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Animals and Greek Cinema
An Inquiry into the Nonhuman
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Book Presentation:
This book offers a non-anthropocentric account of a national cinema. Drawing on cutting-edge developments in Animal (film) studies, the book gathers a wide range of species and genres to discuss the Greek cinematic animal. This en-tails recalibrating the readers’/viewers’ gazes to include particular nonhumans, often displaced in the frame’s margins. While acknowledging the cost paid in animal suffering for Greek cinema to rise, the book features instances of animal-human bonding. Combining close readings with interviews with directors, human actors, screenwriters, cinematographers, producers, special effects artists, and animal wranglers, this book proposes a paradigm of human-animal praxis, arguing that revisiting nonhuman images can lead to renewed ethical relations, and to less speciesist cinemas, film industries, and societies.
About the Author:
Nikitas Fessas owns a no-kill farm in Crete. He holds a PhD in Political and Social Sciences: Communication Sciences (focused on Film). He has worked as a film reviewer and has co-edited the volume Greek Film Noir (2022). Slavoj Žižek references him in two of his books.
See the publisher website: Palgrave MacMillan
> From the same author:
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Realism in Greek Cinema (2021)
From the Post-War Period to the Present
The Greek Film Musical (2005)
A Critical and Cultural History
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