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Publisher: Palgrave MacMillan - series: Non-Series (269 books)

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•  Encyclopedias (2)    •  Essays (170)    •  Studies (90)    •  Interviews (1)    •  Stories (3)    •  Didactic (3)

•  Encyclopedias (0)    •  Essays (0)    •  Studies (0)    •  Interviews (0)    •  Stories (0)    •  Didactic (0)

•  Encyclopedias (2 books)(0 book)

The Palgrave Handbook of the Vampire

(2024)

Dir.

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Subject: Genre >

The Palgrave Encyclopedia of American Horror Film Shorts:1915–1976

(2023)

1915–1976

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•  Essays (170 books)(0 book)

From Higher Learning to Charlottesville:College Campuses and American Democracy

(2026)

College Campuses and American Democracy

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Subject: One Film >

Screenwriting the Modern Biopic:A Reflexive Case Study

(2025)

A Reflexive Case Study

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Subject: Technique >

Female Robots and AI in Science Fiction Cinema:The Fabular Femininity of Gynoids

(2025)

The Fabular Femininity of Gynoids

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Microbiology and Horror Cinema

(2025)

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Animals and Greek Cinema:An Inquiry into the Nonhuman

(2025)

An Inquiry into the Nonhuman

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Post-Traumatic Stress Disorder in Film and Media:Digital Cultures and the Politics of Time and Memory

(2025)

Digital Cultures and the Politics of Time and Memory

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Rewriting White Masculinities in Contemporary Fiction and Film

(2025)

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Philosophy, Science and Cinema:Bidirectional Relationships

(2025)

Bidirectional Relationships

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Film Festivals and the Enrichment Economy:Cultural Value Chains in a Digital Media Age

(2024)

Cultural Value Chains in a Digital Media Age

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Cinematic Homelands:The Cultural and Gendered Imaginaries of Iranian Diasporic Women's Filmmaking

(2024)

The Cultural and Gendered Imaginaries of Iranian Diasporic Women's Filmmaking

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Subject: Countries >

The Palgrave Handbook of Multilingualism and Language Varieties on Screen

(2024)

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Reality and Fantasy in American Independent Cinema:A Cavellian Approach

(2024)

A Cavellian Approach

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Realism, Myth, and the Vernacular in Pasolini's Film and Philosophy:Beyond the Middle-Class Matrix

(2024)

Beyond the Middle-Class Matrix

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The Palgrave Handbook of Comparative New Cinema Histories

(2024)

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Atmosphere, Architecture, Cinema:Thematic Reflections on Ambiance and Place

(2023)

Thematic Reflections on Ambiance and Place

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Beyond Shakespeare:Film Studies, Performance Studies, and Netflix

(2023)

Film Studies, Performance Studies, and Netflix

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Women, Ageing and the Screen Industries:Falling off a Cliff?

(2023)

Falling off a Cliff?

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In the Shadow of The Birth of a Nation:Racism, Reception and Resistance

(2023)

Racism, Reception and Resistance

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Subject: One Film >

The Politics and International Relations of Fantasy Films and Television:To Win or Die

(2023)

To Win or Die

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Subject: Genre >

Women Filmmakers in Contemporary Hindi Cinema:Looking through their Gaze

(2023)

Looking through their Gaze

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Basilicata and Southern Italy Between Film and Ecology

(2023)

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Subject: Countries >

3-D Cinema and Trauma:Poetics of Remembrance and Loss

(2022)

Poetics of Remembrance and Loss

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The Palgrave Handbook of Violence in Film and Media

(2022)

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David Lynch:Blurred Boundaries

(2022)

Blurred Boundaries

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David Bowie and Film:Hooked to the Silver Screen

(2022)

Hooked to the Silver Screen

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Subject: Actor >

Australian Westerns in the Fifties:Kangaroo, Hopalong Cassidy on Tour, and Whiplash

(2022)

Kangaroo, Hopalong Cassidy on Tour, and Whiplash

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Schwarzenegger:Uses of the Foreign Star

(2022)

Uses of the Foreign Star

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Subject: Actor >

Discourses of Migration in Documentary Film:Translating the Real to the Reel

(2022)

Translating the Real to the Reel

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Performative Figures of Queer Masculinity:A Media History of Film and Cinema in Germany Until 1945

(2022)

A Media History of Film and Cinema in Germany Until 1945

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Europe in Upheaval:Identity in Politics, Literature and Film

(2022)

Identity in Politics, Literature and Film

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The Child in British Cinema

(2022)

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Interactional Approach to Cinematic Discourse:How Do Woody Allen's Characters Talk?

(2022)

How Do Woody Allen's Characters Talk?

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The Female Gaze in Documentary Film:An International Perspective

(2022)

An International Perspective

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Heightened Genre and Women's Filmmaking in Hollywood:The Rise of the Cine-fille

(2022)

The Rise of the Cine-fille

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Žižek through Hitchcock

(2022)

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Comparative Cinema:Late and Last Things in Literature and Film

(2022)

Late and Last Things in Literature and Film

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Production Design & the Cinematic Home

(2022)

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Silent Renoir:Philosophy and the Interpretation of Early Film

(2022)

Philosophy and the Interpretation of Early Film

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Mapping Precarity in Contemporary Cinema and Television:Chronotopes of Anxiety, Depression, Expulsion/Extinction

(2022)

Chronotopes of Anxiety, Depression, Expulsion/Extinction

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Media and Genre:Dialogues in Aesthetics and Cultural Analysis

(2022)

Dialogues in Aesthetics and Cultural Analysis

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A Vindication of the Redhead:The Typology of Red Hair Throughout the Literary and Visual Arts

(2021)

The Typology of Red Hair Throughout the Literary and Visual Arts

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Critiquing Violent Crime in the Media

(2021)

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Baroque Aesthetics in Contemporary American Horror

(2021)

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A Cultural History of the Disney Fairy Tale:Once Upon an American Dream

(2021)

Once Upon an American Dream

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Subject: Studio >

Romance and Power in the Hollywood Eastern

(2021)

by

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Subject: On Films >

Affirmative Aesthetics and Wilful Women:Gender, Space and Mobility in Contemporary Cinema

(2021)

Gender, Space and Mobility in Contemporary Cinema

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Quentin Tarantino and Film Theory:Aesthetics and Dialectics in Late Postmodernity

(2021)

Aesthetics and Dialectics in Late Postmodernity

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Subject: Director >

Leadership in Game of Thrones

(2021)

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Subject: One Film >

The Maternal Imagination of Film and Film Theory

(2021)

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Neo-Noir as Post-Classical Hollywood Cinema

(2021)

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Interpretation and Film Studies:Movie Made Meanings

(2021)

Movie Made Meanings

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Explorations in Cinema through Classical Indian Theories:New Interpretations of Meaning, Aesthetics, and Art

(2021)

New Interpretations of Meaning, Aesthetics, and Art

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Cinematic Histospheres:On the Theory and Practice of Historical Films

(2021)

On the Theory and Practice of Historical Films

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Diagnosing Contemporary Philosophy with the Matrix Movies

(2021)

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Polish Popular Music on Screen

(2021)

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Domestic Labor in Twenty-First Century Latin American Cinema

(2021)

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Subject: Countries >

Theories of Crime Through Popular Culture

(2020)

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Theorizing Stupid Media:De-Naturalizing Story Structures in the Cinematic, Televisual, and Videogames

(2020)

De-Naturalizing Story Structures in the Cinematic, Televisual, and Videogames

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Female Agencies and Subjectivities in Film and Television

(2020)

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Class on Screen:The Global Working Class in Contemporary Cinema

(2020)

The Global Working Class in Contemporary Cinema

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American Cinema and Cultural Diplomacy:The Fragmented Kaleidoscope

(2020)

The Fragmented Kaleidoscope

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Post-Crisis European Cinema:White Men in Off-Modern Landscapes

(2020)

White Men in Off-Modern Landscapes

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Subject: Countries >

Final Girls, Feminism and Popular Culture

(2020)

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Subject: Genre >

Urban Australia and Post-Punk:Exploring Dogs in Space

(2020)

Exploring Dogs in Space

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Actor-Network Theory at the Movies:Reassembling the Contemporary American Teen Film With Latour

(2020)

Reassembling the Contemporary American Teen Film With Latour

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Seeing Education on Film:A Conceptual Aesthetics

(2020)

A Conceptual Aesthetics

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Consuming Cultural Hegemony:Bollywood in Bangladesh

(2019)

Bollywood in Bangladesh

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Nollywood in Glocal Perspective

(2019)

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The Palgrave Handbook of the Philosophy of Film and Motion Pictures

(2019)

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The Films of Arturo Ripstein:The Sinister Gaze of the World

(2019)

The Sinister Gaze of the World

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Filmmaking as Research:Screening Memories

(2019)

Screening Memories

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Post-Yugoslav Queer Festivals

(2019)

by

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Darkness Calls:A Critical Investigation of Neo-Noir

(2019)

A Critical Investigation of Neo-Noir

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New Perspectives on the War Film

(2019)

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Sex and Sexuality in Modern Screen Remakes

(2019)

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Geographies, Genders and Geopolitics of James Bond

(2019)

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Subject: One Film >

Crime Scenery in Postwar Film and Photography

(2019)

by

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Domestic Violence in Hollywood Film:Gaslighting

(2019)

Gaslighting

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Philosophy in Stan Brakhage's Dog Star Man:World, Metaphor, Interpretation

(2019)

World, Metaphor, Interpretation

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Subject: One Film >

Critical Essays on Twin Peaks:The Return

(2019)

The Return

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Philippine Cinema and the Cultural Economy of Distribution

(2019)

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The Palgrave Handbook of Asian Cinema

(2018)

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Subject: Countries >

Poetics of Slow Cinema:Nostalgia, Absurdism, Boredom

(2018)

Nostalgia, Absurdism, Boredom

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The Migration and Politics of Monsters in Latin American Cinema

(2018)

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Spectatorship and Film Theory:The Wayward Spectator

(2018)

The Wayward Spectator

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Professional and Business Ethics Through Film:The Allure of Cinematic Presentation and Critical Thinking

(2018)

The Allure of Cinematic Presentation and Critical Thinking

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National Identity in 21st-Century Cuban Cinema:Screening the Repeating Island

(2018)

Screening the Repeating Island

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Subject: Countries >

Disney and the Dialectic of Desire:Fantasy as Social Practice

(2018)

Fantasy as Social Practice

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Subject: Studio >

Film in the Anthropocene:Philosophy, Ecology, and Cybernetics

(2018)

Philosophy, Ecology, and Cybernetics

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Contemporary Latin American Cinema:Resisting Neoliberalism?

(2018)

Resisting Neoliberalism?

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Subject: Countries >

Storytelling Industries:Narrative Production in the 21st Century

(2018)

Narrative Production in the 21st Century

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Screen Society

(2018)

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Charlie Chaplin's Little Tramp in America, 1947–77

(2018)

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Visible and Invisible Whiteness:American White Supremacy through the Cinematic Lens

(2018)

American White Supremacy through the Cinematic Lens

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Terrence Malick's Unseeing Cinema:Memory, Time and Audibility

(2018)

Memory, Time and Audibility

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Space in Romanian and Hungarian Cinema

(2018)

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Feminism and the Western in Film and Television

(2018)

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Contemporary Cinema and 'Old Age':Gender and the Silvering of Stardom

(2018)

Gender and the Silvering of Stardom

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The Palgrave Handbook of Posthumanism in Film and Television

(2018)

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From Fairy Tale to Film Screenplay:Working with Plot Genotypes

(2018)

Working with Plot Genotypes

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Black Magic Woman and Narrative Film:Race, Sex and Afro-Religiosity

(2018)

Race, Sex and Afro-Religiosity

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Film Stardom and the Ancient Past:Idols, Artefacts and Epics

(2018)

Idols, Artefacts and Epics

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Comedies of Nihilism:The Representation of Tragedy Onscreen

(2018)

The Representation of Tragedy Onscreen

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Subject: Genre >

Fans, Blockbusterisation, and the Transformation of Cinematic Desire:Global Receptions of The Hobbit Film Trilogy

(2017)

Global Receptions of The Hobbit Film Trilogy

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Subject: One Film >

Homosexuality and Italian Cinema:From the Fall of Fascism to the Years of Lead

(2017)

From the Fall of Fascism to the Years of Lead

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Subject: Countries >

Japanese Cinema Between Frames

(2017)

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Black Masculinity and the Cinema of Policing

(2017)

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Virtual Weaponry:The Militarized Internet in Hollywood War Films

(2017)

The Militarized Internet in Hollywood War Films

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Subject: Genre >

Art Cinema and Theology:The Word Was Made Film

(2017)

The Word Was Made Film

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Hermeneutics of the Film World:A Ricœurian Method for Film Interpretation

(2017)

A Ricœurian Method for Film Interpretation

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Media, Performative Identity, and the New American Freak Show

(2017)

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Documentary and Disability

(2017)

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Black Masculinity on Film:Native Sons and White Lies

(2017)

Native Sons and White Lies

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Shakespeare, Bakhtin, and Film:A Dialogic Lens

(2017)

A Dialogic Lens

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Subject: Technique >

Anatomy of the Superhero Film

(2017)

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Children's Reading of Film and Visual Literacy in the Primary Curriculum:A Progression Framework Model

(2017)

A Progression Framework Model

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Alfred Hitchcock's Vertigo and the Hermeneutic Spiral

(2017)

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Bad Girls and Transgressive Women in Popular Television, Fiction, and Film

(2017)

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Contemporary Film Music:Investigating Cinema Narratives and Composition

(2017)

Investigating Cinema Narratives and Composition

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Subject: Technique >

Filmurbia:Screening the Suburbs

(2017)

Screening the Suburbs

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Black Children in Hollywood Cinema:Cast in Shadow

(2017)

Cast in Shadow

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Contemporary Chinese Films and Celebrity Directors

(2017)

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Transnational Horror Cinema:Bodies of Excess and the Global Grotesque

(2017)

Bodies of Excess and the Global Grotesque

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Plant Horror:Approaches to the Monstrous Vegetal in Fiction and Film

(2017)

Approaches to the Monstrous Vegetal in Fiction and Film

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Paradoxical Japaneseness:Cultural Representation in 21st Century Japanese Cinema

(2016)

Cultural Representation in 21st Century Japanese Cinema

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The State of Post-Cinema:Tracing the Moving Image in the Age of Digital Dissemination

(2016)

Tracing the Moving Image in the Age of Digital Dissemination

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Film and the Ethical Imagination

(2016)

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Gossip, Women, Film, and Chick Flicks

(2016)

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Ecodocumentaries:Critical Essays

(2016)

Critical Essays

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Tragic Time in Drama, Film, and Videogames:The Future in the Instant

(2016)

The Future in the Instant

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Teaching and Learning on Screen:Mediated Pedagogies

(2016)

Mediated Pedagogies

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Screening the Tortured Body:The Cinema as Scaffold

(2016)

The Cinema as Scaffold

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Searching for Wisdom In Movies:From the Book of Job to Sublime Conversations

(2016)

From the Book of Job to Sublime Conversations

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The British School Film:From Tom Brown to Harry Potter

(2016)

From Tom Brown to Harry Potter

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Victorian Melodrama in the Twenty-First Century:Jane Eyre, Twilight, and the Mode of Excess in Popular Girl Culture

(2016)

Jane Eyre, Twilight, and the Mode of Excess in Popular Girl Culture

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Language and Manipulation in House of Cards:A Pragma-Stylistic Perspective

(2016)

A Pragma-Stylistic Perspective

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Dance's Duet with the Camera:Motion Pictures

(2016)

Motion Pictures

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Subject: Genre >

Lindsay Anderson Revisited:Unknown Aspects of a Film Director

(2016)

Unknown Aspects of a Film Director

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Mediations of Disruption in Post-Conflict Cinema

(2016)

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The Introspective Realist Crime Film

(2016)

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Magical Thinking, Fantastic Film, and the Illusions of Neoliberalism

(2016)

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New Queer Sinophone Cinema:Local Histories, Transnational Connections

(2016)

Local Histories, Transnational Connections

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Gender and Sexuality in Latin American Horror Cinema:Embodiments of Evil

(2016)

Embodiments of Evil

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Lasting Screen Stars:Images that Fade and Personas that Endure

(2016)

Images that Fade and Personas that Endure

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Philosophy and the Patience of Film in Cavell and Nancy

(2016)

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Emotions in Contemporary TV Series

(2016)

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Violent Women in Contemporary Cinema

(2016)

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Byronic Heroes in Nineteenth-Century Women's Writing and Screen Adaptation

(2016)

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Urbanization and the Migrant in British Cinema:Spectres of the City

(2015)

Spectres of the City

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Screen Hustles, Grifts and Stings:Stings, Grifts, Hustles and the Long Con

(2015)

Stings, Grifts, Hustles and the Long Con

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Gender and the Nuclear Family in Twenty-First-Century Horror

(2015)

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Return to Twin Peaks:New Approaches to Materiality, Theory, and Genre on Television

(2015)

New Approaches to Materiality, Theory, and Genre on Television

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Traveling in French Cinema

(2015)

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Race, Gender, and Sexuality in Post-Apocalyptic TV and Film

(2015)

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Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film

(2015)

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The Search for Meaning in Film and Television:Disenchantment at the Turn of the Millennium

(2015)

Disenchantment at the Turn of the Millennium

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Film, History and Memory

(2015)

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The Fascination of Film Violence

(2015)

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Educational Institutions in Horror Film:A History of Mad Professors, Student Bodies, and Final Exams

(2015)

A History of Mad Professors, Student Bodies, and Final Exams

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Sex and Film:The Erotic in British, American and World Cinema

(2015)

The Erotic in British, American and World Cinema

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The Post-2000 Film Western:Contexts, Transnationality, Hybridity

(2015)

Contexts, Transnationality, Hybridity

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Adaptation, Authorship, and Contemporary Women Filmmakers

(2014)

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Melodrama in Contemporary Film and Television

(2014)

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Philosophy and Blade Runner

(2014)

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Subject: One Film >

Maternal Horror Film:Melodrama and Motherhood

(2013)

Melodrama and Motherhood

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Subject: Genre >

Fantasy Film Post 9/11

(2013)

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The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film

(2012)

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Critical Approaches to the Films of M. Night Shyamalan:Spoiler Warnings

(2010)

Spoiler Warnings

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Shakespeare, Film Studies, and the Visual Cultures of Modernity

(2008)

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Medieval and Early Modern Film and Media

(2008)

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•  Studies (90 books)(0 book)

No-Budget Feature Filmmaking in the Digital Era:Cinema in Ones and Zeroes

(2025)

Cinema in Ones and Zeroes

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American Politics Film Festival:Understanding US Politics through Film

(2025)

Understanding US Politics through Film

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Hearing Death at the Movies:Film Music and the Long History of the Dies Irae

(2025)

Film Music and the Long History of the Dies Irae

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Ostalgie in German Cinema After Reunification

(2024)

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The Hyperorchestra:Screen Music and Virtual Musical Ensembles

(2024)

Screen Music and Virtual Musical Ensembles

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Queer and Femme Gazes in AfroAsian American Visual Culture

(2024)

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Italian Contemporary Screen Performers:Training, Production, Prestige

(2024)

Training, Production, Prestige

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Essay Cinema in the Digital Era

(2024)

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Swedish Children's Cinema:History, Ideology and Aesthetics

(2024)

History, Ideology and Aesthetics

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Teenage Audiences and British Period Drama

(2024)

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Latinidad and Film:Queer and Feminist Cinema in the Americas

(2024)

Queer and Feminist Cinema in the Americas

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Film as a Medium of Seduction:Introduction to the Seduction-Theory of Film

(2024)

Introduction to the Seduction-Theory of Film

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Sexual Diversity in Young Cuban Cinema

(2024)

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Is It French? Popular Postnational Screen Fiction from France

(2024)

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The Palgrave Handbook of Neo-Victorianism

(2024)

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Reboot Culture:Comics, Film, Transmedia

(2023)

Comics, Film, Transmedia

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The Palgrave Handbook of Music in Comedy Cinema

(2023)

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Ecuadorian Cinema for the 21st Century

(2023)

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Small Cinemas of the Andes:New Aesthetics, Practices and Platforms

(2023)

New Aesthetics, Practices and Platforms

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The Palgrave Handbook of Screenwriting Studies

(2023)

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Contemporary Argentine Women Filmmakers

(2023)

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Indigenous Plots in Twenty-First Century Latin American Cinema

(2023)

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Youth and Suicide in American Cinema:Context, Causes, and Consequences

(2022)

Context, Causes, and Consequences

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Subject:

Transformation of Contemporary Film Genre:The Aesthetics of Chinese Mainland Mainstream Cinema

(2022)

The Aesthetics of Chinese Mainland Mainstream Cinema

by

Publisher:

Subject: Countries >

Alice in Wonderland in Film and Popular Culture

(2022)

Dir.

Publisher:

Subject: Genre >

How Toddlers Learn the Secret Language of Movies

(2022)

by

Publisher:

Subject:

The Forgotten Victims of Sexual Violence in Film, Television and New Media:Turning to the Margins

(2022)

Turning to the Margins

Dir. and

Publisher:

Subject:

The History of Trans Representation in American Television and Film Genres

(2022)

by

Publisher:

Subject:

Violence, Conflict and Discourse in Mexican Cinema (2002-2015)

(2022)

by

Publisher:

Subject: Countries >

Peruvian Cinema of the Twenty-First Century:Dynamic and Unstable Grounds

(2021)

Dynamic and Unstable Grounds

Dir. and

Publisher:

Subject: Countries >

Moments in Indonesian Film History:Film and Popular Culture in a Developing Society 1950–2020

(2021)

Film and Popular Culture in a Developing Society 1950–2020

by

Publisher:

Subject: Countries >

A Philosophical History of Documentary:1895-1959

(2021)

1895-1959

by

Publisher:

Subject: Genre >

Film Professionals in Nazi-Occupied Europe:Mediation Between the National-Socialist Cultural “New Order” and Local Structures

(2021)

Mediation Between the National-Socialist Cultural “New Order” and Local Structures

Dir. and

Publisher:

Subject: On Films >

The British Boxing Film

(2021)

by

Publisher:

Subject: Countries >

Women in the International Film Industry:Policy, Practice and Power

(2021)

Policy, Practice and Power

Dir.

Publisher:

Subject:

The North East of England on Film and Television

(2021)

by

Publisher:

Subject: Countries >

Film and Counterculture in the 2011 Egyptian Uprising

(2021)

by

Publisher:

Subject: Countries >

Reorienting Chinese Stars in Global Polyphonic Networks:Voice, Ethnicity, Power

(2021)

Voice, Ethnicity, Power

by

Publisher:

Subject: Countries >

Cinemas Dark and Slow in Digital India

(2021)

by

Publisher:

Subject: Countries >

Postcolonial Screen Adaptation and the British Novel

(2020)

by

Publisher:

Subject: Countries >

The Palgrave Handbook of Sound Design and Music in Screen Media:Integrated Soundtracks

(2020)

Integrated Soundtracks

Dir. and

Publisher:

Subject: Technique >

Endings in the Cinema:Thresholds, Water and the Beach

(2020)

Thresholds, Water and the Beach

by

Publisher:

Subject:

Screening the World:Global Development of the Multiplex Cinema

(2019)

Global Development of the Multiplex Cinema

by

Publisher:

Subject:

The Brighton School and the Birth of British Film

(2019)

by

Publisher:

Subject:

The Modern Supernatural and the Beginnings of Cinema

(2019)

by

Publisher:

Subject:

East Asian Transwar Popular Culture:Literature and Film from Taiwan and Korea

(2019)

Literature and Film from Taiwan and Korea

Dir. and

Publisher:

Subject: Countries >

Toward a Philosophy of the Documentarian:A Prolegomenon

(2019)

A Prolegomenon

by

Publisher:

Subject: Genre >

Taiwan Cinema, Memory, and Modernity

(2019)

by

Publisher:

Subject: Countries >

Early British Animation:From Page and Stage to Cinema Screens

(2019)

From Page and Stage to Cinema Screens

by

Publisher:

Subject: Silent Cinema >

The Emergence of Pre-Cinema:Print Culture and the Optical Toy of the Literary Imagination

(2018)

Print Culture and the Optical Toy of the Literary Imagination

by

Publisher:

Subject:

Jews, Cinema and Public Life in Interwar Britain

(2018)

by

Publisher:

Subject: Countries >

The Formation of Chinese Art Cinema:1990–2003

(2018)

1990–2003

by

Publisher:

Subject: Countries >

EMI Films and the Limits of British Cinema

(2018)

by

Publisher:

Subject: Countries >

Gender Inequality in Screenwriting Work

(2018)

by

Publisher:

Subject: Technique >

Corporeal Legacies in the US South:Memory and Embodiment in Contemporary Culture

(2018)

Memory and Embodiment in Contemporary Culture

by

Publisher:

Subject: Countries >

Cognitive Theory and Documentary Film

(2018)

Dir. and

Publisher:

Subject: Genre >

Music in Contemporary French Cinema:The Crystal-Song

(2018)

The Crystal-Song

by

Publisher:

Subject: Countries >

Abel Gance and the End of Silent Cinema:Sounding out Utopia

(2018)

Sounding out Utopia

by

Publisher:

Subject: One Film >

Memories of Resistance and the Holocaust on Film

(2018)

by

Publisher:

Subject: Genre >

The British Football Film

(2018)

by

Publisher:

Subject: Countries >

American–Australian Cinema:Transnational Connections

(2018)

Transnational Connections

Dir. , and

Publisher:

Subject: Countries >

Women in European Holocaust Films:Perpetrators, Victims and Resisters

(2018)

Perpetrators, Victims and Resisters

by

Publisher:

Subject: Genre >

Representing Education in Film:How Hollywood Portrays Educational Thought, Settings, and Issues

(2018)

How Hollywood Portrays Educational Thought, Settings, and Issues

by

Publisher:

Subject:

Australian Screen in the 2000s

(2018)

Dir. and

Publisher:

Subject: Countries >

The British Cinema Boom, 1909-1914:A Commercial History

(2017)

A Commercial History

by

Publisher:

Subject:

Film Distribution in the Digital Age:Pirates and Professionals

(2017)

Pirates and Professionals

by

Publisher:

Subject:

DVD, Blu-ray and Beyond:Navigating Formats and Platforms within Media Consumption

(2017)

Navigating Formats and Platforms within Media Consumption

Dir. and

Publisher:

Subject:

Fairy Tales on the Teen Screen:Rituals of Girlhood

(2017)

Rituals of Girlhood

by

Publisher:

Subject: Genre >

Affect and Belonging in Contemporary Spanish Fiction and Film:Crossroads Visions

(2017)

Crossroads Visions

by

Publisher:

Subject: Countries >

Death, Image, Memory:The Genocide in Rwanda and its Aftermath in Photography and Documentary Film

(2017)

The Genocide in Rwanda and its Aftermath in Photography and Documentary Film

by

Publisher:

Subject: Genre >

Representing the Eighteenth Century in Film and Television, 2000–2015

(2017)

by

Publisher:

Subject: Genre >

Surrealism, Cinema, and the Search for a New Myth

(2017)

by

Publisher:

Subject: Genre >

Social Class and Television Drama in Contemporary Britain

(2017)

Dir. and

Publisher:

Subject: Countries >

British Women Film Directors in the New Millennium

(2017)

by

Publisher:

Subject: Countries >

Cultural Specificity in Indonesian Film:Diversity in Unity

(2017)

Diversity in Unity

by

Publisher:

Subject: Countries >

Class Divisions in Serial Television

(2017)

Dir. and

Publisher:

Subject: Genre >

Film and Democracy in Paraguay

(2016)

by

Publisher:

Subject: Countries >

The British Official Film in South-East Asia:Malaya/Malaysia, Singapore and Hong Kong

(2016)

Malaya/Malaysia, Singapore and Hong Kong

by

Publisher:

Subject: Countries >

The Ministry of Education Film Experiment:From Post-War Visual Education to 21st Century Literacy

(2016)

From Post-War Visual Education to 21st Century Literacy

by

Publisher:

Subject: Countries >

Latin American Documentary Film in the New Millennium

(2016)

Dir. and

Publisher:

Subject: Genre >

The New Hollywood Historical Film:1967-78

(2016)

1967-78

by

Publisher:

Subject: Countries >

The American Civil War and the Hollywood War Film

(2016)

by

Publisher:

Subject: Genre >

Referentiality and the Films of Woody Allen

(2015)

Dir. and

Publisher:

Subject: Director >

A History of 1970s Experimental Film:Britain's Decade of Diversity

(2015)

Britain's Decade of Diversity

by

Publisher:

Subject: Genre >

Children in the Films of Alfred Hitchcock

(2014)

by

Publisher:

Subject: Director >

Sinophone Cinemas

(2014)

Dir. and

Publisher:

Subject: Countries >

Hollywood Before Glamour: Fashion in American Silent Film

(2013)

Fashion in American Silent Film

by

Publisher:

Subject:

Film and Female Consciousness:Irigaray, Cinema and Thinking Women

(2011)

Irigaray, Cinema and Thinking Women

by

Publisher:

Subject:

Refractions of Reality:Philosophy and the Moving Image

(2008)

Philosophy and the Moving Image

by

Publisher:

Subject:

Shakespeare, Film, Fin de Siècle

(2000)

Dir.

Publisher:

Subject: Technique >

•  Interviews (1 book)(0 book)

Those Who Made It:Speaking with the Legends of Hollywood

(2015)

Speaking with the Legends of Hollywood

by

Publisher:

Subject: Studio >

•  Stories (3 books)(0 book)

Blackpool in Film and Popular Music:From Kitsch to Cool

(2020)

From Kitsch to Cool

Dir.

Publisher:

Subject: Countries >

In Search of Marie-Antoinette in the 1930s:Stefan Zweig, Irving Thalberg, and Norma Shearer

(2019)

Stefan Zweig, Irving Thalberg, and Norma Shearer

by

Publisher:

Subject: Genre >

The Shawshank Experience:Tracking the History of the World's Favorite Movie

(2018)

Tracking the History of the World's Favorite Movie

by and

Publisher:

Subject: One Film >

•  Didactic (3 books)(0 book)

Script Development:Critical Approaches, Creative Practices, International Perspectives

(2022)

Critical Approaches, Creative Practices, International Perspectives

Dir. and

Publisher:

Subject: Technique >

European Cinema in the Twenty-First Century:Discourses, Directions and Genres

(2020)

Discourses, Directions and Genres

Dir. and

Publisher:

Subject: Countries >

Dialogue Writing for Dubbing:An Insider's Perspective

(2019)

An Insider's Perspective

by

Publisher:

Subject: Technique >

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