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Documentary Aesthetics in the Long 1960s in Eastern Europe and Beyond

Edited by and

Type
Studies
Subject
Genre
Keywords
documentary, aesthetics, Eastern Europe
Publishing date
Publisher
Brill
Collection
Studies in Slavic Literature and Poetics
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover349 pages
6 ¼ x 9 ¼ inches (16 x 23.5 cm)
ISBN
978-90-04-53309-7
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Book Presentation:
This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played in the formation of new aesthetic trends during the cultural-political transition of the long 1960s. This documentary first-hand approach to the world aimed to break up unquestioned ideological structures and expose tabooed truths in order to engender much-needed social changes. New ways of depicting daily life, writing testimony or subjective reportage emerged that still shape cultural debates today.

About the authors:
Clemens Günther, Ph.D, Freie Universität Berlin, is a postdoctoral research fellow at the Institute for East European Studies. His research interests comprise the late and post-Soviet historical novel, the cultural history of cybernetics, climate fiction, and the ecological poetics of Russian realism.Matthias Schwartz, Ph.D, is co-head of the program area World Literature at the Leibniz Center for Literary and Cultural Research (ZfL) in Berlin, Germany. His research interests include Eastern European socialist and post-socialist literatures, memory cultures, and popular cultures in a comparative perspective.

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