American Cinema of the 1960s

Themes and Variations

Add to my list

Edited by Barry Keith Grant

Type

Studies

Subject

On Films > Per period

Keywords

1960s, United States

Publishing date

2008

Publisher

Rutgers University Press

Collection

Screen Decades: American Culture/American Cinema

Language

English

Relative size

Physical desc.

Paperback • 296 pages
6 ¼ x 9 ½ inches (16 x 24 cm)

ISBN

978-0-8135-4219-5

User Ratings

(0 vote)

X

Average rating:

0	rating	= We can do without
0	rating	= Good book
0	rating	= Excellent book
0	rating	= Unique / a reference

Your rating: -

Book Presentation:
The profound cultural and political changes of the 1960s brought the United States closer to social revolution than at any other time in the twentieth century. The country fragmented as various challenges to state power were met with increasing and violent resistance. The Cold War heated up and the Vietnam War divided Americans. Civil rights, women's liberation, and gay rights further emerged as significant social issues. Free love was celebrated even as the decade was marked by assassinations, mass murders, and social unrest.

At the same time, American cinema underwent radical change as well. The studio system crumbled, and the Production Code was replaced by a new ratings system. Among the challenges faced by the film industry was the dawning shift in theatrical exhibition from urban centers to surburban multiplexes, an increase in runaway productions, the rise of independent producers, and competition from both television and foreign art films. Hollywood movies became more cynical, violent, and sexually explicit, reflecting the changing values of the time.

In ten original essays, American Cinema of the 1960s examines a range of films that characterized the decade, including Hollywood movies, documentaries, and independent and experimental films. Among the films discussed are Elmer Gantry, The Apartment, West Side Story, The Manchurian Candidate, To Kill a Mockingbird, Cape Fear, Bonnie and Clyde, 2001: A Space Odyssey, Midnight Cowboy, and Easy Rider.

About the Author:
BARRY KEITH GRANT is a professor in the Department of Communication, Popular Culture, and Film at Brock University in Ontario, Canada, and the author of numerous books.

Press Reviews:

"There is nothing like this series. Screen Decades firmly situates American cinema in the realms of material culture, popular culture, cultural narrative, reception analysis, and industrial history."

— American Quarterly




"There is nothing like this series. Screen Decades firmly situates American cinema in the realms of material culture, popular culture, cultural narrative, reception analysis, and industrial history."
— American Quarterly

See the publisher website: Rutgers University Press