MENU   

Action Movies

The Cinema of Striking Back

by

Type
Studies
Subject
Genre
Keywords
action films, ethics, aesthetics
Publishing date
Publisher
Wallflower Press
Collection
Short Cuts
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback160 pages
5 x 8 inches (13 x 20 cm)
ISBN
978-0-231-16331-6
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Action Movies: The Cinema of Striking Back is a study of action cinema, exploring the ethics and aesthetics of the genre with reference to its relatively short history. It moves from seminal classics like Bullitt (1968) and Dirty Harry (1971) through epoch-defining films like Rambo: First Blood Part II (1985) and Die Hard (1988) to revisions, reboots, and renewals in films like Kill Bill Vol. 1 (2003), Taken (2008), and The Expendables (2010). The action genre is a fusion of form and content: a cinema of action about action. It is a cinema of the will, configured as a decisive reaction to untenable circumstances. Action heroes take up arms against the sea of troubles that beset them, safe in the knowledge that if they don't do it, nobody will. Though this makes the action movie profoundly disturbing as an embodiment of moral ideology, its enduring appeal proves the appetite for assurance remains undiminished, even in the wake of 9/11.

About the Author:
Dr. Harvey O'Brien is a lecturer in Film Studies at University College Dublin. He has published on topics including Irish Studies, history and the media, horror, science fiction, and documentary film. He is the author of The Real Ireland: The Evolution of Ireland in Documentary Film (2004) and co-editor of Keeping it Real: Irish Film and Television (2004).

Press Reviews:
This smart, short introduction to the action film tackles the history, aesthetics and politics of an American genre that remains both extraordinarily visible and yet unexplored. It provides readers with a deftly argued account of the genre's distinctive aesthetic and its complex involvement in cultural themes of trauma, violence, and redemption. Yvonne Tasker, University of East Anglia

A good source for better understanding action cinema, its evolution, and connection with the real world. Film Matters

See the

> From the same author:

Keeping It Real:Irish Film and Television

(2005)

Irish Film and Television

Dir. and

Subject: Countries >

> On a related topic:

King of the Action Thriller:Films from the Mind of Alistair MacLean

(2026)

Films from the Mind of Alistair MacLean

by

Subject: Genre >

The Last Action Heroes:The Triumphs, Flops, and Feuds of Hollywood's Kings of Carnage

(2024)

The Triumphs, Flops, and Feuds of Hollywood's Kings of Carnage

by

Subject: Genre >

Explodobook:The World of 80s Action Movies According to Smersh Pod

(2021)

The World of 80s Action Movies According to Smersh Pod

by

Subject: Genre >

Music in Action Film:Sounds Like Action!

(2020)

Sounds Like Action!

Dir. and

Subject: Genre >

Mine's Bigger Than Yours:The 100 Wackiest Action Movies

(2020)

The 100 Wackiest Action Movies

by and

Subject: Genre >

'80s Action Movies on the Cheap:284 Low Budget, High Impact Pictures

(2017)

284 Low Budget, High Impact Pictures

by

Subject: Genre >

Drone Age Cinema:Action Film and Sensory Assault

(2017)

Action Film and Sensory Assault

by

Subject: Genre >

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info