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Colors of Film
The Story of Cinema in 50 Palettes
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“What’s so wonderful about Bramesco’s book, outside of a visually splendid layout that embraces the first word of that title with detailed color breakdowns of each palette, is how much it enhances the critical language of the average viewer.” —Brian Tallerico, Editor of RogerEbert.com
*Honorable Mention, 2023 Foreword INDIE Book Award*
Taking you on from the earliest feature films to today, Colors of Film introduces 50 iconic movies and explains the pivotal role that color played in their success.
The use of color is an essential part of film. It has the power to evoke powerful emotions, provide subtle psychological symbolism and act as a narrative device.
Wes Anderson’s pastels and muted tones are aesthetically pleasing, but his careful use of color also acts as a shorthand for interpreting emotion. Moonlight(2016, dir. Barry Jenkins) cinematographer (James Laxton) and colorist (Alex Bickel) spent 100 hours fine-tuning the saturation and hues of the footage so that the use of color evolved in line with the growth of the protagonist through the film. And let’s not forget Schindler’s List (1993, dir. Steven Spielberg), in which a bold flash of red against an otherwise black-and-white film is used as a powerful symbol of life, survival and death.
In Colors of Film, film critic Charles Bramesco introduces an element of cinema that is often overlooked, yet has been used in extraordinary ways. Using infographic color palettes, and stills from the movies, this is a lively and fresh approach to film for cinema-goers and color lovers alike.
He also explores in fascinating detail how the development of technologies have shaped the course of modern cinema, from how the feud between Kodak and Fujifilm shaped the color palettes of the 20th Century's greatest filmakers, to how the advent of computer technology is creating a digital wonderland for modern directors in which anything is possible.
Filled with sparkling insights and fascinating accounts from the history of cinema, Colors of Film is an indispensable guide to one of the most important visual elements in the medium of film.
About the Author:
Charles Bramesco is a film and television critic living in Brooklyn. In addition to the Guardian, his work has also appeared in Rolling Stone, Little White Lies, Vanity Fair, Newsweek, Forbes, Nylon, Vulture, Frieze, The A.V. Club, Indiewire, The Dissolve, Vox, and Pitchfork. He is the author of Vampire Movies (Little White Lies for William Collins, 2019).
Press Reviews:
"You’ll never take color for granted again after perusing Charles Bramesco’s Colors of Film, which explores the palettes used in 50 iconic films through four eras of cinema. This book provides a fascinating object lesson in how visual information wields power."―Bookpage
"Beautifully unique...Bramesco’s writing is enthusiastic and wise; his book is a genuine delight."―The Film Stage
"Filled with sparkling insights and fascinating accounts from the history of cinema, Colors of Film is an indispensable guide to one of the most important visual elements in the medium of film."
―BookTrib
"Both a trenchant work of critical analysis and a dazzling coffee table book, Colors of Film winds its way through film history, stopping to note each time a use of color was innovated. Douglas Sirk, Jacques Demy, and Dario Argento all get their due, but there are also chapters on Tron: Legacy and, perhaps most startlingly, Saw II. Colors of Film invites you to gaze at the view and, in doing so, shows you a new, beautiful film canon."―Uproxx
See the publisher website: Frances Lincoln
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