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The Palgrave Handbook of Comparative New Cinema Histories
Edited by Daniela Treveri Gennari, Lies Van de Vijver and Pierluigi Ercole
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Book Presentation:
This Handbook offers new and previously unexplored comparative approaches to the field of New Cinema History. The volume brings together contributions focussing on historical and contemporary comparative case studies of cinema-going practices, cinema distribution, exhibition and reception from a global perspective. Engaging with a wealth of empirical and archive-based sources the volume explores a wide range of methodological and theoretical approaches. This Handbook is a key addition to debates on the relationship between film industry and cinema-going practices across different political and cultural geographical dimensions.
Chapter(s) “Chapter 8.” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
About the authors:
Daniela Treveri Gennari is Professor of Cinema Studies at Oxford Brookes University, UK. She is the Principal Investigator of the AHRC-funded project European Cinema Audiences. Entangled Histories, Shared Memories. Her publications include, among others, the edited volume Rural Cinema Exhibition and Audiences in a Global Context (Palgrave, 2018). Lies Van de Vijver is Co-Investigator and project manager of European Cinema Audiences. She edited Mapping Movie Magazines: Digitization, Periodicals and Cinema History (Palgrave, 2020) with Daniel Biltereyst, runner-up for BAFTSS Best Edited Collection 2021.Pierluigi Ercole is Associate Professor of Film Studies at De Montfort University, UK. He is Co-Investigator for the AHRC-funded project European Cinema Audiences. Entangled Histories, Shared Memories.
See the publisher website: Palgrave MacMillan
> From the same authors:
Italian Cinema Audiences (2022)
Histories and Memories of Cinema-going in Post-war Italy
by Daniela Treveri Gennari, Catherine O'Rawe, Danielle Hipkins and Silvia Dibeltulo
Mapping Movie Magazines (2020)
Digitization, Periodicals and Cinema History
Dir. Daniel Biltereyst and Lies Van de Vijver
Subject: On Films > Movie magazines
Moralizing Cinema (2018)
Film, Catholicism, and Power
Dir. Daniel Biltereyst and Daniela Treveri Gennari
Subject: Sociology
Post-War Italian Cinema (2010)
American Intervention, Vatican Interests
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