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Stories: Aesthetics (1 book)

Colors of Film:The Story of Cinema in 50 Palettes

(2023)

The Story of Cinema in 50 Palettes

by

Publisher:

Subject: Technique >


> Other books on the subject of Aesthetics:

La Société Technicolor:The History of French Société Technicolor

(2025)

The History of French Société Technicolor

by
(in French and English)

Subject: Technique >

Feeling Colour:Chromatic Embodiment in Film Culture, 1950s-1960s

(2025)

Chromatic Embodiment in Film Culture, 1950s-1960s

by

Subject: Technique >

Color It True:Impressions of Cinema

(2023)

Impressions of Cinema

by

Subject: Technique >

Anarchitectural Experiments:When Unbuilt Designs Turn to Film

(2023)

When Unbuilt Designs Turn to Film

by

Subject: Technique >

Design in Motion:Film Experiments at the Bauhaus

(2022)

Film Experiments at the Bauhaus

by

Subject: Technique >

The Shape of Motion:Cinema and the Aesthetics of Movement

(2022)

Cinema and the Aesthetics of Movement

by

Subject: Technique >

Film and Modern American Art:The Dialogue between Cinema and Painting

(2020)

The Dialogue between Cinema and Painting

by

Subject: Technique >

Tracking Color in Cinema and Art:Philosophy and Aesthetics

(2020)

Philosophy and Aesthetics

by

Subject: Technique >

The Cinematic Sublime:Negative Pleasures, Structuring Absences

(2020)

Negative Pleasures, Structuring Absences

Dir.

Subject: Technique >

Art History for Filmmakers:The Art of Visual Storytelling

(2020)

The Art of Visual Storytelling

by

Subject: Technique >

Color Mania:The Material of Color in Photography and Film

(2019)

The Material of Color in Photography and Film

Dir. , and

Subject: Technique >

Displacements:Reading Space and Time in Moving Image Installations

(2019)

Reading Space and Time in Moving Image Installations

by

Subject: Technique >

Cinemagritte:René Magritte Within the Frame of Film History, Theory, and Practice

(2019)

René Magritte Within the Frame of Film History, Theory, and Practice

by

Subject: Technique >

Color Grading 101:Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists

(2019)

Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists

by

Subject: Technique >

Aesthetic Spaces:The Place of Art in Film

(2019)

The Place of Art in Film

by

Subject: Technique >

Pictures of the Mind:Surrealist Photography and Film

(2018)

Surrealist Photography and Film

by

Subject: Technique >

Vision:Colour and Composition for Film

(2018)

Colour and Composition for Film

by and

Subject: Technique >

Cinema by Design:Art Nouveau, Modernism, and Film History

(2017)

Art Nouveau, Modernism, and Film History

by

Subject: Technique >

Filming the City:Urban Documents, Design Practices and Social Criticism through the Lens

(2016)

Urban Documents, Design Practices and Social Criticism through the Lens

Dir. , and

Subject: Technique >

Color and Empathy:Essays on Two Aspects of Film

(2015)

Essays on Two Aspects of Film

by

Subject: Technique >

Postmodernism and Film:Rethinking Hollywood's Aesthestics

(2015)

Rethinking Hollywood's Aesthestics

by

Subject: Technique >

Color Correction Handbook:Professional Techniques for Video and Cinema

(2013)

Professional Techniques for Video and Cinema

by

Subject: Technique >

The Architecture of the Screen:Essays in Cinematographic Space

(2013)

Essays in Cinematographic Space

by

Subject: Technique >

Color and the Moving Image:History, Theory, Aesthetics, Archive

(2012)

History, Theory, Aesthetics, Archive

Dir. , and

Subject: Technique >

Moving Color:Early Film, Mass Culture, Modernism

(2012)

Early Film, Mass Culture, Modernism

by

Subject: Technique >

Pretty:Film and the Decorative Image

(2011)

Film and the Decorative Image

by

Subject: Technique >

Cinéma et couleur:Film and Colour

(2009)

Film and Colour

by
(in English and French)

Subject: Technique >

Color Correction for Video:Using Desktop Tools to Perfect Your Image

(2008)

Using Desktop Tools to Perfect Your Image

by and

Subject: Technique >

Technicolor Movies:The History of Dye Transfer Printing

(2003)

The History of Dye Transfer Printing

by

Subject: Technique >

Cinema and Painting:How Art Is Used in Film

(1996)

How Art Is Used in Film

by

Subject: Technique >

> Other books related to Aesthetics:

Film, In Theory:The BFI Education Department and Film Culture

(2026)

The BFI Education Department and Film Culture

by

Subject:

The Interactive Documentary Form:Aesthetics, Practice and Research

(2025)

Aesthetics, Practice and Research

by

Subject: Genre >

Films That Spill:Beyond the Cinema of Transgression

(2025)

Beyond the Cinema of Transgression

by

Subject: Genre >

Bodies of Water:Queer Aesthetics in Contemporary Latin American Cinema

(2025)

Queer Aesthetics in Contemporary Latin American Cinema

by

Subject: Countries >

Screens and Illusionism:Alternative Teleologies of Mediation

(2024)

Alternative Teleologies of Mediation

Dir. and

Subject:

The Eye of the Cinematograph:Lévinas and Realisms of the Body

(2024)

Lévinas and Realisms of the Body

by

Subject:

Through a Noir Lens:Adapting Film Noir Visual Style

(2024)

Adapting Film Noir Visual Style

by

Subject: Genre >

Cinema and Machine Vision:Artificial Intelligence, Aesthetics and Spectatorship

(2024)

Artificial Intelligence, Aesthetics and Spectatorship

by

Subject:

Cinematic Modernism and Contemporary Film:Aesthetics and Narrative in the International Art Film

(2024)

Aesthetics and Narrative in the International Art Film

by

Subject:

Depth Effects:Dimensionality from Camera to Computation

(2023)

Dimensionality from Camera to Computation

by

Subject:

The Art of the Filmmaker:The Practical Aesthetics of the Screen

(2023)

The Practical Aesthetics of the Screen

by

Subject: Technique >

Black Boys:The Social Aesthetics of British Urban Film

(2023)

The Social Aesthetics of British Urban Film

by

Subject: Countries >

Small Cinemas of the Andes:New Aesthetics, Practices and Platforms

(2023)

New Aesthetics, Practices and Platforms

Dir. , and

Subject: Countries >

Contemporary Hollywood Animation:Style, Storytelling, Culture and Ideology Since the 1990s

(2023)

Style, Storytelling, Culture and Ideology Since the 1990s

by

Subject: Genre >

Chinese Cinema:Identity, Power, and Globalization

(2023)

Identity, Power, and Globalization

Dir. , and

Subject: Countries >

Inspiring Walt Disney:The Animation of French Decorative Arts at the Wallace Collection

(2022)

The Animation of French Decorative Arts at the Wallace Collection

by

Subject: Studio >

The Holiday in His Eye:Stanley Cavell's Vision of Film and Philosophy

(2022)

Stanley Cavell's Vision of Film and Philosophy

by

Subject:

A Modernist Cinema:Film Art from 1914 to 1941

(2021)

Film Art from 1914 to 1941

Dir. and

Subject:

Quentin Tarantino and Film Theory:Aesthetics and Dialectics in Late Postmodernity

(2021)

Aesthetics and Dialectics in Late Postmodernity

by

Subject: Director >

DreamWorks Animation:Intertextuality and Aesthetics in Shrek and Beyond

(2021)

Intertextuality and Aesthetics in Shrek and Beyond

by

Subject: Studio >

Deep Mediations:Thinking Space in Cinema and Digital Cultures

(2021)

Thinking Space in Cinema and Digital Cultures

Dir. and

Subject:

Shadow Craft:Visual Aesthetics of Black and White Hindi Cinema

(2021)

Visual Aesthetics of Black and White Hindi Cinema

by and

Subject: Countries >

African Diasporic Cinema:Aesthetics of Reconstruction

(2020)

Aesthetics of Reconstruction

by

Subject: Countries >

The Eloquent Screen:A Rhetoric of Film

(2019)

A Rhetoric of Film

by

Subject:

Popular Hindi Cinema:Aesthetic Formations of the Seen and Unseen

(2019)

Aesthetic Formations of the Seen and Unseen

by

Subject: Countries >

Border Cinema:Reimagining Identity through Aesthetics

(2019)

Reimagining Identity through Aesthetics

Dir. and

Subject: Genre >

The Dynamic Frame:Camera Movement in Classical Hollywood

(2019)

Camera Movement in Classical Hollywood

by

Subject: Technique >

Sofia Coppola:The Politics of Visual Pleasure

(2018)

The Politics of Visual Pleasure

by

Subject: Director >

Transcendental Style in Film:Ozu, Bresson, Dreyer

(2018)

Ozu, Bresson, Dreyer

by

Subject:

Inhospitable World:Cinema in the Time of the Anthropocene

(2018)

Cinema in the Time of the Anthropocene

by

Subject:

Grasping Shadows:The Dark Side of Literature, Painting, Photography, and Film

(2017)

The Dark Side of Literature, Painting, Photography, and Film

by

Subject:

Indefinite Visions:Cinema and the Attractions of Uncertainty

(2017)

Cinema and the Attractions of Uncertainty

Dir. , and

Subject:

Improving Passions:Sentimental Aesthetics and American Film

(2017)

Sentimental Aesthetics and American Film

by

Subject: Genre >

Hollywood Aesthetic:Pleasure in American Cinema

(2017)

Pleasure in American Cinema

by

Subject: Studio >

After Uniqueness:A History of Film and Video Art in Circulation

(2017)

A History of Film and Video Art in Circulation

by

Subject: Genre >

Film Light:Meaning and Emotion

(2015)

Meaning and Emotion

by

Subject: Technique >

Visible Fictions:Cinema - Television - Video

(2015)

Cinema - Television - Video

by

Subject:

B Is for Bad Cinema:Aesthetics, Politics, and Cultural Value

(2015)

Aesthetics, Politics, and Cultural Value

Dir. and

Subject:

Film Worlds:A Philosophical Aesthetics of Cinema

(2014)

A Philosophical Aesthetics of Cinema

by

Subject:

Dreaming of Cinema:Spectatorship, Surrealism, and the Age of Digital Media

(2014)

Spectatorship, Surrealism, and the Age of Digital Media

by

Subject:

Incorporating Images:Film and the Rival Arts

(2014)

Film and the Rival Arts

by

Subject:

A Cinema of Poetry:Aesthetics of the Italian Art Film

(2014)

Aesthetics of the Italian Art Film

by

Subject: Countries >

Slow Movies:Countering the Cinema of Action

(2014)

Countering the Cinema of Action

by

Subject: Technique >

Action Movies:The Cinema of Striking Back

(2012)

The Cinema of Striking Back

by

Subject: Genre >

Great Flicks:Scientific Studies of Cinematic Creativity and Aesthetics

(2011)

Scientific Studies of Cinematic Creativity and Aesthetics

by

Subject:

Horror Film Aesthetics:Creating the Visual Language of Fear

(2010)

Creating the Visual Language of Fear

by

Subject: Genre >

Screen Writings:Volume2: Genres, Classics, and Aesthetics

(2010)

Volume2: Genres, Classics, and Aesthetics

by

Subject:

Film and Philosophy:Taking Movies Seriously

(2008)

Taking Movies Seriously

by

Subject:

Visconti:Insights into Flesh and Blood

(2008)

Insights into Flesh and Blood

by

Subject: Director >

Italian Locations:Reinhabiting the Past in Postwar Cinema

(2008)

Reinhabiting the Past in Postwar Cinema

by

Subject: Countries >

David Cronenberg:Author or Filmmaker?

(2007)

Author or Filmmaker?

by

Subject: Director >

The Solaris Effect:Art And Artifice in Contemporary American Film

(2006)

Art And Artifice in Contemporary American Film

by

Subject:

Derek Jarman and Lyric Film:The Mirror and the Sea

(2004)

The Mirror and the Sea

by

Subject: Director >

Cinematic Landscapes:Observations on the Visual Arts and Cinema of China and Japan

(2000)

Observations on the Visual Arts and Cinema of China and Japan

Dir. and

Subject: Countries >

China into Film:Frames of Reference in Contemporary Chinese Cinema

(2000)

Frames of Reference in Contemporary Chinese Cinema

by

Subject: Countries >

Pretty Pictures:Production Design and the History Film

(1998)

Production Design and the History Film

by

Subject:

Allegories of Underdevelopment:Aesthetics and Politics in Modern Brazilian Cinema

(1997)

Aesthetics and Politics in Modern Brazilian Cinema

by

Subject: Countries >

Transcendental Style In Film:Ozu, Bresson, Dreyer

(1988)

Ozu, Bresson, Dreyer

by

Subject:

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