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The Holiday in His Eye

Stanley Cavell's Vision of Film and Philosophy

by

Type
Studies
Subject
Keywords
philosophy, Stanley Cavell, aesthetics
Publishing date
Publisher
State University of New York Press
Collection
SUNY series, Horizons of Cinema
1st publishing
2021
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback304 pages
7 x 10 inches (18 x 25.5 cm)
ISBN
978-1-4384-8606-2
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Book Presentation:
Presents an original, insightful, and compelling vision of the trajectory of Cavell's oeuvre, one that takes his kinship with Emerson as inextricably bound up with his ever-deepening thinking about movies.

From The World Viewed to Cities of Words, writing about movies was strand over strand with Stanley Cavell's philosophical work. Cavell was one of the first philosophers in the United States to make film a significant focus of his thought, and William Rothman has long been one of his most astute readers. The Holiday in His Eye collects Rothman's writings about Cavell—many of them previously unpublished—to offer a lucid, serious introduction to and overview of Cavell's work, the influence of which has been somewhat limited by both the intrinsic difficulty of his ideas and his challenging prose style. In these engaging and accessible yet philosophically serious and rigorously argued essays, Rothman presents an original, insightful, and compelling vision of the trajectory of Cavell's oeuvre, one that takes Cavell's kinship with Emerson as inextricably bound up with his ever-deepening thinking about movies.

About the Author:
William Rothman is Professor of Cinematic Arts at the University of Miami. His many books include Tuitions and Intuitions: Essays at the Intersection of Film Criticism and Philosophy and Hitchcock: The Murderous Gaze, Second Edition, both also published by SUNY Press.

See the

> From the same author:

Tuitions and Intuitions:Essays at the Intersection of Film Criticism and Philosophy

(2019)

Essays at the Intersection of Film Criticism and Philosophy

by

Subject:

Must We Kill the Thing We Love?:Emersonian Perfectionism and the Films of Alfred Hitchcock

(2014)

Emersonian Perfectionism and the Films of Alfred Hitchcock

by

Subject: Director >

Hitchcock:The Murderous Gaze

(2012)

The Murderous Gaze

by

Subject: Director >

Three Documentary Filmmakers:Errol Morris, Ross McElwee, Jean Rouch

(2009)

Errol Morris, Ross McElwee, Jean Rouch

Dir.

Subject: Genre >

The 'I' of the Camera:Essays in Film Criticism, History, and Aesthetics

(2003)

Essays in Film Criticism, History, and Aesthetics

by

Subject:

Reading Cavell's the World Viewed:A Philosophical Perspective on Film

(2000)

A Philosophical Perspective on Film

by and

Subject:

The Gorgon's Gaze:German Cinema, Expressionism, and the Image of Horror

(1991)

German Cinema, Expressionism, and the Image of Horror

by , and

Subject: Genre >

Hitchcock:The Murderous Gaze

(1982)

The Murderous Gaze

by

Subject: Director >

> On a related topic:

Thinking Film:Philosophy at the Movies

(2023)

Philosophy at the Movies

Dir. and

Subject:

The Thought of Stanley Cavell and Cinema:Turning Anew to the Ontology of Film a Half-Century after The World Viewed

(2022)

Turning Anew to the Ontology of Film a Half-Century after The World Viewed

Dir.

Subject:

Stanley Cavell and Film:Scepticism and Self-Reliance at the Cinema

(2021)

Scepticism and Self-Reliance at the Cinema

by

Subject:

Stanley Cavell's American Dream:Shakespeare, Philosophy, and Hollywood Movies

(2006)

Shakespeare, Philosophy, and Hollywood Movies

by

Subject:

Cities of Words:Pedagogical Letters on a Register of the Moral Life

(2004)

Pedagogical Letters on a Register of the Moral Life

by

Subject:

Stanley Cavell:Philosophy's Recounting of the Ordinary

(1999)

Philosophy's Recounting of the Ordinary

by

Subject:

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