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Cavell on Film

by Stanley Cavell and William Rothman

Type
Studies
Subject
Theory
Keywords
philosophy, Stanley Cavell, aesthetics
Publishing date
2005
   > See the newer edition (2025)
Publisher
State University of New York Press
Collection
SUNY series, Horizons of Cinema
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 427 pages
6 x 9 inches (15.5 x 23 cm)
ISBN-10
ISBN-13
0-7914-6431-8
978-0-7914-6431-1
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Book Presentation:
Stanley Cavell's most important writings on cinema, collected together for the first time in one volume.

This extensive collection offers a substantially complete retrospective of Stanley Cavell's previously uncollected writings on film. Cavell is the only major philosopher in the Anglo-American tradition who has made film a central concern of his work, and his work offers inspiration and new directions to the field of film studies. The essays and other writings in this volume, presented in the order of their composition, range from major theoretical statements and extended critical studies of individual films or filmmakers to occasional pieces, all of which illuminate Cavell's practice of philosophy as it has developed in the more than three decades since the publication of The World Viewed. All periods of Cavell's career are represented, from the 1970s to the present, and the book includes many previously unpublished essays written since the early 1990s. In his introduction, William Rothman provides a useful and eloquent overview of Cavell's work on film and his aims as a philosopher more generally.

About the authors:
Stanley Cavell is Walter M. Cabot Professor Emeritus of Aesthetics and the General Theory of Value at Harvard University. His most recent book is Cities of Words: Pedagogical Letters on a Register of the Moral Life.

See the publisher website: State University of New York Press

> From the same authors:

The Holiday in His Eye:Stanley Cavell's Vision of Film and Philosophy

The Holiday in His Eye (2022)

Stanley Cavell's Vision of Film and Philosophy

by William Rothman

Subject: Theory

Tuitions and Intuitions:Essays at the Intersection of Film Criticism and Philosophy

Tuitions and Intuitions (2019)

Essays at the Intersection of Film Criticism and Philosophy

by William Rothman

Subject: Film Analysis

Must We Kill the Thing We Love?:Emersonian Perfectionism and the Films of Alfred Hitchcock

Must We Kill the Thing We Love? (2014)

Emersonian Perfectionism and the Films of Alfred Hitchcock

by William Rothman

Subject: Director > Alfred Hitchcock

Hitchcock:The Murderous Gaze

Hitchcock (2012)

The Murderous Gaze

by William Rothman

Subject: Director > Alfred Hitchcock

Three Documentary Filmmakers:Errol Morris, Ross McElwee, Jean Rouch

Three Documentary Filmmakers (2009)

Errol Morris, Ross McElwee, Jean Rouch

Dir. William Rothman

Subject: Genre > Documentary

The 'I' of the Camera:Essays in Film Criticism, History, and Aesthetics

The 'I' of the Camera (2003)

Essays in Film Criticism, History, and Aesthetics

by William Rothman

Subject: Theory

Reading Cavell's the World Viewed:A Philosophical Perspective on Film

Reading Cavell's the World Viewed (2000)

A Philosophical Perspective on Film

by Marian Keane and William Rothman

Subject: Theory

Contesting Tears:The Hollywood Melodrama of the Unknown Woman

Contesting Tears (1997)

The Hollywood Melodrama of the Unknown Woman

by Stanley Cavell

Subject: Sociology

The Gorgon's Gaze:German Cinema, Expressionism, and the Image of Horror

The Gorgon's Gaze (1991)

German Cinema, Expressionism, and the Image of Horror

by Paul Coates, William Rothman and Dudley Andrew

Subject: Genre > Horror

Hitchcock:The Murderous Gaze

Hitchcock (1982)

The Murderous Gaze

by William Rothman

Subject: Director > Alfred Hitchcock

Pursuits of Happiness:The Hollywood Comedy of Remarriage

Pursuits of Happiness (1981)

The Hollywood Comedy of Remarriage

by Stanley Cavell

Subject: Genre > Comedy/Humor

The World Viewed:Reflections on the Ontology of Film, Enlarged Edition

The World Viewed (1979)

Reflections on the Ontology of Film, Enlarged Edition

by Stanley Cavell

Subject: Theory

> On a related topic:

Thinking Film:Philosophy at the Movies

Thinking Film (2023)

Philosophy at the Movies

Dir. Richard Kearney and M. E. Littlejohn

Subject: Theory

Stanley Cavell and Film:Scepticism and Self-Reliance at the Cinema

Stanley Cavell and Film (2021)

Scepticism and Self-Reliance at the Cinema

by Catherine Wheatley

Subject: Theory

Stanley Cavell's American Dream:Shakespeare, Philosophy, and Hollywood Movies

Stanley Cavell's American Dream (2006)

Shakespeare, Philosophy, and Hollywood Movies

by Lawrence F. Rhu

Subject: Theory

Stanley Cavell:Philosophy's Recounting of the Ordinary

Stanley Cavell (1999)

Philosophy's Recounting of the Ordinary

by Stephen Mulhall

Subject: Theory

The Eye of the Cinematograph:Lévinas and Realisms of the Body

The Eye of the Cinematograph (2024)

Lévinas and Realisms of the Body

by Keyvan Manafi

Subject: Theory

Indefinite Visions:Cinema and the Attractions of Uncertainty

Indefinite Visions (2017)

Cinema and the Attractions of Uncertainty

Dir. Martine Beugnet, Allan Cameron and Arild Fetveit

Subject: Theory

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