Books in French are on www.livres-cinema.info
Taiwan Cinema, Memory, and Modernity
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
This book investigates the aesthetics and politics of Post/Taiwan-New-Cinema by examining fifteen movies by six directors and frequent award winners in international film festivals. The book considers the works of such prominent directors as Edward Yang, Tsai Ming-liang and Chang Tsuo-chi and their influence on Asian films, as well as emergent phenomenal directors such as Wei Te-sheng, Zero Chou, and Chung Mong-hong. It also explores the possibility of transnational and trans-local social sphere in the interstices of layered colonial legacies, nation-state domination, and global capitalism. Considering Taiwan cinema in the wake of globalization, it analyses how these films represent the socio-political transition among multiple colonial legacies, global capitalism, and the changing cross-strait relation between Taiwan and the Mainland China. The book discusses how these films represent nomadic urban middle class, displaced transnational migrant workers, roaming children and younggangsters, and explores how the continuity/disjuncture of globalization has not only carved into historical and personal memories and individual bodies, but also influenced the transnational production modes and marketing strategies of cinema.
About the Author:
Ivy I-chu Chang is Professor and the former provost of National Chiao Tung University, Taiwan. She was a visiting scholar and Fulbright scholar at New York University in 2006 and 2011-12, a recipient of MOST Grant (1997-2019), Mackay Canadian Studies Award, and Asian Cultural Council Award. She is the co-editor and chapter contributor of a book, Transnational Performance, Identity, and Mobility in Asia (Palgrave, 2018) and is the author of such monographs as Queer Performativity and Performance (2010); and Global Time-Space, Bodies and Memories: Taiwan New Cinema and its Influence (2015).
Press Reviews:
"The book is a crucial and very welcome examination of a film industry … . the main strengths of this book is the author’s ability to amalgamate the complex deconstruction of film style, paying close attention to cinematography, composition, editing, and narrative, with that of the wider geopolitical complexities of Taiwan’s hybrid cultural landscape." (Mary J. Ainslie, International Journal of Taiwan Studies, Vol. 4 (2), 2021)
See the publisher website: Palgrave MacMillan
> On a related topic:
East Asian Transwar Popular Culture (2019)
Literature and Film from Taiwan and Korea
Dir. Pei-yin Lin and Su Yun Kim
Early Film Culture in Hong Kong, Taiwan, and Republican China (2018)
Kaleidoscopic Histories
Dir. Emilie Yueh-yu Yeh
Mapping Taiwanese Cinema, 2008-20 (2024)
Environments, Poetics, Practice
Taiwan Cinema as Soft Power (2022)
Authorship, Transnationality, Historiography
Back
