Color It True

Impressions of Cinema

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by Murray Pomerance

Type

Studies

Subject

Technique > Aesthetics

Keywords

color, perception

Publishing date

2023

Publisher

Bloomsbury Academic

1st publishing

2022

Language

English

Relative size

Physical desc.

Paperback • 360 pages
6 x 9 inches (15 x 23 cm)

ISBN

978-1-5013-8308-3

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Book Presentation:
This often-startlingly original book introduces a new way of thinking about color in film as distinct from existing approaches which tend to emphasize either technical processes and/or histories of film coloration, or the meaning(s) of color as metaphor or symbol, or else part of a broader signifying system. Murray Pomerance’s latest meditation on cinema has the author embed himself in various ways of thinking about color; not ways of framing it as a production trick or a symbolic language but ways of wondering how the color effect onscreen can work in the act of viewing. Pomerance examines many issues, including acuity, dreaming, interrelationships, saturations, color contrasts, color and performance (color as a performance aid or even performance substitute), and more. The lavender of the photographer’s seamless in Antonioni’s Blow-Up taken in itself as an explosion of color worked into form, and then considered both as part of the story and part of our experience. The 14 chapters of this book each discuss a single primary color as regards to our experience of cinema. After opening the idea of such an exploration in terms of the history of our apperception and the variation in our experience that color germinates, Color it True takes form.

About the Author:
Murray Pomerance is an independent scholar living in Toronto, Canada, and Adjunct Professor in the School of Media and Communication at RMIT University, Melbourne, Australia. He is the author of The Hitchcock Quartet (An Eye for Hitchcock, A Dream of Hitchcock, A Voyage with Hitchcock, and A Silence from Hitchcock); Edge of the Screen (Bloomsbury, 2024); Uncanny Cinema: Agonies of the Viewing Experience (Bloomsbury, 2022); Color It True: Impressions of Cinema (Bloomsbury, 2022); The Film Cheat: Film Artifice and Viewing Pleasure (Bloomsbury, 2020); Virtuoso: Film Performance and the Actor's Magic (Bloomsbury, 2019); Cinema, If You Please: The Memory of Taste, the Taste of Memory (Bloomsbury, 2018), and many other volumes including, with Matthew Solomon, The Biggest Thing in Show Business: Living It Up with Martin & Lewis (2024).Pomerance's fiction has appeared in The Paris Review, New Directions, The Kenyon Review, and elsewhere; he is the author of Grammatical Dreams, A King of Infinite Space, and other books.

Press Reviews:
"In his multifaceted Color It True, Pomerance, an independent film scholar, takes readers on a dreamlike, surreal, personal journey through how he sees color being used in films internationally." ―CHOICE

"Through prose as invigorating and engaging as many of the films explored in the pages of Color it True, Murray Pomerance takes us on an unpredictable and edifying journey through the many ways color seduces in film experience. Unhampered by any single critical dogma, and interested in a diverse array of films spanning everything from spectacular epics to intimate dramas, Color it True weaves together impressions of colors in movies with their lingering afterimages, those traces of color residing in memory long after the film has departed from our view. Reading this book is a restorative experience for anyone hungry for writing on film that eschews the usual well-trodden byways of theory and method. Every page is a marvel." ―Steven Rybin, Associate Professor of Film Studies, Minnesota State University, Mankato, USA

"A kaleidoscopic jewel-box of a film book. Each chapter a color, each segment a movie, and the specific mobilization of a hue. Together they form a dazzling demonstration of cinema's art and allure. Pomerance deploys his unique approach - lyrical, associative commentary combined with expert production knowledge and cultural command - to stunning effect, finding his way through sensation and resonance to the heart of every film he discusses, never losing sight of the essential question: why this color here?" ―Alex Clayton, Associate Professor in Film and Television, University of Bristol, UK

See the publisher website: Bloomsbury Academic