
"Dixon and Foster give readers an enjoyable, informative tour through popular productions and the business models and cultures that surround and impact them. The informal prose and diverse subject matter make this volume--in contract to a great deal of film criticism--appealing to a wide-range of audiences. Recommended."
— Choice
"A significant and impressive work on the cutting edge of current critical discussion on the digitization of film...the sheer scope of Dixon and Foster's knowledge is dazzling."
— Steven Shaviro
"The paradigm shift from analog to digital media has completely changed the way Hollywood produces and distributes its business. 21st-Century Hollywood presents a perfect snapshot of the new digital present."
— Jan-Christopher Horak
"Dixon and Foster give readers an enjoyable, informative tour through popular productions and the business models and cultures that surround and impact them. The informal prose and diverse subject matter make this volume--in contract to a great deal of film criticism--appealing to a wide-range of audiences. Recommended."
— Choice
See the publisher website: Rutgers University Press
> From the same authors:
A Short History of Film (2018)
by Wheeler Winston Dixon and Gwendolyn Audrey Foster
Subject: History of Cinema
Death of the Moguls (2012)
The End of Classical Hollywood
Visions of Paradise (2006)
Images of Eden in the Cinema
Experimental Cinema, The Film Reader (2002)
Dir. Gwendolyn Audrey Foster and Wheeler Winston Dixon
Subject: Genre > Experimental
The Exploding Eye (1997)
A Re-Visionary History of 1960s American Experimental Cinema
Subject: Genre > Experimental
Women Filmmakers of the African & Asian Diaspora (1997)
Decolonizing the Gaze, Locating Subjectivity
Subject: Countries > United States
> On a related topic:
Screening the Crisis (2024)
US Cinema and Social Change in the Wake of the 2008 Crash
Dir. Hilaria Loyo
Subject: Sociology
Consent Culture and Teen Films (2023)
Adolescent Sexuality in Us Movies
by Michele Meek
Subject: Sociology
Walls without Cinema (2022)
State Security and Subjective Embodiment in Twenty-First-Century US Filmmaking
Subject: Sociology
The Hell of War Comes Home (2019)
Imaginative Texts from the Conflicts in Afghanistan and Iraq
Subject: Sociology
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