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From Doors to Screens

Cinematic Incorporations of Technology

by

Type
Essays
Subject
Keywords
objects, theory, symbolism
Publishing date
Publisher
State University of New York Press
Collection
SUNY series, Horizons of Cinema
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 274 pages
6 x 9 inches (15 x 23 cm)
ISBN
979-8-8558-0640-3
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Book Presentation:
Reveals how objects and technologies function as discursive agents in film, with formal, narrative, and argumentative consequences.

From Doors to Screens treats filmic representations of non-filmic technologies as potentially meaningful intermedial encounters, wherein the objects and media represented interact with the basic characteristics of film in ways that affect cinematic expression, meaning-making, and argumentation. Focusing on doors, clocks, gramophones, and video screens in films by Ernst Lubitsch, Fritz Lang, Werner Herzog, Michael Haneke, and others, the book reveals how these objects and technologies function as discursive agents, with formal, narrative, and argumentative consequences. Applying media theory to film analysis, the book proposes a novel methodology for the close reading of films, offering an alternative to more common symbolic and metaphorical interpretations.

About the Author:
Ido Lewit is Assistant Professor at the Steve Tisch School of Film and Television, Tel-Aviv University. He is the coeditor, with Shai Biderman, of Mediamorphosis: Kafka and the Moving Image and, with Brigitte Peucker, of New Approaches to Ernst Lubitsch: A Light Touch.

See the

> From the same author:

Mediamorphosis:Kafka and the Moving Image

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Kafka and the Moving Image

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