MENU   

Female Robots and AI in Science Fiction Cinema

The Fabular Femininity of Gynoids

de

Type
Essays
Sujet
Genre
Mots Clés
science fiction, women, artificial intelligence
Année d'édition
Editeur
Palgrave MacMillan
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover308 pages
6 x 8 ¾ inches (15.5 x 22 cm)
ISBN
978-3-031-94916-6
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
This book is the first comprehensive overview of the history of female-presenting AI and robots in US and UK live-action, science fiction films from 1949 to 2023. It offers an original taxonomy that aids in the examination of 80 films and over 135 characters’ representations, starting with The Perfect Woman (1949) and ending with Robots (2023). Using its representational taxonomy, this book analyses the evolution of these depictions, showing the continuations, revisions, and shifts in the depiction of female-presenting AI and robots from objectified, eroticised, subordinated things to being autonomous moral agents who assert their right to equality and refuse their abusive, typically sexual, use. This book shows how these fictional, gendered constructions are products of a heterosexual, cisgender, male fantasy of an idealised, subordinated form of femininity. These artificial characters, along with their real-world counterparts, highlight a desire for a subordinated femininity, but also show how that subordination is a social construction often reinforced and countered in onscreen depictions. By examining the trends within its asserted Galatea, Girlfriend, Mother, and Deadly Seductress types, this book presents an exploration of what our female-presenting artificial creations could be, while addressing their contemporary, and our current, AI technologies, and how science fiction is influencing real life, while our reality seeks to mirror science fiction.

À propos de l'auteur :
Dr Rebecca L Jones, PhD, is an Associate Lecturer at University of Maryland, College Park, USA. She writes about representation across media types in journals such as Fantastika and MAI: A Journal of Feminism and Visual Culture, and in edited collections on gender and contemporary horror, autonomous weapons systems, and cybernetics.

Voir le

> Sur un thème proche :

Using Declarative Mapping Sentences in Psychological Research:Applying Facet Theory in Multi-Componential Critical Analyses of Female Representation in Science Fiction Film and TV

(2024)

Applying Facet Theory in Multi-Componential Critical Analyses of Female Representation in Science Fiction Film and TV

de et

Sujet : Genre >

Women's Space:Essays on Female Characters in the 21st Century Science Fiction Western

(2019)

Essays on Female Characters in the 21st Century Science Fiction Western

Dir.

Sujet : Genre >

Space Sirens, Scientists and Princesses:The Portrayal of Women in Science Fiction Cinema

(2018)

The Portrayal of Women in Science Fiction Cinema

de

Sujet : Genre >

Alien Constructions:Science Fiction And Feminist Thought

(2006)

Science Fiction And Feminist Thought

de

Sujet : Genre >

Anatomy of a Robot:Literature, Cinema, and the Cultural Work of Artificial People

(2014)

Literature, Cinema, and the Cultural Work of Artificial People

de

Sujet : On Films >

Societies in Space:Essays on the Civilized Frontier in Film and Television

(2025)

Essays on the Civilized Frontier in Film and Television

Dir.

Sujet : Genre >

16917 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info