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Basilicata and Southern Italy Between Film and Ecology
Edited by Alberto Baracco and Manuela Gieri
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Book Presentation:
This volume offers an open, transdisciplinary living space (also green) through which to explore the different connections between Basilicata and Southern Italy, cinema, and ecology, and thus to reflect on the different forms through which the historical, cultural, and social contexts of Southern Italian regions have been variously identified and represented. In order to explore these connections, the volume embraces a wide range of perspectives that may all be grouped under the key term film ecocriticism, offering the reader a thorough analysis not only of the different ways of representing reality but also of the processes of signification through which reality itself can be understood, rethought, and transformed. This is the general framework within which the authors consider film as a proper, effective medium for ecocritical and ecophilosophical reflections concerning not only Basilicata (to which the greater part of the volume is dedicated) but also Southern Italy and, therefore, its history and its territories, communities, and identities. Furthermore, in an even more general sense, Basilicata and Southern Italy reconnects with the very idea of the South, and of all Souths, to which this volume is dedicated.
About the authors:
Alberto Baracco is Lecturer in Film Studies at the University of Basilicata, Italy. His main research interests are film philosophy and film ecocriticism. His recent publications include the book Italian Experiences of Trauma through Film and Media (2022), and the monograph, Philosophy in Stan Brakhage’s Dog Star Man (2019).Manuela Gieri is Associate Professor at the University of Basilicata, Italy. Her main research interests are film history, contemporary Italian women’s writing, and new historiography. Among her works, deserving special mention are Contemporary Italian Filmmaking: Strategies of Subversion (1995), Cinema. Dalle origini allo studio system (1895-1945) (2009).
See the publisher website: Palgrave MacMillan
> From the same authors:
Philosophy in Stan Brakhage's Dog Star Man (2019)
World, Metaphor, Interpretation
Subject: One Film > Dog Star Man
Contemporary Italian Filmmaking (1995)
Strategies of Subversion : Pirandello, Fellini, Scola, and the Directors of the New Generation
> On a related topic:
Wandering Women (2022)
Urban Ecologies of Italian Feminist Filmmaking
The Celluloid Atlantic (2025)
Hollywood, Cinecittà, and the Making of the Cinema of the West, 1943–1973
Fame Amid the Ruins (2025)
Italian Film Stardom in the Age of Neorealism
Traveling Auteurs (2024)
The Geopolitics of Postwar Italian Cinema
Italian Contemporary Screen Performers (2024)
Training, Production, Prestige
by Luca Barra, Cristina Formenti, Mariapaola Pierini and Francesco Pitassio
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