Directing

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Edited by Virginia Wright Wexman

Type

Studies

Subject

Technique > Direction

Keywords

direction, director, Hollywood, Orson Welles, Tim Burton, Cecil B. DeMille, Ida Lupino, Spike Lee, Steven Soderbergh

Publishing date

2017

Publisher

Rutgers University Press

Collection

Behind the Silver Screen Series

Language

English

Relative size

Physical desc.

Paperback • 220 pages
6 ¼ x 9 ½ inches (16 x 24 cm)

ISBN

978-0-8135-6429-6

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Book Presentation:
When a film is acclaimed, the director usually gets the lion’s share of the credit. Yet the movie director’s job—especially the collaborations and compromises it involves—remains little understood.

The latest volume in the Behind the Silver Screen series, this collection provides the first comprehensive overview of how directing, as both an art and profession, has evolved in tandem with changing film industry practices. Each chapter is written by an expert on a different period of Hollywood, from the silent film era to today’s digital filmmaking, providing in-depth examinations of key trends like the emergence of independent production after World War II and the rise of auteurism in the 1970s. Challenging the myth of the lone director, these studies demonstrate how directors work with a multitude of other talented creative professionals, including actors, writers, producers, editors, and cinematographers.

Directing examines a diverse range of classic and contemporary directors, including Orson Welles, Tim Burton, Cecil B. DeMille, Steven Soderbergh, Spike Lee, and Ida Lupino, offering a rich composite picture of how they have negotiated industry constraints, utilized new technologies, and harnessed the creative contributions of their many collaborators throughout a century of Hollywood filmmaking.

About the Author:
VIRGINIA WRIGHT WEXMAN is Professor Emerita of English and art history at the University of Illinois at Chicago. She is the author of many books including Women and Experimental Filmmaking.

Press Reviews:
"A rare and useful contribution to the history of Hollywood film directors – their varied working conditions, their talented collaborators, and their sometimes limited but more often significant contributions to film art."
— James Naremore

"This fascinating collection of essays by established field historians goes further than any publication to date to challenge the mythologies that have grown up around the auteur director. This is achieved most notably by historical overview of the actual work of the studio director as it has evolved from 1895 to the present."
— Jane Gaines

See the publisher website: Rutgers University Press