MENU   

Jews, Cinema and Public Life in Interwar Britain

by

Type
Studies
Subject
Countries
Keywords
Great Britain, Jewishness, 1930s
Publishing date
Publisher
Palgrave MacMillan
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover238 pages
6 x 8 ¼ inches (15 x 21 cm)
ISBN
978-1-137-56930-1
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
This book investigates a Jewish orientation to film culture in interwar Britain. It explores how pleasure, politics and communal solidarity intermingled in the cinemas of Jewish neighbourhoods, and how film was seen as a vessel through which Jewish communal concerns might be carried to a wider public. Addressing an array of related topics, this volume examines the lived expressive cultures of cinemas in Jewish areas and the ethnically specific films consumed within these sites; the reception of film stars as representations of a Jewish social body; and how an antisemitic canard that understood the cinema as a Jewish monopoly complicated its use as a base for anti-fascist activity. In shedding light on an unexplored aspect of British film reception and exhibition, Toffell provides a unique insight into the making of the modern city by migrant communities. The title will be of use to anyone interested in Britain’s interwar leisure landscape, the Jewish presence in modernity, anda cinema studies sensitised to the everyday experience of audiences.

About the Author:
Gil Toffell is an academic researcher currently working on the Oxford Leverhulme Diasporas Programme. He was previously Leverhulme Early Career Fellow in the Department of Film Studies at Queen Mary, University of London, UK.

Press Reviews:
"His book will indeed be of use to ‘anyone interested in the interwar leisure landscape, the Jewish presence in modernity, and a cinema studies sensitised to the everyday experience of audiences’ (blurb)." (European Journal of Communication, Vol. 34 (1), 2019)

See the

> On a related topic:

Hidden in Plain Sight:Jews and Jewishness in British Film, Television, and Popular Culture

(2016)

Jews and Jewishness in British Film, Television, and Popular Culture

Dir.

Subject: Countries >

Silent to Sound:British Cinema in Transition

(2024)

British Cinema in Transition

by

Subject: Countries >

Cinema, Literature & Society:Elite and Mass Culture in Interwar Britain

(2016)

Elite and Mass Culture in Interwar Britain

by and

Subject: Countries >

Destination London:German-Speaking Emigrés and British Cinema, 1925-1950

(2012)

German-Speaking Emigrés and British Cinema, 1925-1950

Dir. and

Subject: Countries >

The Projection of Britain:A History of the GPO Film Unit

(2011)

A History of the GPO Film Unit

Dir. and

Subject: Countries >

The History of the British Film 1929 - 1939:Volume VI: Films of Comment and Persuasion of the 1930's

(2011)

Volume VI: Films of Comment and Persuasion of the 1930's

Dir.

Subject: Countries >

The History of the British Film 1929 - 1939:Volume V: Documentary and Educational Films of the 1930s

(2011)

Volume V: Documentary and Educational Films of the 1930s

Dir.

Subject: Countries >

The History of British Film 1929 - 1939:Volume VII: Film Making in 1930's Britain

(2011)

Volume VII: Film Making in 1930's Britain

Dir.

Subject: Countries >

16917 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info