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Con Artists in Cinema

Self-Knowledge, Female Power, and Love

de

Type
Studies
Sujet
Mots Clés
philosophy
Année d'édition
Editeur
Routledge
Collection
Routledge Focus on Film Studies
1ere édition
2023
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback100 pages
5 ½ x 8 ¾ inches (14 x 22 cm)
ISBN
978-1-032-42846-8
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Description de l'ouvrage:
This book examines the con artist film as a genre, exploring its main features while also addressing variations within it.

The volume explores three diverse themes of the con artist film: edification, self-awareness, and liberation through con games; the femme fatale as con artist; and romantic love as a plot point. Analyzing movies such as Matchstick Men (2003), House of Games (1987), Body Heat (1981), The Last Seduction (1994), Birthday Girl (2001), and The Game (1997), the book also explores their psychological investigation of the con artist figure, the con artist’s mark, and how the dynamic between these roles implicates us as the audience. It also addresses the con artist film genre’s close association with neo-noir, especially through the femme fatale figure, investigating and updating the rich tradition of noir film. 

Demonstrating the range and flexibility of this understudied genre, this book will be of interest to scholars and students of film studies, ethics, and those studying the representation of women in film..

À propos de l'auteur :
Joseph H. Kupfer is University Professor of Philosophy at Iowa State University, USA

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