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Jews, Cinema and Public Life in Interwar Britain

by Gil Toffell

Type
Studies
Subject
CountriesGreat Britain
Keywords
Great Britain, Jewishness, 1930s
Publishing date
2018
Publisher
Palgrave MacMillan
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 238 pages
6 x 8 ¼ inches (15 x 21 cm)
ISBN
978-1-137-56930-1
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Book Presentation:
This book investigates a Jewish orientation to film culture in interwar Britain. It explores how pleasure, politics and communal solidarity intermingled in the cinemas of Jewish neighbourhoods, and how film was seen as a vessel through which Jewish communal concerns might be carried to a wider public. Addressing an array of related topics, this volume examines the lived expressive cultures of cinemas in Jewish areas and the ethnically specific films consumed within these sites; the reception of film stars as representations of a Jewish social body; and how an antisemitic canard that understood the cinema as a Jewish monopoly complicated its use as a base for anti-fascist activity. In shedding light on an unexplored aspect of British film reception and exhibition, Toffell provides a unique insight into the making of the modern city by migrant communities. The title will be of use to anyone interested in Britain’s interwar leisure landscape, the Jewish presence in modernity, anda cinema studies sensitised to the everyday experience of audiences.

About the Author:
Gil Toffell is an academic researcher currently working on the Oxford Leverhulme Diasporas Programme. He was previously Leverhulme Early Career Fellow in the Department of Film Studies at Queen Mary, University of London, UK.

Press Reviews:
"His book will indeed be of use to ‘anyone interested in the interwar leisure landscape, the Jewish presence in modernity, and a cinema studies sensitised to the everyday experience of audiences’ (blurb)." (European Journal of Communication, Vol. 34 (1), 2019)

See the publisher website: Palgrave MacMillan

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