Improvising Cinema
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance.
About the Author:
Gilles Mouëllic is professor of film studies and music and teaches film and jazz at the University of Rennes 2 in France.
> On a related topic:
Screens and Illusionism (2024)
Alternative Teleologies of Mediation
Dir. Peter Bloom and Dominique Jullien
Subject: Theory
Cinema and Machine Vision (2024)
Artificial Intelligence, Aesthetics and Spectatorship
Subject: Theory
Cinematic Modernism and Contemporary Film (2024)
Aesthetics and Narrative in the International Art Film
by Howard Finn
Subject: Theory
Deep Mediations (2021)
Thinking Space in Cinema and Digital Cultures
Dir. Karen Redrobe and Jeff Scheible
Subject: Theory
Theorizing Film Through Contemporary Art (2020)
Expanding Cinema
Dir. Jill Murphy and Laura Rascaroli
Subject: Theory
Back
